The Adventures of Tintin in the Uncanny Valley
Uncas BlytheHow the ecstasies & psychedelias of Performance Capture unsettle us (or not) in the best possible way.
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How the ecstasies & psychedelias of Performance Capture unsettle us (or not) in the best possible way.
An overview of what the critics are saying about the winners.
The Audience Award-winner may be “Oscar-bait,” but for critics at Sundance, John Hawkes’s performance makes up for the bland filmmaking.
Hardy’s got a sequel to The Wicker Man, but Nicolas Cage has another idea.
Macho death myths dismantled.
The awards and grants recognize “new independent film projects that explore science and technology.”
The doc may well be “achingly beautiful,” but have images of “post-industrial” ruin become fetishized?
Adrian Curry looks at the life of left-wing war artist, and part-time Ealing poster designer, James Boswell.
It may be the most controversial film at this year’s festival, but it’s being met with generally favorable reviews.
A few thoughts on beatings, Bazin, gender, genre, and how montage can turn a man into a duck.
Also: C?sars and BAFTAs. And passings.
“Delpy has become, to an almost discomfiting extent, a distaff, semi-continental version of Woody Allen at his warmest and most gentrified.”