Avengers directors Anthony and Joe Russo （人命などを）奪う，主張する Marvel's 最近の 失敗s are not 予定 to 'superhero 疲労，（軍の）雑役' but because of 'a big generational divide about how you 消費する マスコミ'
- ?The directors known as the Russo Brothers are behind some of Marvel's biggest 攻撃する，衝突するs, すなわち 2018's Avengers: Infinity War and 2019's Avengers: Endgame
- After Endgame, though, most Marvel movies 港／避難所't come の近くに to replicating that 肉親，親類d of success at the box office?
- During a visit to the Sands International Film Festival GamesRadar caught up with the filmmakers for their thoughts on Marvel's 最近の 失敗s?
Filmmakers Anthony Russo and Joe Russo are chiming in on the 現在進行中の 審議 about 'superhero 疲労，（軍の）雑役.'
The directors known as the Russo Brothers are behind some of Marvel's biggest 攻撃する，衝突するs, すなわち 2018's Avengers: Infinity War ($678.8 million 国内の, $2.052 billion 世界的な) and 2019's Avengers: Endgame ($858.3 million 国内の, $2.799 billion 世界的な).
After Endgame, though, most Marvel movies 港／避難所't come の近くに to replicating that 肉親，親類d of success at the box office, 主要な to the 称する，呼ぶ／期間／用語 'superhero 疲労，（軍の）雑役' 存在 bandied about more and more.
During a visit to the Sands International Film Festival?GamesRadar?caught up with the filmmakers for their thoughts on Marvel's 最近の 失敗s.
'I think it’s 疲労，（軍の）雑役 in general. The superhero 疲労，（軍の）雑役 question was around long before the work we were doing,' Anthony Russo said.?
Filmmakers Anthony Russo and Joe Russo are chiming in on the 現在進行中の 審議 about 'superhero 疲労，（軍の）雑役'
The directors known as the Russo Brothers are behind some of Marvel's biggest 攻撃する，衝突するs, すなわち 2018's Avengers: Infinity War ($678.8 million 国内の, $2.052 billion 世界的な) and 2019's Avengers: Endgame ($858.3 milli on 国内の, $2.799 billion 世界的な)
'So, it's sort of an eternal （民事の）告訴, like we always used to 特記する／引用する this 支援する in our 早期に days with superhero work,' he 追加するd.
'People used to complain about westerns in the same way but they lasted for １０年間s and １０年間s and １０年間s. They were continually reinvented and brought to new 高さs as they went on,' Anthony said.
Since Endgame, only 2021's Spider-Man: No Way Home ($804.7 million 国内の, $1.912 billion 世界的な) could replicate the 肉親，親類d of success that the Russo Brothers enjoyed with their Avengers movies.
Films like 2021's Shang-Chi and the Legend of the Ten （犯罪の）一味s ($224.5 million 国内の, $432.2 million 世界的な), 2022's Doctor Strange and the Multiverse of Madness ($411.3 million 国内の, $955.7 million 世界的な) and 2023's 後見人s of the 星雲 Vol. 3 ($358.9 million 国内の, $845.5 million 世界的な) still put up strong numbers.?
But films like 2021's Eternals ($164.8 million 国内の, $402 million 世界的な), 2023's Ant-Man and the Wasp: Quantumania ($214.5 million 国内の, $476 million 世界的な) and 2023's The Marvels ($84.5 million 国内の, $201.6 million 世界的な) showed how the MCU was slipping at the box office.
Joe Russo 追加するs that it's not just Marvel who are having these problems, it's the Hollywood as a whole.
'I think it's a reflection of the 現在の 明言する／公表する of everything. It's difficult 権利 now, it's an 利益／興味ing time. I think we're in a 過度期の period and people don't know やめる yet how they're going to receive stories moving 今後, or what 肉親，親類d of stories they're going to want,' Joe began.
'There's a big generational divide about how you 消費する マスコミ. There's a 世代 that's used to 任命 見解（をとる）ing and going to a theater on a 確かな date to see something, but it's ageing out,' he 追加するd.?
'So, it's sort of an eternal （民事の）告訴, like we always used to 特記する／引用する this 支援する in our 早期に days with superhero work,' he 追加するd.
Since Endgame, only 2021's Spider-Man: No Way Home ($804.7 million 国内の, $1.912 billion 世界的な) could replicate the 肉親，親類d of success that the Russo Brothers enjoyed with their Avengers movies
'一方／合間 the new 世代 are "I want it now, I want to 過程 it now," then moving の上に the next thing, which they 過程 whilst doing two other things at the same time,' he explained.?
'You know, it's a very different moment in time than it's ever been. And so I think everyone, 含むing Marvel, is experiencing the same thing, this 移行. And I think that really is probably what's at play more than anything else,' he said.
Joe 追加するd that this 問題／発行する even goes beyond entertainment, but this younger 世代's ability to 過程 things so quickly is 影響する／感情ing other things.
'We have never collectively, globally, 過程d our conversation so intimately and quickly as we do now. I think that creates problems, where we over-過程 and don't care about 状況 anymore,' he said.?
'We communicate through memes and headlines, with nobody reading past two 宣告，判決s, so everything's 100 characters or いっそう少なく ? or 10-second ビデオs on social マスコミ you swipe through,' Joe 追加するd.?
'I think that the two-hour 判型, the structure that goes into making a movie, it’s over a century old now and everything always 移行s. So, there is something happening again and that form is repetitive,' he said.?
'But it's hard to reinvent that form and I think this next 世代 is looking for ways to tell their own stories that service their own sort of 集団の／共同の ADHD,' he explained.
'一方／合間 the new 世代 are "I want it now, I want to 過程 it now," then moving の上に the next thing, which they 過程 whilst doing two other things at the same tim,' he explained
Joe 追加するd that this 問題／発行する even goes beyond entertainment, but this younger 世代's ability to 過程 things so quickly is 影響する／感情ing other things
Whether or not 'superhero 疲労，（軍の）雑役' is 'real' or not, fans will be getting far いっそう少なく superhero content this year.
Marvel only has one film 予定するd for 解放（する） - Deadpool & Wolverine, arriving in theaters on July 26, and the new DC 顔触れ won't be showcased until 2025.
DC will return with Superman on July 11, 2025, starring David Corenswet as Clark Kent/Superman and Rachel Brosnahan as Lois 小道／航路.?
