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Ta Mej I Dalen Countrylife
追加するd: 2014-07-18 Ta Mey I Dalen (Countrylife) is a Swedish film with three American performers. Sweden's 自由主義の 態度 toward sexuality remains more tolerant than that of the USA. It was this way even as far 支援する as 1967, when Vilgot Sjoman's "I Am Curious (Yellow)" became the first movie with explicit sex to get theatrical playdates in the USA. Until recently, on-審査する depiction was 禁じるd in Swedish cinema. So Swedish directors had to find 辛勝する／優位s around to which to 示唆する 侵略. Here is one example. Chris Chittel owns a farm. He has a 支配的な-male 態度. When he wants sex, he 推定する／予想するs his 女性（の） staff to すぐに 中止する what they are doing and 満足させる him. His American cousin (Eric Edwards) is visiting. C. Chittel tries to imbue his beliefs upon E. Edwards; but his way does not work for his cousin. The European women in this film, 含むing Jacqueline Laurent (絶対 素晴らしい for a 55-year-old), are beautiful, attainable, and fresh. You'll love them all. The 脅し is 供給するd by C. Chittel's housekeeper, who loathes him and the entire lascivious atmosphere. She is 工場／植物ing dynamite all around the farm, ーするつもりであるing to 爆発する it off the 直面する of the earth. You can surmise that she is 停止（させる）d in her 計画（する）. You might even be able to guess how and by whom she is stopped. I believe you will agree with me that films like this 後継する in making explicit hardcore sex more palatable to those who have only seen what lines the 棚上げにするs at ビデオ 蓄える／店s today.
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