Mayim Bialik, who landed her first 事実上の／代理 gig when she was just 12, opened up about her experience watching?調査 発見's 爆発性の docuseries, 静かな on 始める，決める: The Dark 味方する of Kids TV.
While chatting with her former Blossom costar Jenna 出身の O? and Christy Carlson Romano, the Big Bang Theory actor,?48, 反応するd to the 主張s against Dan Schneider, who has been （刑事）被告 of 不適切な and abusive 行為 during his 統治する creating and producing Nickelodeon biggest shows from 1994 to 2019.
'Women 存在 berated in the writers' room is something that was just like ― I’m sorry ― it was considered in ― I mean, I hate to say it ― it’s considered par for the course,'? Bialik 解任するd on her podcast, The 決裂／故障. 'I will say I do not believe that happened in our writers' room.'
The San Diego native, who most recently 株d hosting 義務s of Jeopardy! with Ken Jennings,?認める they did 'joke about' thing they 'all thought were okay' but would now be seen as mortifying to laugh about.
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出身の O?,?best known for playing the 役割 of Dorothy 'Six' LeMeure in the 1990 sitcom Blossom, said the （人命などを）奪う，主張するs in?docuseries weren't so different than what she 'heard about other 始める，決めるs during' their time.?
In 返答 to Drake Bell coming 今後 as a 犠牲者 of 'unspeakable' childhood 性の 乱用 at the 手渡すs of former Nickelodeon 対話 coach Brian つつく／ペック,?Bialik 認める to feeling 'spared that 肉親，親類d of 外傷／ショック.'
Still, she said it was upsetting to learn 'that it was going on and that it was going on 権利 under our noses.'?
'Not only was it going on, it was going on with people then 存在 雇うd on other shows after 存在 罪人／有罪を宣告するd,' she 公式文書，認めるd. 'This was so much a part of an 許容できる way to run a 商売／仕事. That felt like the most 破滅的な thing, and it wasn’t just happening at Nickelodeon.'?
Romano, who rose to fame for her starring 役割 as Ren Stevens in Even Stevens,?said she 'can understand the 生存者’s 犯罪 mindset of this' 支配する.
'That could have been any one of us, and we all 肉親，親類d of need to grieve together, I think at this point, and sort of come together to try to 人物／姿／数字 out what now,' she 反映するd.?
Later, Bialik, who did not go into?明確な／細部s, explained テレビ視聴者s were watching an 'entire culture.'?
'This is not what what happened because Nickelodeon this-that,' she 明言する／公表するd. 'Of course, it touched me 本人自身で. Of course it did... but what it also reminded me of is how far we had to come to get to a place where people like Christy get to 支持する and we know what she means when she says, the mental health of children on 始める，決める 事柄s.'?
While speaking about 静かな on 始める，決める, Romano 明らかにする／漏らすd she turned 負かす／撃墜する an 申し込む／申し出 to work on the series and referred to the 生産者s as '外傷／ショック テロリストs.'?
'I think that it's 極端に 誘発する／引き起こすing. I've made a choice for several 推論する／理由s to 選ぶ out of watching that imagery. I know a lot of the 詳細（に述べる）s, I know a lot of the folks 伴う／関わるd,' Romano 認める.
'I've chosen not to speak about this with anybody, 含むing ID, who 初めは （機の）カム to me looking to see if I'd be 利益／興味d in a doc like this. I don't know if it was this doc (静かな on 始める，決める),' she said.
'But I was approached when I first started 支持するing three years ago for my own YouTube channel with my own experiences that I did in different and separate episodes, so to speak,' she 明言する／公表するd.
'I started to be approached by many reality-show-type 生産者s, and they were like, "Hey, how do we do this?" and I would 戦闘 them with 説, "Hey, guys, the only way we would do this is if we talk about how do we 直す／買収する，八百長をする it?"' she 認める.
She 追加するd of the docuseries, 'I felt like there's no hope 存在 挿入するd into the narrative.'
Romano 追加するd that 生産者s of the series are, 'people who don't belong to our community. These are 部外者s.'
'And maybe they, maybe if they knew where to put money に向かって [直す／買収する，八百長をするing] a problem, they would, but again, a lot of this has been perceived in a way that's ― it's outside baseball. It's not inside baseball, it's outside baseball. These are 外傷／ショック tourists,' she said of 静かな on 始める，決める 生産者s.
She 追加するd that another former child actor turned 行動主義者, Alyson Stoner, 'is a fantastic 支持する in this space, has really impinged upon me the impo rtance of understanding 外傷／ショック porn.'
'I 現実に have a degree from Columbia in film, and you know, we know that the art of montage and the 衝突／不一致 of images is going to 刺激する a 確かな 肉親，親類d of emotion,' she said.
'That is what 文書の filmmaking in social movements is meant to do. And so we're so manipulated by マスコミ, and we have so many little 削減（する）-負かす／撃墜するs of misinformation and things 存在 thrown, that the echo 議会s, to me, are not helpful,' Romano continued.
静かな on 始める，決める was directed and produced by Mary Robertson and Emma Schwartz, who 以前 worked together on Frontline and The New York Times 現在のs.
Romano made her Broadway debut in 1998 at just 14 in the musical Parade, and just two years later she was starring on Disney's Even Stevens with Shia LaBeouf.
The show ran for three seasons from 2000 to 2003, and she would pull 二塁打 義務 by 発言する／表明するing the 肩書を与える character on Disney's Kim Possible, which ran from 2002 to 2007.
She 現在／一般に hosts the podcast 攻撃を受けやすい where she interviews former child 星／主役にするs, and last year she 開始する，打ち上げるd a podcast company PodCo that features 非常に／多数の rewatch podcasts.
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