Taylor Swift 誘発するs （激しい）反発 by dropping 15 MORE 跡をつけるs just two hours after superfans 爆撃するd out on 多重の 見解／翻訳／版s of her new album The 拷問d Poets Department

Variety - Chris Willman

'The 拷問d Poets Department?gives everyone a 十分な dose of the never-getting-over-it Taylor that no one really 手配中の，お尋ね者 to get over.?

'As 崩壊／分裂 albums go, it's a doozy, as they would have said 支援する in Clara 屈服する's day - an unapologetically 劇の (if often witty) 記録，記録的な／記録する that will be soundtracking untold millions of 悲劇の 不和s to come. If you've been putting one off, now might not be a bad time to schedule it.'

Rolling 石／投石する - 略奪する Sheffeld

It's the cathartic 自白 of a woman who thought she had adulthood ― and adult romance ― all 人物／姿／数字d out, only to find herself realizing she knows nothing.

'Even by Swiftian 基準s, she gets wildly ambitious with her songwriting here.'

The Telegraph -?Neil McCormick

率ing:

'On the simplest of 条件, what we have here is a very smart, seductive, lyrically sharp 始める，決める of smooth synth pop songs about 事件／事情／状勢s of the heart, （手先の）技術d with love, 知能 and passion ? another hugely 控訴，上告ing 新規加入 to Swift's 拡大するing canon...'

The 後見人 - Alexis Petridis

率ing:

'There's 明確に a 危険 伴う／関わるd in calling out elements of your own fanbase, however 正当化するd said attack is, but Swift pulls it off.

'She can do it because she's an exceptionally talented writer: there's a depth and 成熟 to this album that makes her competitors look a little 病弱な by comparison.'

NME -?Laura Malloy

率ing:

'Swift seems to be in tireless 追跡 for superstardom, yet the 消極的な public opinion it can come with 困らすs her, and it's a tired 主題 now 疫病／悩ますing her discography and leaving little room for the poignant lyrical 観察s she excels at.'

The Daily Mail - Adrian Thrills

率ing:

'There's certainly a sense that she's pulling out all the stops on The 拷問d Poets Department.?

'Even for someone with a 跡をつける 記録，記録的な／記録する of 非常に長い, value-for-money albums, it's a mammoth 請け負うing.'

率ing:

'There are no 疑問 countless lyrical puzzles here, waiting to be unpicked, but The 拷問d Poets Department is at its most potent when it does away with all of the arch 装置s and （一定の）期間s it out plainly.'?

The Times - Will Hodgkinson

率ing:

'Taking in synth pop, Eighties 力／強力にする ballads and the emotional AOR of Stevie Nicks (who 申し込む／申し出s her own poem on love gone wrong in the liner 公式文書，認めるs), these songs are 配達するd with Swift’s trademark gusto and メガワット professionalism - and it’s a five-星／主役にする album.'

The Mirror - Mollie Quirk?

'全体にわたる, The 拷問d Poets Department is the most magnificent 団体／死体 of work that sees Taylor 連合させる her love of poetry and music.?

'The album is incredibly 深い and moving, hard to unravel and decode, yet 平易な to 落ちる into and draw comparisons to of your own life.'

'The 拷問d Poets Department is an uneven album, and one that 欠如（する）s a 激突する-dunk 無線で通信する 国家 like Anti-Hero or Shake It Off - but Swift has pop music in a stranglehold for now, so it will sell by the bucketload, even though it 漏れるd a day ahead of 解放（する）.'

跡をつけるs on The 拷問d Poets Department?

1. Fortnight (feat. 地位，任命する Malone)?

Taylor appears to 言及／関連 the end of her 関係 with Joe Alwyn and her その後の fling with Matty Healy in the first 跡をつける on her album.?

The first 詩（を作る） appears to hint at the end of her romance with Joe as she sings: I was supposed to be sent away but they forgot to come and get me.?

Taylor then wishes an ex 井戸／弁護士席 who betrayed her: All of this to say, I hope you're okay, but you're the 推論する／理由 / No one here's to 非難する but what about your 静かな 背信.

In the second 詩（を作る）, Taylor 会談 about a short-lived fling that helped her 'move on', 潜在的に a 言及／関連 to Matt.?

She sings: 'All my mornings are Mondays stuck in an endless February / I took the 奇蹟 move on 麻薬 and the 影響s were 一時的な / And I love you, it's 廃虚ing my life / I touched you for only a fortnight.'

2. The 拷問d Poets Department

The titular 跡をつける is a shimmering melody which 示唆する that Taylor, modestly, doesn't see herself at the 最高の，を越す （米）棚上げする／（英）提議する of 拷問d poets: 'You're not Dylan Thomas, and I'm not Patti Smith.'

It also appears to ひどく 言及／関連 her fling with Matty as she sings: 'You smokеd then ate seven 妨げる／法廷，弁護士業s of chocolate / We 宣言するd Charlie Puth should be a bigger artist.

'I scratch your 長，率いる, you 落ちる asleep / Like a tattooed golden retriever / But you awaken with dread.'?

She also makes a candid 言及／関連 to her mental health, singing: 'But you told Lucy you'd kill yourself if I ever leave /And I had said that to Jack about you so I felt seen'.?

3. My Boy Only Breaks His Favorite Toys

Written 単独で by Taylor, this song's dense electronic hum 追加するs 強烈な 公式文書，認めるs.?

Fans have 示唆するd the 肩書を与える is a 言及／関連 to the 'shiny toy she sang about in her 攻撃する，衝突する Cruel Summer from the album Lover.?

It's not （疑いを）晴らす if she is referring to heartbreak after splitting from Joe or the abrupt end to her romance with Matty.?

'Once I 直す／買収する，八百長をする me, he's gonna 行方不明になる me,' she 公約するs, 追加するing: 'I know I'm just repeating mysеlf Put me 支援する on my shelf / But first, pull the string And I'll tell you that he runs Because he loves me (He loves me).'

4. 負かす／撃墜する Bad

Taylor 言及／関連s mental health again as she 詳細（に述べる）s how '負かす／撃墜する' she feels without an ex and the infatuation she felt with him.

'Everything comes out teenage petulance,' sings Taylor as she 激しく 調査するs the fallout from an old 関係.

She continues: 'Everything comes out teenage petulance / F**k it if I can't have him / I might just die, it would make no difference /?負かす／撃墜する bad, waking up in 血 /星／主役にするing at the sky, come 支援する and 選ぶ me up.

'F**k it if I can't have us / I might just not get up / I might stay 負かす／撃墜する bad.'

5. So Long, London

The first 跡をつける to be wr itten with The 国家の's Aaron Dessner brings a change of pace, with a lovely, choral intro. 'So long, London, you'll find someone,' sings Taylor.

The song appears to be a 言及／関連 to British ex Joe and a follow up to her 攻撃する，衝突する?London Boy from Lover.?

She 言及／関連s their different approaches to the end of their romance, singing in the first 詩（を作る）: 'I kept 静める and carried the 負わせる of the 不和 / Pulled him in tighter each time he was drifting away / My spine 分裂（する） from carrying us up the hill.'?

詩（を作る） three she muses: 'And you say I abandoned the ship, but I was going 負かす／撃墜する with it / My white knuckle dying 支配する 持つ／拘留するing tight to your 静かな 憤慨.'?

Taylor Swift 公式に dropped The 拷問d Poets Department on Friday - her hotly-心配するd 11th studio album?

6. But Daddy I Love Him

'I know he's crazy, but he's the one I want,' s ings Taylor, showing wry humour as she 収容する／認めるs to 落ちるing for the bad boys. Produced, with real brightness, by Dessner.

She goes on to revel in the fact she 解任するs 警告 from critics, singing: 'They slammed the door on my whole world / The one thing I 手配中の，お尋ね者

'Now I’m running with my dress unbuttoned, / 叫び声をあげるing, But daddy I love him / I’m having his baby / No I’m not, but you should see your 直面するs.'?

7. Fresh Out The Slammer

Finger-選ぶd acoustic guitar 追加するs folky 公式文書，認めるs reminiscent of lockdown albums Folklore and Evermore to Fresh Out The Slammer, which 詳細（に述べる）s 急ぐing into a new 関係.?

Seemingly a 言及／関連 to her fling with Matty - who she 以前 時代遅れの in 2015 - she sings: 'Now pretty baby, I’m running 支援する home to you. / Fresh out the slammer I know who my first call will be to.'?

On the decay of her past 関係, she sings: '後援d 支援する in winter, silent dinners, bitter he was with her in dreams / Gray and blue and fights and tunnels, 手錠d to the （一定の）期間 I was under.

'For just one hour of 日光 / Years of labor, locks and 天井s / In the shade of how he was feeling.'

8. Florida!!!?(feat. Florence + The Machine)

An album 最高潮の場面, this theatrical duet with London singer Florence Welch is an uplifting song of escape ? from small-town life and a bad romance.

Tellingly the first 小旅行する stop に引き続いて her 分裂（する） from Joe was in Tampa, Florida and she begins her song by singing: 'You can （警官の）巡回区域，受持ち区域 the heat if you （警官の）巡回区域，受持ち区域 the 告発（する），告訴（する）／料金s too.?

'They said I was a cheat, I guess it must be true / And my friends all smell like 少しのd or little babies / And this city ree ks of 運動ing myself crazy.'

9. 有罪の As Sin?

A tale of unrequited love, and a superb slice of 1980s-style soft 激しく揺する. It even について言及するs The Downtown Lights, a 1989 選び出す／独身 by Scottish 禁止（する）d The Blue Nile.

She begins the 跡をつける with her feelings on 存在 '罠にかける' in a 関係, singing: 'My 退屈’s bone-深い, this cage was once just 罰金 / Am I 許すd to cry??

'I dream of 割れ目ing locks, throwing my life to the wolves or the ocean 激しく揺するs.'

She hints at an emotional 事件／事情／状勢 供給するing her 解放（する）, singing: 'These 致命的な fantasies giving way to labored breath taking all of me we’ve already done it in my 長，率いる.?

'If it’s make-believe why does it feel like a 公約する we’ll both 支持する somehow?”'

10. Who's Afraid Of Little Old Me?

Big 派手に宣伝するs, a 劇の 協定, and more 乾燥した，日照りの humour in another song penned 単独で by Taylor. 'You wouldn't last an hour in the 亡命 where they raised me,' she snarls.

It's reminiscent of her 攻撃する，衝突する 選び出す／独身?Look What You Made Me Do and the villain arc is 目だつ in her lyrics.?

She sings: 'I was tame, I was gentle till the circus life made me mean /Don’t you worry folks, we took out all her teeth

'Who’s afraid of little old me? 井戸／弁護士席 you should be.'

This is her first new album since the end of her six-year 関係 with British actor Joe Alwyn and, while she doesn't について言及する Alwyn by 指名する, 憶測 will be rife that 跡をつけるs such as So Long, London are about him. Pictured together in 2019

Taylor Swift and Matty Healy seen leaving The Electric Lady studio in Manhattan on May 16, 2023

11. I Can 直す／買収する，八百長をする Him (No Really I Can)

A moody, stripped-負かす／撃墜する number worthy of Lana Del Rey, who has also worked extensively with the song's 生産者, Jack Antonoff.

She appears to be referring to chain smoking, booze loving Matty, as she sings: 'The smoke cloud 大波s out his mouth like a freight train through a small town / The jokes that he told across the 妨げる／法廷，弁護士業 were 反乱ing and far too loud.'

Fans had 表明するd their 関心s when Taylor started dating The 1975 bad boy rocker and it seems her friends had the same 保留（地）／予約s.?

Taylor sings:? 'They shake their 長，率いるs, 説, "God help her" when I tell ‘em he’s my man / But your good Lord doesn’t need to 解除する a finger / I can 直す／買収する，八百長をする him, no really I can / And only I can.'?

12. loml

'You said I'm the love of your life,' sings Taylor on this warm, resonant piano ballad. In a smart 新たな展開, the 'loml' 最終的に becomes 'the loss of my life'.

She 述べるs 存在 love-爆弾d by an old 炎上, seemingly referring to Matty given their past experience.?

Others have 示唆するd the intensity of the lyrics 示唆する it relates to her longterm 関係 with Joe.?

She sings: 'I felt a glow like this, never before and never since /If you know it in one glimpse it’s 伝説の.

'You and I go from one kiss to getting married / Still alive, 殺人，大当り time at the 共同墓地 / Never やめる buried.'?

13. I Can Do It With A Broken Heart

Mo re 1980s 影響（力）s on an electronic pop 跡をつける that sees Taylor 公約するing to remain a trouper, にもかかわらず any romantic 争い.

She sings about putting on a 勇敢に立ち向かう 直面する while her 関係s 公然と 落ちる apart, 公式文書，認めるing: 'They said, "Babe, you gotta 偽の it till you make it," and I did.

'Lights, camera, b***h, smile / Even when you wanna die / He said he'd love me all his life / But that life was too short / Breaking 負かす／撃墜する, I 攻撃する，衝突する the 床に打ち倒す / All the pieces of me 粉々にするd as the （人が）群がる was 詠唱するing more.'??

Taylor has 以前 認める she struggled with her love live playing out so 公然と and the narrative that she'd had more boyfriends than other women.??

14. The Smallest Man Who Ever Lived

'You didn't 手段 up in any 手段 of a man,' sings a disdainful Taylor on a melodramatic ballad.

The 肩書を与える is noteworthy, given that Matty's stature is an 反対する of some 審議. The singer 以前 公表する／暴露するd: 'Everyone in [the 1975] is 6’4” and I’m 5’10”, so everyone thinks that I’m 5’5”.'

More recently, he 演説（する）／住所d these short man 主張s by telling a fan that he was 'sick to f***ing death of this', 主張するing that he is 'a big boy.'

She sings: 'And I don’t 行方不明になる what we had / But could someone give a message / To the smallest man who ever lived?'

15. The Alchemy

Not all the songs are about heartbreak, as 冒険的な metaphors aplenty 示唆する a 跡をつける 奮起させるd by the singer's 現在の boyfriend, American football 星／主役にする Travis Kelce.?

'When I touch 負かす／撃墜する, call the amateurs and 削減（する） them from the team,' she sings.

Speaking about the 近づいている 解放（する） 支援する in Febru ary, when he was building up to the 最高の Bowl in Las Vegas, Kelce said he had heard some of the songs on Taylor's 最新の 解放（する）.

'I have heard some of it and yes, it's unbelievable,' he said to reporters. 'I can't wait for her to shake up the world when it finally 減少（する）s.'

16. Clara 屈服する

It's tempting to think Taylor sees something of herself in a の近くにing 跡をつける 奮起させるd by Clara an American actress of the 1920s who lived her life in the Hollywood goldfish bowl.

She goes on to 言及／関連 Stevie Nicks as she 詳細（に述べる）s struggling with the trappings? of fame.?

Taylor sings: 'I'm not trying to exaggе率 / But I think I might die if I made it, die if I made it / No one in my small town thought I'd 会合，会う these 控訴s in LA / They all want to say.'?

The Alchemy:?冒険的な metaphors aplenty 示唆する a 跡をつける 奮起させるd by the singer's 現在の boyfriend, American football 星／主役にする Travis Kelce. Pictured at Coachella this week

特別手当 跡をつけるs on The 拷問d Poets Department: The Anthology

17. The 黒人／ボイコット Dog?

The 黒人／ボイコット Dog is also a 言及／関連 to 不景気 and 欠如（する） of energy?based on a demonic hellhound 事実上の／代理 as an omen of death in English folklore and literature.?

同様に as the eerie lyrical meaning to the 肩書を与える, The 黒人／ボイコット Dog is a 妨げる／法廷，弁護士業 in Vauxhall, London - her ex Matt's city of birth and just a 石／投石する's throw away from Joe's hometown of?王室の Tunbridge 井戸／弁護士席s in Kent.?

In the song, she belts out: 'I am someone who until 最近の events you 株d your secrets with and your 場所 / you forgot to turn it off / And so I watch as you walk into some 妨げる／法廷，弁護士業 called The 黒人／ボイコット Dog...

'I just don't understand how you don't 行方不明になる me in The 黒人／ボイコット Dog when someone plays The Starting Line and you jump up, but she's too young to know this song that was intertwined in the 魔法 fabric of our dreaming.'?

18. Imgonnagetyouback

Taylor is torn between calling things off for good or 再燃するing with an ex in imgonnagetyouback.

Emotions are 明確に running high as she sings: ‘Whether Im gonna be your wife / Or 粉砕する up your bike / I 港／避難所’t decided yet’.

She appears to 言及／関連 her new romance with Travis as the song goes on, 株ing: 'I can feel it coming / In the way you move / 押し進める the reset button /We’re becoming something new.

'See you got somebody else / Say I got someone else too / Even if it’s him, I'm leaving here with you.'?

19. The Albatross

It seems London watering 穴を開けるs are a 主題 of the album, with The 黒人／ボイコット Dog and The Bolter joining The Albatross as 明らかな 言及／関連s to 発生地s.?

The Albatross Club is a pub in Farringdon, London but also has 特に eerie significance in its meaning as a word alone.?

Albatross is defined in the Britannica Dictionary as: 'A continuing problem that makes it difficult or impossible to do or 達成する something.?Fame has become an albatross that 妨げるs her from 主要な a normal and happy life.'

Additionally, an albatross is a large white ocean bird that has very long and often 黒人／ボイコット wings - which many に例えるd to her outfit from the Grammys.?

Taylor is taking no 囚人s in this 跡をつける, referring to herself as?one of the largest seabirds on Earth - famed for their 巨大（な） wingspan and ability to glide seamlessly.?

She sings about taking 復讐 with the lyrics: 'She is here to destroy you/ D evils that you know / Raise worse hell than a stranger'.?

20. Chloe or Sam or Sophia or Marcus

Taylor tells the story of a rocky 関係 in which their partner betrays them and 焦点（を合わせる）s on 麻薬s more than her.?

She hints at infidelity on their part by singing: 'Your hologram つまずくd into my apartment / 手渡すs in the hair of somebody in 不明瞭.

'指名するd Chloe or Sam or Sophia or Marcus / And I just watched it happen / As the １０年間 would play us for fools.'?

Taylor goes on to 言及／関連, singing: 'You said some things that I can’t unabsorb / You turned me into an idea of sorts / You needed me, but you needed 麻薬s more / And I couldn’t watch it happen.'

Taylor reignited her 爆発性の 反目，不和 with Kim Kardashian by 解放（する）ing a diss 跡をつける 目的（とする）d at the rea lity 星／主役にする (pictured with Kim in 2015)

Taylor also seems to 言及／関連 Kim's 10-year-old daughter North West dancing to Shake It Off on TikTok 支援する in January, she 令状s:# your kid comes home singin' a song that only us two is gonna know is about you'

21. How Did It End??

Taylor appears to 言及／関連 the 憶測 over her 関係 with Joe as she 詳細（に述べる）s in the chorus:?

'Come one come all It's happ'nin' again / The empathetic hunger descends We'll tell no-one / 'Cept all of our friends / We must know How did it end?'?

告発する／非難するing people of 行為／行うing their own '地位，任命する-mortem's' in the 開始 宣告，判決, Taylor also 告発する／非難するs p eople of 存在 smug: 'Soon they'll go home to their husbands / '原因（となる） they know they can 信用 him / Then feverishly calling their cousins.'

She later 収容する／認めるs that while everyone is 尋問, 'How did it end?' she doesn't know herself: 'But I still don't know, how did it end?'?

22. So High School

While many 跡をつけるs are bold 目的（とする）s at her exes Matt and Joe, happiness does 統治する in her 跡をつける So High School where she discusses 現在の boyfriend Travis.?

She sings: 'You know how to ball, I know Aristotle, brand new, 十分な throttle // Touch me while your bros play Grand 窃盗 自動車 // It's true, 断言する, scouts 栄誉（を受ける） // You knew what you 手配中の，お尋ね者, and, boy, you got her.'

Taylor the 直接／まっすぐに 言及／関連s a resurfaced ビデオ in which Travis was asked who?marry, kiss or kill between Ariana Grande, Katy Perry and Taylor.?

She sings: 'Are you gonna marry, kiss or kill me? Kill me. It's just a game, but really, really, I'm betting on all three for us two.?

23. I Hate It Here?

Taylor relies in escapism to distract herself from the 問題／発行するs 疫病／悩ますing her real life, 述べるing herself as going to 'secret gardens in my mind'.?

She appears to be 取引，協定ing with the fallout of 存在 lied to, singing:?Tell me something awful like you are a poet / 罠にかける inside the 団体／死体 of a 財政／金融 guy

'Tell me all your secrets / All you’ll ever be is / My eternal なぐさみ prize.'?

She appears to be between 関係s, musing: 'I’m lonely, but I’m good /I’m bitter, but I 断言する I’m 罰金.'?

24. thanK you aIMee?

Fans are 納得させるd the 24th 跡をつける - thanK you aIMee - is 目的（とする）d at Kim Kardashian, as the letters K,I and M are capped up to （一定の）期間 out her 指名する.

Taylor sings in one line: 'There's a bronze spray-tanned statue of you and a plaque underneath it/That 脅すs to 押し進める me 負かす／撃墜する the stairs, at our school.'

'All that time you were throwin' punches, I was buildin' somethin' / And I can't 許す the way you made me feel / 叫び声をあげるd 'F**k you, Aimee' to the night sky, as the 血 was gushin' / But I can't forget the way you made me 傷をいやす／和解させる.'

She goes on to 追加する: 'And it wasn't a fair fight, or a clean kill / Each time that Aimee stomped across my gravе / And then she wrote hеadlines/ In the 地元の paper, laughing at each baby step I'd take.'

Taylor 結論するs by 確認するing she's changed the 指名する of the woman she's singing about - その上の fuelling 憶測 the 跡をつける is about Kim.

She also seems to 言及／関連 Kim's 10-year-old daughter North West dancing to her 2014 選び出す／独身 Shake It Off on TikTok, finding it ironic as the 'song is about you'.

She sings: 'And so I changed your 指名する, and any real defining 手がかり（を与える）s/And one day, your kid comes home singin' a song that only us two is gonna know is about you.'

25. I Look in People's Windows?

While she may have the ultimate girl squad around her, Taylor 収容する／認めるs she can't help but feel lonely when chasing a man.?

She sings: 'I look in people's windows / Transfixed by rose golden glows / They have their friends over to drink nice ワイン.

'I look in people's windows / In 事例／患者 you're at their （米）棚上げする／（英）提議する / What if your 注目する，もくろむs looked up and met 地雷 / One more time.'?

26. The Prophecy?

Taylor seems to be 苦痛d by the thought of trying to find an intimate love when her life is so public.?

The singer - who 設立する fame as a 十代の少年少女 - 明らかにする／漏らすs that 存在 in the スポットライト and adored by millions of fans can't 手段 up to 存在 loved by a partner.?

She 株: 'Please / Change the prophecy / Let it once be me / Who do I have to speak to / About if they can redo the prophecy?'

?Taylor has 以前 明らかにする／漏らすd how fame changed her life for the worst, explaining: 'It's a social 状況／情勢 every time I go out.?

'I just have to wake up in the morning and say, "How am I feeling today? If someone asks for a picture, am I gonna feel 課すd upon today because I'm 取引，協定ing with my own stuff? Am I gonna take my own stuff out on some innocent 14-year-old today and be in a bad mood?"?

'承認する, maybe not … Maybe I won't leave the house.'

27. Cassandra

thanK you aIMee might not be the only song 問題／発行するing 発射s at Kim Kardashians, with Cassandra also seeming to be filled with 隠すd digs.?

Greek god?Cassandra, 'entangled men' and was punished with a 悪口を言う／悪態 where no one would believe what she had to say.?

In her chorus, Taylor sings: 'When the first 石／投石する’s thrown, they’re 叫び声をあげるing /In the streets, there’s a 激怒（する）ing 暴動 / When it’s "燃やす the b***h", they’re shrieking / When the truth comes out, it’s 静かな.'

This could be in 言及／関連 to?Kim 誘発するing a social マスコミ 解雇する／砲火／射撃s torm when she 株d a Snapchat ビデオ of then-husband Kanye West during a phone call with Taylor, where she seemingly gave the rapper to 含む lyrics about her in his new song.?

While Taylor 主張するd that she hadn't 同意d to Kanye labelled her a 'b***h' in his 跡をつける,?many （刑事）被告 her of 存在 a snake.

Kardashian fans and Swifties went to war with one another by 地位，任命するing snake emojis.?

Taylor 言及／関連s snakes in her song, 株ing: 'So, they killed Cassandra first ‘原因（となる） she 恐れるd the worst / And tried to tell the town / So, they filled my 独房 with snakes, I 悔いる to say / Do you believe me now?'

28. Peter?

Taylor 反映するs on her childhood and 嘆願d for forgiveness as she 反映するs on losing a past love.?

It could be in 言及／関連 to Matty, who she was first linked to in 2014, and their その後の 崩壊／分裂 as she sings: 'Said you were gonna grow up /Then you were gonna come find me.

'Words from the mouths of babes / 約束s oceans 深い / But never to keep / Never to keep.'?

It could also be a follow up to her song Cardigan, where she sang: 'Tried to change the ending / Peter losing Wendy'.?

Taylor 反映するs on her childhood and 嘆願d for forgiveness as she 反映するs on losing a past love (pictured in 2008)?

29. The Bolter?

Fans have made many 解釈／通訳s of The Bolter - with links to a London pub in the form of Mansion House's 妨げる／法廷，弁護士業 of the same 指名する while also alluding to a suitor running into the night - something fans 主張するd was about Joe.?

Some Twitter 使用者s （人命などを）奪う，主張するd the 場所 is where the former couple enjoyed their first date - yet the （人命などを）奪う，主張するs were quickly 論争d by 充てるd 信奉者s.

The 初期の （人命などを）奪う，主張する （機の）カム from a fan 令状ing: 'The Bolter is a 妨げる／法廷，弁護士業 in London where Taylor and Joe went on their first 遠出?!?!???? I’m done, BYE'.?

Others followed up 令状ing: '***明らかに that’s not the 妨げる／法廷，弁護士業 they were 公然と first seen together!!!!*** But there is indeed this 妨げる／法廷，弁護士業 in London which is crazy anyway...?guys it's not real, it was different place'.?

She sings: 'Started with a kiss / "Oh, we must stop 会合 like this" / But it always ends with a town car スピード違反 / Out the 運動 one evenin' / Ended with the 激突する of a door / But she's got the best stories // You can be sure...

'All her f**肉親，親類' lives / Flashed before her 注目する，もくろむs / And she realized / It feels like the time / She fell through the ice / Then （機の）カム out alive'.

30. コマドリ?

Her penultimate 跡をつける is also reflective of her 青年 as she 反映するs on how innocence is ripped away with age.?

She sings: 'You get the dragonflies above your bed /You have a favorite 位置／汚点／見つけ出す on the swing 始める，決める / You have no room in your dreams for 悔いる

'You have no idea / The time will arrive for the cruel and the mean / You'll learn to bounce 支援する just like your trampoline.'

にもかかわらず this there's an element of hope 伴う／関わるd as she sings: 'But now we'll curtail your curiosity / In sweetness / Way to go, tiger / Way to go, tiger /Higher and higher / Higher and higher / Wilder and はしけ.'?

31. The Manuscript?

The only 特別手当 跡をつける on the first physical 見解／翻訳／版s of Taylor's album seems to be a follow up to All Too 井戸／弁護士席 - her song about Jake Gyllenhaal.?

She 反映するs on a past romance as she sings: 'Now and then she rereads the manuscript / Of the entire torrid 事件／事情／状勢 /He said that if the sex was half as good as the conversation was / Soon they'd be pushin' strollers / But soon it was over.'

In a nod to All Too 井戸／弁護士席 (10 Minute 見解／翻訳／版) and its music ビデオ 直接／まっすぐに, Taylor continues: 'The Professor said to 令状 what you know / Lookin' backwards might be the only way to move 今後 / Then the actors / Were hitting their 示すs.'?

The Bad 血 songstress, 34 - who recently teased a '時刻表／予定表' to her fans ahead of the LP's 解放（する） - 最初 発表するd the album while …に出席するing the 2024 Grammys in February