Ghostbusters: Trailer, 証明書 and where to watch
The 1980s comedy classic, starring 法案 Murray and Dan Aykroyd
Year: 1984
証明書: 12
Ghostbusters easily passes one of the most important 実験（する）s of cinematic brilliance - no 事柄 how many times you've seen it, every time you つまずく across it, you'll tune in for at least ten minutes. Ghostbusters is also that rare beast, a film that's stuffed with special 影響s but doesn't rely on big bangs - though there are many to be had - 許すing sly wit to 栄える instead.
It all 残り／休憩（する）s, of course, on a ludicrous 前提. 法案 Murray, Dan Aykroyd and Harold Ramis are postgraduates in 'parapsychology', who pretend to 調査／捜査する paranormal phenomena until they're kicked off campus. So they start a 商売／仕事 - taking on a fourth team member (Ernie Hudson) and a 長官 (Annie Potts) - and become celebrities when they, much to their own surprise, start 逮捕（する）ing real ghosts.
The 陰謀（を企てる）'s preposterousness is 現実に part of the charm, and 許すs the special 影響s team to have 広大な／多数の／重要な fun - the 巨大（な） Stay Puft marshmallow creature that 支配するs the 最高潮 is one of the 広大な／多数の／重要な movie monsters. But it's Ramis's and Aykroyd's script and Murray's deadpan 配達／演説／出産 (much of his 業績／成果 improvised) that stay in the memory - the 対話 is as zingy as a mouthful of Tabasco, and the 業績／成果s are uniformly excellent. In short, it's an underrated classic.
Ray Parker Jr's 主題 tune for Ghostbusters was written at 4.30am one day after Parker saw a 商業の for a drain company, and it reminded him of a scene from the film. It all suddenly clicked for Parker, who had been struggling to come up with an idea for a song. The 商業の helped him to 令状 the hook 'Who you gonna call?', and he went on to （手先の）技術 the 主題 as a spoof advert - the resultant tune was a 抱擁する 全世界の 攻撃する，衝突する, and was even 指名するd for a Best 初めの Song Oscar. (105 minutes)?
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