Phoebe Waller-橋（渡しをする） 再会させるs with 'hot priest' Andrew Scott four years after Fleabag finale as she supports him at the GQ Men Of The Year Awards
Phoebe Waller-橋（渡しをする） was all smiles as she 再会させるd with Fleabag co-星／主役にする Andrew Scott at the GQ Men of the Year Awards in 協会 with BOSS on Wednesday.
The English actress, 38, and her Iris co-星／主役にする, 47, seemed in high spirits as they beamed for photos at the 星／主役にする-studded event held at The 王室の オペラ House in London.?
Phoebe looked sensational on the evening as she donned a 黒人／ボイコット 小型の dress with a white halterneck collar.?
She elevated her でっちあげる，人を罪に陥れる in a pair of 黒人／ボイコット heels and donned a pair of sheer dark tights with the number.?
一方／合間, Andrew 削減（する） a smart 人物／姿／数字 in a pink open collar shirt which he teamed with a cream blazer and matching trousers.
再会させるd!?Phoebe Waller-橋（渡しをする） was all smiles as she 再会させるd with her Fleabag co-星／主役にする Andrew Scott at the GQ Men of the Year Awards in 協会 with BOSS on Wednesday
Pals:?The actress, 38, and Irish actor, 47, seemed in high spirits as they beamed for photos at the 星／主役にする-studded event held at The 王室の オペラ House in London
In character:?The pair starred in Phoebe's comedy-演劇 Fleabag, where she played an angry, grief-riddled woman trying to 傷をいやす／和解させる while Andrew starred as a 'hot' priest.
The pair have been good friends since starring in Phoebe's?comedy-演劇 Fleabag, where she played an angry, grief-riddled woman trying to 傷をいやす／和解させる while Andrew starred as a 'hot' priest.?
Phoebe 以前 spoke about why Andrew's Hot Priest broke the fourth 塀で囲む in Fleabag's second season.
The actress spoke with BAFTA about the 陰謀（を企てる） 新たな展開 on The Making of Fleabag? in 2020, and 詳細（に述べる）d why Fleabag and The Priest felt '証言，証人／目撃するd' during the entirety of the season.
説 she 手配中の，お尋ね者 a love 利益／興味 for Fleabag who would 'match her 知能 and perceptiveness', she explained that she was keen for The Priest to 'mirror' her character's experience with the camera, but with God.
Phoebe 詳細（に述べる）d: '[Fleabag] has a 関係 with the camera the whole way through, and it was 利益／興味ing to have someone who has a 類似の thing, he's mirrored [because] he has God.
'And she's 証言，証人／目撃するd by the camera the whole way through, and in the end, the big question for her is whether or not she can let go of the camera ? and he's 証言，証人／目撃するd by God the whole time, and is always having to check into that the whole time.
'And in the end he has the same question, so I just felt like it would be a really good way to mirror each other's 旅行s.'
When asked if she felt like Fleabag was speaking to someone in particular when she breaks the fourth 塀で囲む, Phoebe （人命などを）奪う，主張するd it was more of a 象徴的な presence in a 類似の vein to how The Priest would see God.
Looking good:?Phoebe looked sensational on the evening as she donned a 黒人／ボイコット 小型の dress with a white halterneck collar
She 追加する d: 'I feel like it's that 圧力 of 存在 watched, and feeling watched, and feeling like if you're not 存在 証言，証人／目撃するd, does what you're doing count for anything, does it 事柄?
'She's 絶えず grappling with this need for the audience to 実証する her. It's a really fraught… 関係.
'For me it was more about that, and the same for him [The Priest], 絶えず 尋問 ? there's a 圧力 on him the whole time, asking him if he's a good person.'
Fleabag's second season ended with the titular character bidding goodbye to the camera, while The Priest chose to remain with God by keeping his 聖職者.
Phoebe 結論するd the show with its second 遠出 and has remained 会社／堅い on that 姿勢, にもかかわらず fans calling for more, as she felt it was the '権利 決定／判定勝ち（する）'.
Stylish:?Andrew 削減（する） a smart 人物／姿／数字 in a pink open collar shirt which he teamed with a cream blazer and matching trousers
GQ MEN OF THE YEAR AWARDS 2023: THE UK HONOUREES
Jack Antonoff
Flo?
黒人／ボイコット Coffee
Lev Tanju and Gareth Skewis
Bianca Saunders
Paapa Essiedu
Lucy Prebble
Jasmine Jobson
Molly Manning Walker
Paul Mullin?
Rema
?Simone Rocha?
David Jonsson
Emily Maitlis
Malcolm Kamulete
Yomi Adegoke
Katarina Johnson-Thompson
Gary Lineker
Mary Earps
Jenni Hermoso
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