The Millions

Have you ever wondered why so many movie posters employ the “tilting horizon” effect? One marketer is here to explain why. Now, if only someone could explain why no movie posters are original anymore…

Recommended weekend reading: Walker Percy’s “Bourbon, Neat.”

Two minutes of gorgeous West Indian manatee footage, and you’d better believe I’m linking to it.

City University in London is launching the UK’s “first creative writing masters dedicated to crime and thriller novels.” The degree program will allow 12 to 14 students to focus on crime writing, the UK’s second biggest genre, which raked in £87.6m in 2011.

The process of “Russification” is almost as old as Russia itself, yet to see it take shape in the present day can be quite distressing. In particular, Vladimir Putin’s recent proposal in Nezavisimaya Gazeta — in which the prime minister called for a “Russian canon” of literary works — has some people worried about its insidious potential for propaganda. Count Alexander Nazaryan among that group.

We once wondered if Lionel Shriver is America’s best writer, and she once shared with us her love for William Trevor. In an interview with The Atlantic, she talks about not having kids and says the adaptation of We Need to Talk about Kevin “is a far better film than I had any reason to expect them to be able to make.”

At HTMLGIANT, Roxane Gay gets down to the details of everything she’s learned about the challenges and pitfalls, much of it shipping-related, of running a micropress. Essential reading for those dreaming of starting a small press one day.

We never knew we wanted American Psycho told in the style of P.G. Wodehouse.

Don’t miss Maurice Sendak sparring admirably with Stephen Colbert (part 1, part 2) on the occasion of Bumble-ardy, an instant classic in my house. He followed that up with master interview Terry Gross, on whose show Colbert was recently a guest.

Gaddis, Pynchon, “Wanda Tinasky”: Jenny Hendrix looks at a real-life literary conspiracy of mistaken identity upon the re-release of “Jack Green’s” Fire the Bastards.

“A ‘Complete Poems’ is a death certificate and memorial combined. After the Selected and the Collected, the Complete marks the poet’s official demise and at the same time erects a carven monument designed to outlast the ages.” At The Guardian John Banville reviews The Complete Poems of Philip Larkin which will be out on these shores in March.

Editing poetry can be tricky, and the work is often misunderstood. Many of the best houses leave the work to the experts: actual poets. But is that the best route? Indeed, as this Telegraph article puts it, “a house’s tone and fortunes can be radically altered depending on the poet in charge of the poems of others.”