52:59
Cherry Hustlers
追加するd: 2014-12-12 While Shaun Costello is still 現在の in a 相当な 主要な 役割, the 合意 seems to be that this movie was directed by his 長年の friend and DoP Art Ben (a/k/a Ron Dorfman). Anyone familiar with Ben's '80s 生産（高） (GOOD GIRL/BAD GIRL, SEXUALLY ALTERED STATES and his 全体にわたる best film FASHION FANTASIES) will soon 位置／汚点／見つけ出す his familiar failings. Contrary to Costello, who 好意s hot sex over just about anything else, Ben invariably goes for that real film feel with 完全にする and often convoluted story lines, lavish 生産／産物 values and hefty 事実上の／代理 assignments for people not always equipped for such, slighting the carnal 構成要素 along the way. For a one hour flick, this one has an almost impossibly コンビナート／複合体 陰謀（を企てる） to wade through. An 高齢化 accountant 指名するd Gregory Barr (Robert 無作為の, also in Carter Stevens' enjoyably silly ROLLERBABIES) has embezzled a sum of $ 80,000 from the company he 作品 for, 補佐官d and abetted by lady (n)役員／(a)執行力のある Toby (talented Jennifer Jordan, so impressive as the duplicitous landlady in Roberta Findlay's THE TIFFANY MINX), but is now starting to panic and wants out of the 取引，協定. It's up to Toby and her friends Sally (Vanessa Del Rio with 極端に plucked eyebrows) and Keith (Alan Marlow, the 肩書を与える character's husband in Radley Metzger's PRIVATE AFTERNOONS OF PAMELA MANN) to （不足などを）補う for the 赤字 by auctioning off their 団体／死体s to the highest 入札者. Huh ? 井戸／弁護士席, there is rather more to the story but this is やめる honestly the gist of it. Hey, I said it had 陰謀（を企てる）. I didn't say it was good. As a 事柄 of fact, it 追跡するs off in a different direction at every turn with sex taking a 支援する seat on most occasions. For instance, someone 現実に managed to cast real life twins Brooke and Taylor Young (seen to better advantage in Carter Stevens' TEENAGE TWINS and DOUBLE YOUR PLEASURE) for a group scene 伴う／関わるing Vanessa and some unappealing male who's supposed to be the girls' father. This 潜在的に sulfurous sequence is however rudely interr upted after about two minutes' 価値（がある） of 活動／戦闘 by the character of Del Rio's jealous husband, 主要な to an admittedly 井戸／弁護士席-行為／法令／行動するd heart to heart that 不公平に has to （不足などを）補う for the 欠如（する） of a 十分な sex scene. Same thing for the weird psychodrama bit with Keith and his carping middle-老年の wife who goes berserk when her husband jacks off on the TV 審査する. Bits like these might work 井戸／弁護士席 in 新規加入 to 井戸／弁護士席-（手先の）技術d carnality but hardly instead of them. Likewise, テレビ視聴者s trying to 人物／姿／数字 out the コンビナート／複合体 narrative might not すぐに realize that an actress as 控訴，上告ing and, it has to be said, 遂行するd as Jordan doesn't get naked until the final ten minutes or that there's a 欠如（する） of explicit ニュース報道 in her 選び出す／独身 sex scene with Costello at the end. Not all is lost however. Every now and then Ben does let a 性の 遭遇（する） play out from start to finish, the best of which 存在 the disco tussle with Marlow and the divine Annie ぱらぱら雨 (a veritable legend in her own lifetime as 星／主役にする of 審査する, 行う／開催する／段階, written page and what not) that turns into a hot little group with the 新規加入 of Vanessa and late funny man Bobby Astyr with Del Rio 供給（する）ing the 挟む 活動／戦闘. The brightly colorful cinematography is some of the best I've seen on these low to no 予算 New York grinders and the でっちあげる，人を罪に陥れるing 装置 with Costello's smitten company 探偵，刑事 interrogating Toby 船内に a sports 計画（する） in 十分な flight over some startling scenery definitely 追加するs a touch of class. A final ironic touch sees all this 陰謀（を企てる） Ben has so carefully orchestrated jettisoned for a tired orgy finale with only Vanessa 陳列する，発揮するing the necessary verve.
