Barbie breaks box office 記録,記録的な/記録するs as comedy opens to $300M at the 全世界の box office while Oppenheimer draws $165M - as Barbenheimer draws countless fans to the theatres

Barbenheimer has 生成するd some serious cash at the box office after the two 高度に-心配するd films were 同時に 解放(する)d this 週末.?

In total, Barbie and Oppenheimer drew an 概算の $465 million in ticket sales に引き続いて their 共同の 解放(する) date of July 21.?

Barbie, starring Margot Robbie, 33, was the 週末's big 勝利者 with $155 million 国内で and more than $300 million in 世界的な ticket sales, per 最終期限. The numbers make it the biggest film debut of 2023, によれば Variety.?

The Greta Gerwig, 39, directed film about the iconic doll is the second biggest 開始 of all time. Only Avengers: Endgame in 2019 did better with $357 million.

Oppenheimer, starring Cillian Murphy, 47, took second place with over $80.5 million 国内で and $165 million globally.

Moviegoers are turning out in droves for both films, with many 選ぶing to see both in a 二塁打 feature.?

Let's party! Barbenheimer weekend has absolutely obliterated box office records with an estimated $465 million in ticket sales for the two highly-anticipated films' opening weekend

Let's party! Barbenheimer 週末 has 絶対 obliterated box office 記録,記録的な/記録するs with an 概算の $465 million in ticket sales for the two 高度に-心配するd films' 開始 週末

The Barbenheimer numbers are in! Oppenheimer, starring Cillian Murphy, 47, took second place with over $80 million domestically and $165 million globally

The Barbenheimer numbers are in! Oppenheimer, starring Cillian Murphy, 47, took second place with over $80 million 国内で and $165 million globally

That’s the biggest 週末 地位,任命する-pandemic, easily (太陽,月の)食/失墜ing Spider-Man: No Way Home's 開始 週末 when?all pics totaled $281.8 million.

Barbie is the biggest 開始 of 2023, easily より勝るing 最高の Mario Bros.' $146.4 million.

If the $465 million 人物/姿/数字 is 正確な, Barbenheimer 週末 becomes the biggest box office 週末 of all time.?

以前,?Avengers: Endgame's $402 million in April 2019 held the 記録,記録的な/記録する, followed by Avengers: Infinity Wars' $314.8 million in April 2018 and 星/主役にする Wars: 軍隊 Awakens' $313.2 million in December 2015.?

And it's all 存在 done by a bubbly blonde and her himbo boyfriend - not a superhero or space adventurer in sight.

Barbie also brought in the most ticket sales of any 開始 週末 in 2023 with?$70.5 in ticket sales on Friday, while Oppenheimer (機の)カム in second with $33 million.?

The 高度に-心配するd Barbie comedy is now?the second highest g rossing film 世界的な directed by a woman. It is the highest 甚だしい/12ダースing film directed by a woman 国内で.

Patty Jenkins' Wonder Woman 以前は held the 記録,記録的な/記録する for any movie 単独で directed by a woman with its $103 million in 2017.

Captain Marvel, co-directed by Anna Boden and Ryan Fleck, 現在/一般に 持つ/拘留するs the 記録,記録的な/記録する for any film with a 女性(の) director with the $456.6 million it opened with globally in 2019.

Barbie has broken a number of 記録,記録的な/記録するs this 週末 含むing the largest 甚だしい/12ダースing day of the year at $70.8 million for Saturday (以前 held by 最高の Mario Bros' $54.8 million), largest 開始 週末 for a movie based on a toy (以前 held by Transformers: Rise of the Dark's $144.4 million), and the largest 非,不,無‐sequel, 非,不,無‐remake film 解放(する)d in July, (警官の)巡回区域,受持ち区域ing The Secret Life of Pets'? $104.4 million 開始 in 2020.

Barbie has already より勝るd the lifetime 甚だしい/12ダースs of many of other 女性(の)-led movies, 含むing Ocean's 8's $297.7 million, Birds of Prey's $205.3 million and Little Women's $218.8 million)

The?Christopher Nolan, 52, biopic is his highest 開始 週末 ever and the best-ever 開始 for an R-率d film, topping John Wick: 一時期/支部 4's $73.8 million.

There has never been an 開始 週末 with one film 甚だしい/12ダース ing more than $100 million and a second making more than $50 million as Barbie and Oppenheimer have.

Barbie had the largest pre sales at $22.3 million of any Warner Brothers film ever.

She's everything:?Barbie, starring Margot Robbie, 33, was the weekend's big winner with $150 million domestically and more than $300 million in worldwide ticket sales

She's everything:?Barbie, starring Margot Robbie, 33, was the 週末's big 勝利者 with $150 million 国内で and more than $300 million in 世界的な ticket sales

Whoa! Oppenheimer, starring Cillian Murphy, 47, took second place with over $80.5 million domestically and $165 million globally

Whoa! Oppenheimer, starring Cillian Murphy, 47, took second place with over $80.5 million 国内で and $165 million globally

Record holder:?The Greta Gerwig, 39, directed film about the iconic doll is the second biggest opening of all time. Only Avengers: Endgame in 2019 did better with $357 million

記録,記録的な/記録する 支えるもの/所有者:?The Greta Gerwig, 39, directed film about the iconic doll is the second biggest 開始 of all time. Only Avengers: Endgame in 2019 did better with $357 million

Big deal:?Moviegoers are turning out in droves for both films, with many opting to see both in a double feature

Big 取引,協定:?Moviegoers are turning out in droves for both films, with many 選ぶing to see both in a 二塁打 feature

It is also the best box office 開始 週末 numbers for Gerwig, Robbie and Ryan Gosling, 42.

The film is also the second best かつてない for a 女性(の)-skewing movie, topped only by Beauty and the Beast's $174.7 開始 週末.

In 新規加入 to Robbie and Gosling,?Barbie also 星/主役にするs?Kate McKinnon, America Ferrera, Will Ferrell, Simu Liu and Issa Rae.

と一緒に Murphy, Oppenheimer also 星/主役にするs Matt Damon, Robert Downey Jr., Rami Malek, Kenneth Branagh, Emily Blunt and Florence Pugh.

As Barbie 攻撃する,衝突するs cinemas... here's what the critics are 説

Margot Robbie's 高度に-心配するd Barbie movie is 解放(する)d July 21 after a whirlwind 圧力(をかける) 小旅行する, and already it has earned many rave reviews.?

The film 星/主役にするs Robbie as the iconic Mattel doll and Ryan Gosling as Ken と一緒に an A-名簿(に載せる)/表(にあげる) ensemble cast that 含むs America Ferrera, Dua Lipa, Simu Liu, Kate McKinnon, Issa Rae and Will Ferrell.

Here, DailyMail.com takes a look at what the critics are 説...

'Dazzling': Barbie, starring Margot Robbie and Ryan Gosliing, is a hit with critics

'Dazzling': Barbie, starring Margot Robbie and Ryan Gosliing, is a 攻撃する,衝突する with critics?

'My main 批評, 現実に, has nothing to do with the 支配する 事柄. Barbie or no Barbie, it’s not intrinsically that good a film. It’s uneven, disjointed, the 陰謀(を企てる) makes no real sense ― and the dead 手渡す of 法人組織の/企業の America 重さを計るs ひどく upon it.' - Sarah Vine, Daily Mail

'Yes, Barbie is fun. Yes, it will make you laugh and might make you think. But [...] it won’t change your life, probably not your summer, maybe not even your week.' - Brian Viner, Daily Mail??

'This is a truly 初めの work - one of the smartest, funniest, sweetest, most insightful and just plain flat-out entertaining movies of the year' - Richard Roeper, Chicago Sun-Times?

'In Gerwig's 有能な 手渡すs, even a movie about the one of most popular toys of all time eludes 期待s at every turn. Barbie is her mainstream masterpiece, a dazzling dream that will touch the souls of everyone who sees it' -??Coleman Spilde, The Daily Beast?

Both a master’s t hesis on feminism and an Austin 力/強力にするs-esque romp'? -?Chandler Levack, Globe And Mail

'The zaniness of Barbie, 連合させるd with Gerwig’s 利益/興味 in skewering the patriarchy, いつかs makes the movie a baggy, tonally dissonant 見解(をとる)ing experience. But for the most part, she 達成するs a pleasing balance between the silly and the serious' - Ann Hornaday, Washington 地位,任命する?

'Barbed 声明 wrapped in a visually sumptuous & sublimely silly cinematic confection' -??Katie Walsh, Tribune News Service?

?'A soulful film underneath all the 執拗な fuchsia. One that has heart and ambition 同様に as abundant beauty, inside and out' - Tomris Laffly, TheWrap?

'What really makes this comedy click are the stellar 業績/成果s, from the lead 役割 on 負かす/撃墜する. This is the funniest cast I’ve seen in some time' - Peter Howell, Toronto 星/主役にする??

'This is a wonderfully fun watch that somehow manages to 同時に celebrate and satirise the Barbie brand, its feminism and girliness pairing like gorpcore sandals with a floaty pink skirt' - Alice Saville, Time Out??

'Robbie takes an archetype long 解任するd as an airheaded caricature and, moment by 深く,強烈に felt moment, teases and fleshes her out' -?Justin Chang, Los Angeles Times

'Robbie takes an archetype long 解任するd as an airheaded caricature and, moment by 深く,強烈に felt moment, teases and fleshes her out' - Justin Chang, Los Angeles Times?