An art 売買業者 has あられ／賞賛するd King Charles' new fiery red 絵 as '驚くべき／特命の／臨時の', 述べるing it as the 'most 進歩／革新的な 王室の portrait in a very long time'.
The King today 明かすd the first 完全にするd 公式の／役人 portrait of himself since the 載冠（式）／即位（式） at Buckingham Palace.
The 絵, by the renowned artist Jonathan Yeo, was （売買）手数料，委託（する）／委員会／権限d in 2020 to celebrate the then-Prince of むちの跡s's 50 years as a member of The Drapers' Company.
It 描写するs His Majesty wearing the uniform of the Welsh Guards, of which he was made Regimental 陸軍大佐 in 1975.
The 2300mm x 1655 mm portrait will go on 陳列する，発揮する for a month at the Philip Mould Gallery in London from May 16 to June 14.
Art 売買業者 Mr Mould said today: 'As it is such an important image, it's hugely important that the public have the 適切な時期 to see it. It's an 驚くべき／特命の／臨時の 3D work of art.?
King Charles today 明かすd the first 完全にするd 公式の／役人 portrait of himself since the 載冠（式）／即位（式） at Buckingham Palace? The 絵 is by the renowned artist Jonathan Yeo
King Charles III is pictured 迎える／歓迎するing Sir Philip Mould at the 明かすing today
King Charles III 準備するs to 明かす the 絵 at Buckingham Palace in London today
King Charles III 迎える／歓迎するs artist Jonathan Yeo at the 明かすing of the portrait today
'It's the most 進歩／革新的な 王室の portrait done from life in a very long time. It 描写するs 連続, mystery, a touch of divinity.?
'Modern art is 破壊分子, edgy. It's very different from the normal public offerings but Johnny has done it in my 見解（をとる）. How do you paint a modern 君主? He's pulled it off.'
Today, Yeo spoke of a バタフライ on the portrait echoing Charles's 'metamorphosis' from Prince to King during the 過程 - and the 君主 joked that it was nice to know he was a chrysalis.
Yeo 追加するd: 'People often say is there a secret to doing a good portrait? And I say I don't know really. 現実に I think there is one, and that's having an 利益／興味ing 支配する to start with. And you couldn't ask for a better one than this, other than Her Majesty.'?
As he gestured に向かって Camilla - whom he also painted a portrait of in 2014 - the comment was 迎える／歓迎するd with much laughter by those gathered in the palace.?
Queen Camilla was heard to congratulate Yeo, 宣言するing it 'fantastic' and kissed him 温かく on each cheek.
The canvas size - だいたい 8.5ft by 6.5ft でっちあげる，人を罪に陥れるd - was carefully considered to fit within the architecture of Drapers' Hall and the 状況 of the 絵s it will 結局 hang と一緒に.
Yeo had four sittings with The King, beginning when His Majesty was Prince of むちの跡s in June 2021 at Highgrove, and later at Clarence House.
The last sitting took place in November 2023 at Clarence House.
He also worked from 製図／抽選s and photography he took of His Majesty, 許すing him to work on the portrait in his London studio between sittings.
Yeo said: 'It was a 特権 and 楽しみ to have been （売買）手数料，委託（する）／委員会／権限d by The Drapers' Company to paint this portrait of His Ma jesty The King, the first to be 明かすd since his 載冠（式）／即位（式）.
'When I started this 事業／計画（する）, His Majesty The King was still His 王室の Highness The Prince of むちの跡s, and much like the バタフライ I've painted hovering over his shoulder, this portrait has 発展させるd as the 支配する's 役割 in our public life has transformed.
'I do my best to 逮捕（する） the life experiences etched into any individual sitter's 直面する. In this 事例／患者, my 目的（とする） was also to make 言及／関連 to the traditions of 王室の portraiture but in a way that 反映するs a 21st Century 君主国 and, above all else, to communicate the 支配する's 深い humanity.
King Charles 明かすs his portrait by artist Jonathan Yeo, at Buckingham Palace today
The 絵 is 明らかにする／漏らすd for the first time by King Charles at Buckingham Palace today
'I'm unimaginably 感謝する for the 適切な時期 to 逮捕（する） such an 驚くべき／特命の／臨時の and unique person, 特に at the historic moment of becoming King.'
At Buckingham Palace, Charles and Queen Camilla were met by The Master of The Drapers' Company, Tom Harris and Past Master, William Charnley.
Together they joined Yeo who said a few words after His Majesty 明かすd the portrait.
Guests 含むd other members of the Drapers' Company, students and staff from the Drapers' 学院, Welsh Guards and Yeo's family.
The portrait will go on public 陳列する，発揮する for a month at the Philip Mould Gallery in London, from this Thursday until June 14. 入ること／参加（者） is 解放する／自由な.
As the King?明かすd the first 公式の／役人 完全にするd portrait of himself as 君主 showing his 'metamorphosis' from prince to 君主, he exclaimed at the 負わせる of the covering.
'Christ', the King exclaimed, as he pulled the 巨大（な） red 屈服する 持つ／拘留するing it up.
'I wondered what the でっちあげる，人を罪に陥れる was going to be like,' said His Majesty. for whom the 絵 wasn't a 完全にする surprise. He had 明らかに seen it when it was 'two thirds' finished.
'It is remarkable, 現実に, how it has turned out. '
'Has it changed that much since you last saw it?' the artist asked.
'A little bit,' Charles joked. 'You have fiddled away up here, 港／避難所't you? '
King Charles smiles as he arrives? for the 明かすing today, for which he sat four times, beginning when he was Prince of むちの跡s in June 2021
Charles stands at Buckingham Palace today next to Jonathan Yeo who painted the portrait
King Charles laughs with artist Jonathan Yeo, pictured next to his 公式の／役人 portrait today
Yeo said to the sound of chuckles: 'Someone asked if I get nervous about unveilings and the answer is not 普通は. But then the 支配する doesn't 普通は become King half way through the 過程.
'It's a joy and honour to be here. I want to thank…above all the 支配する for 信用ing me with it and giving me so much of his time.
'People often say is there a secret to doing a good portrait and…that's having an 利益／興味ing 支配する to start with.'
Yeo, who has also painted Queen Camilla, 追加するd to その上の laughs: ' I couldn't wish for a better one than this, other than Her Majesty.'
Explaining his 見通し - and that バタフライ - he said: 'I won't bang on about the picture except to explain two artistic pieces of licence. One is the colour, 明白に, which was 奮起させるd by the colour of the 有望な red tunic of the Welsh Guards. And that got me thinking it would be lovely to take the colour and spray it around the picture.
'The uniform and the メダルs are 広大な／多数の／重要な 言及／関連s to historic 王室の portraits of the past but it felt like this one should have a bit more dynamic and 同時代の feel. And hopefully it does that. But hopefully at the same time it 許すs the 焦点（を合わせる） to be on the 直面する and the 注目する，もくろむs, which feel like a very informal part of it.
'The other thing is the バタフライ. I would love to take 十分な credit for that but it was 現実に the 支配する's idea. '
'Was it?' Charles interjected, laughing.
Queen Camilla is pictured 温かく 迎える／歓迎するing the artist Jonathan Yeo at the 明かすing today
A portrait by Jonathan Yeo of Queen Camilla in 2014 when she was Duchess of Cornwall
Yeo continued: 'We had a conversation at the start about how it nice to would be to have a narrative element which 言及／関連d his passion for nature and the 環境. And he said what about a バタフライ on my shoulder, they often do that. I thought 'ooh, that's a good idea, I wish I had thought of that'. It also 作品 as a 反対する point to the 軍の steeliness of the sword. It is a little visual 装置.
'And then when he changed 職業s half way through the 過程 it 追加するd resonance because in art history 条件 you have the metamorphosis. It's nice a little simple visual 装置 like that tells 多重の stories. And perhaps it's testament to the 支配する's own artistic instinct that he brought such a lovely, beautiful element into the composition.
'The 広大な／多数の／重要な joy and 特権 of my 職業 is that I get to paint some 明確に very amazing people and get to s pend some unique time with them. And you feel it your 責任／義務 as an artist to communicate what you sew and experience and try to get it の上に canvas and hopefully it does that with his warmth and 親切 and curiosity and humour and the 深い humanity of the king. '
Charles joked: 'It was nice to know I was a chrysalis when you first met me. 井戸／弁護士席 thank you and congratulations. Fantastic. '
When it was pointed out that the バタフライ was, in fact, a 君主 バタフライ, Yeo said: 'Yes another bit of artistic licence. It was 指名するd after William of Orange, I think, 初めは. Because it was orange. They are the ones most in danger. '
The King replied: 'I have seen them in that 驚くべき／特命の／臨時の part of Mexico in a remarkable forest. Thousands of them. But it is 驚くべき／特命の／臨時の how バタフライs do come and l and on your shoulder if you are in the garden or something. I think it's lucky if they land on you, do you know what I mean?'
Yeo is one of the world's 主要な portrait artists whose 支配するs have 含むd the 産業の designer Sir Jony Ive, 放送者 Sir David Attenborough and 行動主義者s Malala?Yousafzai and Doreen Lawrence.
A portrait 解放（する）d by Jonathan Yeo in 2008 of Prince Philip, who died in April 2021
The 絵 was 完全にするd by the renowned artist Jonathan Yeo (pictured in London in 2018)
He has also produced portraits of actors Nicole Kidman, Giancarlo Esposito, Dennis Hopper, Idris Elba and Sienna Miller, artists Damien Hirst and Grayson Perry, model Cara Delevingne and former world leaders Tony Blair, David Cameron, Helle Thorning-Schmidt and Juan Manuel Santos.
In 新規加入, Yeo has 以前 produced （売買）手数料，委託（する）／委員会／権限s of Prince Philip and Camilla.
Thomas Harris, Master at The Worshipful Company of Drapers, who （売買）手数料，委託（する）／委員会／権限d the 絵, explained that the King's portrait would 取って代わる that of Queen Elizabeth in their 法廷，裁判所 Dining Room.
She will now join 海軍大将 Nelson in the Courtroom - bumping the Duke of Wellington off the 塀で囲む at Drapers' Hall in the City of London.
Known for both 伝統的な and 実験の portraiture, his work has been 展示（する）d 広範囲にわたって in museums and galleries 世界的な.
He is 現在／一般に artist trustee of the 国家の Portrait Gallery.
The Drapers' Company can trace its 忠誠 to the 君主 支援する to 1364 when it received its first 借り切る／憲章 from King Edward III.
This 正式に recognised the fraternity of Drapers in the City of London and 認めるd them the monopoly 権利s over the cloth 貿易（する） within the City.
The Company was frequently called upon to 供給（する） money, men and 武器 as 要求するd by the 栄冠を与える.
From the 18th century, such support changed to the 財政上の support of servicemen and the 救済 of need of the dependants of those 負傷させるd or killed on 義務.
Prince Albert, later George VI, became a Draper in 1919. Queen Elizabeth II became a Draper in 1947, joining the 法廷，裁判所 in 2017.
Charles became a Freeman of the Drapers' Company in 1971, when the Company also 供給するd offices for the newly formed Prince's 信用 at Drapers' Hall.
The Drapers' Company also 誇るs a 相当な philanthropic arm, which dates 支援する to Tudor times and now is 治めるd through many charitable 信用s that have been left in its care.
