このページは大阪弁化フィルタによって翻訳生成されたんですわ。

翻訳前ページへ


Dialogic: 01/01/2013 - 02/01/2013
The Wayback Machine - http://web.archive.org/web/20130527180139/http://dialogic.blogspot.com/2013_01_01_archive.html

Thursday, January 31, 2013

Democracy Now: May Ying Welsh and Hannah Armstrong - US Administration Aids French Bombing of Mali After U.S.-Trained Forces Join Rebels in Uranium-Rich Region

[MB: More background history for the French and US intervention in Mali (and NW Africa) -- this is from two weeks ago, but it is an important mapping out of some of the historical context that is needed to understand why this is happening and the groups involved.]

Admin Aids French Bombing of Mali After U.S.-Trained Forces Join Rebels in Uranium-Rich Region
Democracy Now

France is in its fifth day of an offensive to oust rebels that have held much of Mali’s northern region since March, an area larger than Afghanistan. The strikes have reportedly killed 11 civilians, including three children fleeing the bombardment of a camp near the central town of Konna. The United Nations estimates as many as 30,000 may have been displaced since fighting began last week. The United States has backed the offensive by helping transport French troops and making plans to send drones or other surveillance aircraft. It is aiding a fight against Malian forces that it once helped train, only to see them defect and join the Islamist rebellion. We discuss the latest in Mali with Al Jazeera correspondent May Ying Welsh, who has reported from Mali’s north, and with freelance journalist Hannah Armstrong, a fellow of the Institute of Current World Affairs, who joins us from the Malian capital of Bamako.

Guests:

May Ying Welsh, correspondent for Al Jazeera English who recently reported from inside Mali’s restive northern region and is currently working on a documentary about Mali.

Hannah Armstrong, Bamako-based research fellow with the Institute of Current World Affairs. She has been analyzing the Sahel region of Africa for the past five years and spent the past year in Mali, Muaritania and Tunisia.

To Watch the Episode

Maximum Rock n Roll Radio #1333

Maximum Rock n Roll Radio #1333

Intro song:
AYE NAKO – Good Grief

Greg sorts through the newly-arrived bin…
EXUSAMWA – Thank You, Teachers
NO MORE ART – Tough to Breathe
UPPGÅNG OCH FALL – Partytt ?r ?ver
RAS – Ras
THE STOPS – Wait for Today

Sick new shit
TRUE MUTANTS – Same Way
LAS OTRAS – Asesinos
M?LLT?TE – Pest
SYNTHETIC ID – Waterlogged
BELGRADO – Vicious Circle

One-woman bedroom party
CASUAL DOTS – E.S.P. for Now
LIVID – Be a Man
BLOOD SAUSAGE – Dennis Lavant
MISTAKES – 16 Pins
DOG FACED HERMANS – How Much Vegetation Have You Got?

“The modern sidewalk sound…”
MECCA NORMAL – Water Cuts My Hands
THE SPELLS – Octaves Apart
DIRTY LOOKS – Thiefs
VIVIAN GIRLS – Wild Eyes
SOME VELVET SIDEWALK – Valley of the Clock
TOURETTES – Horse Girl

Outro song:
HUMAN BAGGAGE – Debt

Wednesday, January 30, 2013

Jane's Addiction: I Would For You

High winds, up and down weather patterns, serious thoughts and playful attitude --> plus missing my lover ... sometimes you miss someone so bad that every cell in your body vibrates with that lack (whether it is 10 second or ten months since you last saw each other)... my thoughts and feelings this morning as I was heading to work and then this started to play...

Tuesday, January 29, 2013

Synchron City (Mix) by J. Sprig

Synchron City from J. Sprig on Vimeo.

Words for Critical Citizens #6: nomothetic

nomothetic\nah-muh-THET-ik\
adjective

: relating to, involving, or dealing with abstract, general, or universal statements or laws

"Even the authors that emphasize the existence of cross-cultural differences … acknowledge that a nomothetic characterization of a country cannot apply equally to every member of its population." — From an article by Jaime Bonache et al. in the Journal of Business Research, December 2012

"Moreover, there is the often-incorrect assumption that crimes and offenders are sufficiently similar to be lumped together for aggregate study. In such cases the resulting nomothetic knowledge is not just diluted, it is inaccurate and ultimately misleading." —From Brent E. Turvey's 2011 book Criminal Profiling: An Introduction to Behavioral Evidence Analysis, Fourth Edition

Assuck: Anticapital Blindspot (Full Album)

[Thanks to Andy Yates for introducing me to this band]

Basil of Caesaria: "Which Things are Yours?"

Which things, tell me, are yours? Whence have you brought your goods into life? You are like one occupying a place in a theater, who should prohibit others from entering, treating that as his own which was designed for the common use of all. Such are the rich. Because they preoccupy common goods, they take these goods as their own. If each one would take that which is sufficient for his needs, leaving what is superfluous to those in distress, no one would be rich, no one poor ... The rich man is a thief.


Basil of Caesaria was the Bishop Caesaria Mazaca in Cappadocia, Asia Minor (modern-day Turkey). He was sainted in both the Western and Eastern traditions of Christianity. He gave away his family inheritance to help the poor.

Monday, January 28, 2013

Maurice Cobbs: On Tailwind's Child Toy "Drone"

Maurice Cobbs provides this excellent comment for the child toy "drone" made by Tailwind and listed on Amazon: "You've had a busy play day - You've wiretapped Mom's cell phone and e-mail without a warrant, you've indefinitely detained your little brother Timmy in the linen closet without trial, and you've confiscated all the Super-Soakers from the neighborhood children (after all, why does any kid - besides you, of course - even NEED a Super-Soaker for self-defense? A regular water pistol should be enough). What do you do for an encore?

That's where the US Air Force Medium Altitude, Long Endurance, Unmanned Aerial Vehicle (UAV) RQ-1 Predator from Maisto comes in. Let's say that Dad has been labeled a terrorist in secret through your disposition matrix. Rather than just arrest him and go through the hassle of trying and convicting him in a court of law, and having to fool with all those terrorist-loving Constitutional protections, you can just use one of these flying death robots to assassinate him! Remember, due process and oversight are for sissies. Plus, you get the added bonus of taking out potential terrorists before they've even done anything - estimates have determined that you can kill up to 49 potential future terrorists of any age for every confirmed terrorist you kill, and with the innovative 'double-tap' option, you can even kill a few terrorist first responders, preventing them from committing terrorist acts like helping the wounded and rescuing survivors trapped in the rubble. Don't let Dad get away with anti-American activities! Show him who's boss, whether he's at a wedding, a funeral, or just having his morning coffee. Sow fear and carnage in your wake! Win a Nobel Peace Prize and be declared Time Magazine's Person of the Year - Twice!

This goes well with the Maisto Extraordinary Rendition playset, by the way - which gives you all the tools you need to kidnap the family pet and take him for interrogation at a neighbor's house, where the rules of the Geneva Convention may not apply. Loads of fun!



Link

Tim Parks: In Praise of the Language Police

In Praise of the Language Police
by Tim Parks
New York Review of Books

...

By the same token, very little is said of the mediating work of translators, even though we know that where a great piece of literature has been translated more than once, the various versions can sound quite different and obviously owe a great deal not just to the technical expertise but also the personality and mindset of people we usually know nothing about. In general, we don’t like to think of creative writing as a joint venture, and when it emerges, for example, that Raymond Carver allowed his work to be drastically edited, our appreciation of him, and indeed the work, is at least temporarily diminished. We want to think of our writers as geniuses occupying positions of absolute independence in relation to a tediously conventional society. Conversely, we abhor, or believe we abhor, the standard and the commonplace.

Yet nobody requires the existence of a standard and a general pressure to conform more than the person who wishes to assume a position outside it. It is essential for the creative writer that there be, or be perceived to be, a usual way of saying things, if a new or unusual way is to stand out and to provoke some excitement. So when D. H. Lawrence in Women in Love writes of Gudrun’s insomnia after first making love to Gerald that she was “destroyed into perfect consciousness,” he needs the reader to sense at once that this is syntactically anomalous; a person can be “transformed into,” “turned into,” “changed into” but not “destroyed into.” The syntactical shock underlines Lawrence’s unconventional view of consciousness as a negative rather than positive state, which again is emphasized by the unexpected use of the word “perfect,” rather than a more immediately understandable and neutral “intense.”

Naturally, anyone writing with this level of creativity needs a copy editor willing to accept that rules can be bent and broken. But that doesn’t mean such editors have no role. It is important that the “special effect” stand out from a background of more conventional prose, and that a deliberate departure not be mistaken as something merely regional, British perhaps, or simply that there not be so much clutter around it of one kind or other that it is hardly noticed. George Orwell, a champion of strict grammar as a vehicle of clear thinking, memorably begins 1984 with a very simple, almost embarrassingly conventional novel-opener of a sentence in order that the anomaly constituted by the last word pack a big punch: “It was a bright cold day in April, and the clocks were striking thirteen.” In a different field, David Hume, when presenting his radical and unconventional philosophy, did everything to remove from his writing any indication of his Scottishness, sending drafts to friends to have them check his writing for “Scottishisms.” It was not that he thought standard English superior, just that he did not want a reader’s attention to be distracted from his main purpose.

The editor’s job then becomes one of helping the writer to see where an unessential, perhaps unconscious departure from the norm is actually draining energy away from places where the text is excitingly unconventional. That is, the editor reminds an author that to construct a coherent identity he has to remember his relationship with society and with the language we share and cannot express ourselves without. To go out on a limb linguistically, accepting no compromise and creating an idiolect that really is entirely your own, may win awed admiration, as did Finnegans Wake, but will likely not attract many readers, and arguably does not allow for the communication of nuance, since all the ordinary reader will understand is that you are indeed off on a trip on your own; even Joyce’s hitherto staunch supporter Pound had no truck with it.

...

To Read the Rest of the Essay

Jerry Mander: Privatization of Consciousness

Privatization of Consciousness
by Jerry Mander
Monthly Review

Is advertising legal? Most people agree that it is an uninvited intrusion into our lives and our minds, an invasion of privacy. But the fact that we can be aware of this without being furious, and that we do little to change the situation, is a good measure of our level of submission. There is a power relationship in advertising that is rarely, if ever, looked at, and yet it is a profoundly corrupt one. Some speak; others listen.

A. J. Liebling famously said, “Freedom of the press is guaranteed, but only if you own one.” Freedom of speech is also guaranteed. But only if you have a few million dollars for an effective media strategy. Soapbox oratory doesn’t sway the public anymore. But the powers of advertising go well beyond the amount of money spent. The true power is in the nature of moving-image media, projected for hours every day into human brains. It’s a form of intrusion we have never before in history had to face. Even now in the Internet age, the powers of television and advertising are undiminished and insufficiently examined or discussed.

Very early in my advertising career, it became clear to me that I was being paid to stop you from doing or thinking whatever else you might want to do or think, and instead get you to focus on the piece of information that was of interest to my client. All advertising is an attempt by one party to dominate the other. More than $150 billion is now spent annually in advertising in this country—$450 billion in the world. Every dollar of that has the same purpose: to get people to do what the advertiser wants. Very few people have a similar opportunity to speak back through media, to make demands on the advertisers. Or to suggest some other way to find happiness besides buying things. This makes it a very one-sided deal. Advertisers say that you have the choice of not buying their products, as though that’s satisfactory. You get to say yes or no, like voting a one-party ballot. And you get to say it thousands of times per day.

Advertising is now literally everywhere, interrupting our lives at every turn, requiring that we deal with it. We walk through life as a kind of moving target; hawked at by media, hawked at by signs on the street —blinking, flowing, five stories high. Even clothes have ads on them, and we wear them proudly. Corporations have become like “community” for us. Steve Jobs was our guru. We mourn him as we once mourned Martin Luther King. What a transition.

The situation has advanced to a capitalist utopia: a giant, nonstop global marketplace that carries itself into all our experiences. Life has become a process of constantly avoiding things that people are trying to sell us. Yet most people don’t complain.

Why do we tolerate this? What right do advertisers have to treat us this way? When did we sell the rights to run pictures in our brains? If the airwaves are public, then why are they filled with people selling things all day without our permission? In fact, the “public airwaves” are supposed to be a “public commons.” We own them. In the early radio days, you and a few friends could throw up an antenna behind the house and speak to the world. It was like the early Internet days—YouTube, radio-style.

That stopped when the broadcast frequencies got crowded and capitalists realized what a crucial instrument this could become. The FCC fell quickly in line with the corporations during the 1920s and started selling off our public rights to the airwaves, granting licenses to commercial interests who could pay. Over the years it made little rules about “fairness and balance” and “equal time,” but those rules and rights were soon overpowered and, under Ronald Reagan and then Bill Clinton (who helped launch the infamous Telecommunications Act of 1996), effectively eliminated. The “public airwaves” are now nearly totally privatized. Even the remnants of public airwaves, like PBS and NPR, now have commercials. When the PBS NewsHour reports some horror story about Chevron’s behavior in the Amazon, it feels obliged to say, “Chevron, a ‘sponsor’ of the NewsHour, was today accused of….” I turn off the program the minute I hear that.

The fact that advertising can be occasionally entertaining does not mitigate matters. You could also enjoy a visit from Jehovah’s Witnesses, or from an entertaining vacuum cleaner salesman who came ringing the doorbell five times daily. But you would do that only if you had nothing else to do. Your public airwave commons have been invaded, as has your mental space. If that is not a constitutional invasion of privacy, then what is?

In 1975, I convened a small meeting in my living room in San Francisco, which included some of the leading public interest attorneys in the Bay Area, to ask them if they thought advertising was legal. The way I read the First Amendment, I said, was that its intention was clearly to promote democracy by assuring that all people have equal rights to free speech —at least a fair amount of equality in opportunities for expression —and a similar ability to access all other points of view. When the Bill of Rights was written, in the late 1700s, there were no national broadcast networks that could project one political point of view to millions of people. There was no advertising, either, except for the occasional handbill, to project a particular vision to those same millions of people.

If the goal of the First Amendment was to sustain a democratic flow of information, those days are long gone. The commercial broadcast media speaks to everyone all day and night, and we don’t get to speak back. And those media outlets are owned by a tiny group of megacorporations.

As for advertising, it’s a medium that, by definition, is confined only to the people who can afford to pay for it. The First Amendment wasn’t conceived to give powerful advertising conglomerates power over the people. The advertisers speak their imagery, and we absorb it. Shouldn’t that qualify as a violation of the Constitution? Isn’t that illegal? The group in my living room thought maybe it was, or ought to be, but, given the way the Supreme Court was ruling in those days, they decided there was not yet much opportunity there. Since then, things have only gotten much worse, especially since the Supreme Court’s passage of Citizens United.

To Read the Rest of the Essay

Words for Critical Citizens #5: provocateur

provocateur \proh-vah-kuh-TER\
noun

: one who incites or stimulates another to action

The show's host is a notable provocateur who has made a career of creating controversy for its own sake.

"The 66-year-old director has always fared best as a provocateur. His 1991 film, JFK, might not be great history, but it did prompt the release of thousands of pages of previously classified documents. [Oliver] Stone is a relentless stirrer who is never happier than when tipping buckets on the received wisdom." — From an article by Tim Elliott in the Sydney Morning Herald, December 15, 2012

Words for Critical Citizens #4: whelm

whelm \WELM\

verb

1 : to cover or engulf completely with usually disastrous effect

2 : to overcome in thought or feeling : overwhelm

3 : to pass or go over something so as to bury or submerge it

The avalanche whelmed everything in its path.

"Nevertheless, much will remain whelmed in mystery. Messrs Cameron and Clegg both promised before the general election that the new regime would cover Network Rail, an oddly constituted body laden with publicly backed debt that runs Britain's railway tracks." — From an article in The Economist, January 22, 2011

Friday, January 25, 2013

... and now a word from Banksy

[An earlier reflection on this quote in a review on Exit Through the Gift Shop]

John Bellamy Foster and Robert McChesney: The Internet's Unholy Marriage to Capitalism

The Internet’s Unholy Marriage to Capitalism
by John Bellamy Foster and Robert W. McChesney
Monthly Review

The United States and the world are now a good two decades into the Internet revolution, or what was once called the information age. The past generation has seen a blizzard of mind-boggling developments in communication, ranging from the World Wide Web and broadband, to ubiquitous cell phones that are quickly becoming high-powered wireless computers in their own right. Firms such as Google, Amazon, Craigslist, and Facebook have become iconic. Immersion in the digital world is now or soon to be a requirement for successful participation in society. The subject for debate is no longer whether the Internet can be regarded as a technological development in the same class as television or the telephone. Increasingly, the debate is turning to whether this is a communication revolution closer to the advent of the printing press.1

The full impact of the Internet revolution will only become apparent in the future, as more technological change is on the horizon that can barely be imagined and hardly anticipated.2 But enough time has transpired, and institutions and practices have been developed, that an assessment of the digital era is possible, as well as a sense of its likely trajectory into the future.

Our analysis in this article will focus on the United States—not only because it is the society that we know best, and the Internet’s point of origin, but also because it is there, we believe, that one most clearly finds the integration of monopoly-finance capital and the Internet, representing the dominant tendency of the global capitalist system. This is not meant to suggest that the current U.S. dominance of the Internet is not open to change, or that other countries may not choose to take other paths—but only that all alternatives in this realm will have to struggle against the trajectory now being set by U.S. capitalism, with its immense global influence and power.

What is striking, as one returns to the late 1980s and early 1990s and reads about the Internet and its future, is that these accounts were almost uniformly optimistic. With all information available to everyone at the speed of light and impervious to censorship, all existing institutions were going to be changed for the better. There was going to be a worldwide two-way flow, or multi-flow, a democratization of communication unthinkable before then. Corporations could no longer bamboozle consumers and crush upstart competitors; governments could no longer operate in secrecy with a kept-press spouting propaganda; students from the poorest and most remote areas would have access to educational resources once restricted to the elite. In short, people would have unprecedented tools and power. For the first time in human history, there would not only be information equality and uninhibited instant communication access between all people everywhere, but there would also be access to a treasure trove of uncensored knowledge that only years earlier would have been unthinkable, even for the world’s most powerful ruler or richest billionaire. Inequality and exploitation were soon to be dealt their mightiest blow.

The Internet, or more broadly, the digital revolution is truly changing the world at multiple levels. But it has also failed to deliver on much of the promise that was once seen as implicit in its technology. If the Internet was expected to provide more competitive markets and accountable businesses, open government, an end to corruption, and decreasing inequality—or, to put it baldly, increased human happiness—it has been a disappointment. To put it another way, if the Internet actually improved the world over the past twenty years as much as its champions once predicted, we dread to think where the world would be if it had never existed.

We do not argue that the initial sense of the Internet’s promise was pure fantasy, although some of it can be attributed to the utopian enthusiasm that major new technologies can engender when they first emerge. (One is reminded of the early-twentieth-century view of the Nobel Prize-winning chemist and philosopher of energetics, Wilhelm Ostwald, who contended that the advent of the “flying machine” was a key part of a universal process that could erase international boundaries associated with nations, languages, and money, “bringing about the brotherhood of man.”3) Instead, we argue that there was—and remains—extraordinary democratic and revolutionary promise in this communication revolution. But technologies do not ride roughshod over history, regardless of their immense powers. They are developed in a social, political, and economic context. And this has strongly conditioned the course and shape of the communication revolution.

This economic context points to the paradox of the Internet as it has developed in a capitalist society. The Internet has been subjected, to a significant extent, to the capital accumulation process, which has a clear logic of its own, inimical to much of the democratic potential of digital communication, and that will be ever more so, going forward. What seemed to be an increasingly open public sphere, removed from the world of commodity exchange, seems to be morphing into a private sphere of increasingly closed, proprietary, even monopolistic markets.

Our argument is not a socialist argument against capitalism’s anti-democratic tendencies per se, which we then extend to the case of the Internet. Although we would not be uncomfortable taking such a position, it would make something as extraordinary and unique as the digital revolution too much a dependent variable—and it would allow those opposed to socialism to dismiss the argument categorically. Instead, we base our argument on elements of conventional economic thought, produced by scholars who, by and large, favor capitalism as a system. Our critique, derived from classical and mainstream terms of analysis, will repeatedly demonstrate the weaknesses of allowing the profit motive to dictate the development of the Internet.

In particular, we argue that applying the “Lauderdale Paradox” (or the contradiction between public wealth and private riches) of classical political economy makes a strong case that the most prudent course for any society is to start from the assumption that the Internet should be fundamentally outside the domain of capital. We hope to provide a necessary alternative way to imagine how best to develop the Internet in contrast to the commodified, privatized world of capital accumulation. This does not mean that there can be no commerce, even extensive commerce, in the digital realm, but merely that the system’s overriding logic—and the starting point for all policy discussions—must be as an institution operated on public interest values, at bare minimum as a public utility.

It is true that in any capitalist society there is going to be strong, even at times overwhelming, pressure to open up areas that can be profitably exploited by capital, regardless of the social costs, or “negative externalities,” as economists put it. After all, capitalists—by definition, given their economic power—exercise inordinate political power. But it is not a given that all areas will be subjected to the market. Indeed, many areas in nature and human existence cannot be so subjected without destroying the fabric of life itself—and large portions of capitalist societies have historically been and remain largely outside of the capital accumulation process. One could think of community, family, religion, education, romance, elections, research, and national defense as partial examples, although capital is pressing to colonize those where it can. Many important political debates in a capitalist society are concerned with determining the areas where the pursuit of profit will be allowed to rule, and where it will not. At their most rational, and most humane, capitalist societies tend to preserve large noncommercial sectors, including areas such as health care and old-age pensions, that might be highly profitable if turned over to commercial interests. At the very least, the more democratic a capitalist society is, the more likely it is for there to be credible public debates on these matters.

However—and this is a point dripping in irony—such a fundamental debate never took place in relation to the Internet. The entire realm of digital communication was developed through government-subsidized-and-directed research and during the postwar decades, primarily through the military and leading research universities. Had the matter been left to the private sector, to the “free market,” the Internet never would have come into existence. The total amount of the federal subsidy of the Internet is impossible to determine with precision.

To Read the Entire Essay

Thursday, January 24, 2013

Words for Critical Citizens #3: fanfaronade

fanfaronade \fan-fair-uh-NAYD\

noun

: empty boasting : bluster

Having grown weary of the former governor's fanfaronade and lack of concrete action, voters sent a clear message at the polls and elected his opponent by a landslide.

"I don't intend this as an article about how to divorce oneself from conceit, narcissism and fanfaronade…." — From an article by Phil Guarnieri in the Floral Park Dispatch (New York), August 10, 2012

Friedrich Nietzsche: To see differently.....

... to see differently in this way for once, to want to see differently, is no small discipline and preparation of the intellect for its future “objectivity”—the latter understood not as “contemplation without interest” (which is a nonsensical absurdity), but as the ability to control one’s Pro and Con and to dispose of them, so that one knows how to employ a variety of perspectives and affective interpretations in the service of knowledge. … There is only a perspective seeing, only a perspective “knowing”; and the more affects we allow to speak about one thing, the more eyes, different eyes, we can use to observe one thing, the more complete will our “concept” of this thing, our “objectivity,” be.” (Nietzsche, On the Genealogy of Morals: 555)

University of Kentucky: 2013 Greek Cinematography - Critical Approach and Discussion

The University of Kentucky and the College of Arts & Sciences, under the initiative of Prof. Haralambos Symeonidis, are inviting you to a series of Greek films with discussion, screened on 3 Sundays at 5.00 p.m. at the UK Athletic Association Auditorium of the William T. Young Library. The screenings are free of charge.

This event is sponsored by the UK College of Arts & Sciences and the Greek Orthodox Church of Lexington.

January 27th: Stella (Greece: Mihalis Kakogiannis, 1955: 90 mins)

February 24: A Touch of Spice (Greece: Tassos Boulmetis, 2003: 108 mins)

March 31: El Greco (Greece: Yannis Smaragdis, 2007: 119 mins)

The Coup: Pick a Bigger Weapon (Full Album)

Tuesday, January 22, 2013

Films We Want to See #21: War Witch (Canada: Kim Nguyen, 2012)

Films We Want to See #20: No (Chile/France/USA: Pablo Larra?n, 2012)

HUM 221/ENG 102 Extra Credit Opportunities


2013 Spring Bluegrass Film Society Schedule (BCTC Auditorium, Rm 230, Monday at 7:30PM)

Facebook page

2/25: Putney Swope (USA: Robert Downey, Sr., 1969: 84 mins)

3/4: The Loved One (USA: Tony Richardson, 1965: 122 mins)

3/18: Videodrome (Canada: David Cronenberg, 1983: 87 mins)

3/25: Never Cry Wolf (USA: Carroll Ballard, 1983: 105 mins)

4/1: Chicken with Plums (France/Germany/Belgium: Vincent Paronnaud and Marjane Satrapi, 2011: 93 mins)

4/8: The Organizer (Italy/France/Yugoslavia: Mario Monicelli, 1963: 130 mins)

4/15: Turn Me On, Dammit (Norway: Jannicke Systad Jacobsen, 2011: 75 mins)

4/22: The Forgiveness of Blood (USA/Albania/Denmark/Italy: Joshua Marston, 2011: 109 mins)

4/29: Howl (USA: Rob Epstein and Jeffrey Friedman, 2010: 84 mins)

5/6: Eating Raoul (USA: Paul Bartel, 1982: 90 mins)


-------------------------------------------------
Friday, February 22, 2 pm, Lexmark Room, Main Building
Neil Brenner, "The Urban Age in Question"

Neil Brenner is Professor of Urban Theory at the Harvard Graduate School of Design (GSD) and the coordinator of the newly founded Urban Theory Lab GSD. Brenner’s writing and teaching focus on the theoretical, conceptual and methodological dimensions of urban questions. His work builds upon, and seeks to extend, the fields of critical urban and regional studies, comparative geopolitical economy and radical sociospatial theory. Major research foci include processes of urban and regional restructuring and uneven spatial development; the generalization of capitalist urbanization; and processes of state spatial restructuring, with particular reference to the remaking of urban, metropolitan and regional governance configurations under contemporary neoliberalizing capitalism. Brenner is the author of New State Spaces: Urban Governance and the Rescaling of Statehood (Oxford University Press, 2004). Other book-length publications include Cities for People, not for Profits: Critical Urban Theory and the Right to the City (co-edited with Peter Marcuse and Margit Mayer; Routledge 2011); Henri Lefebvre, State, Space, World (co-edited with Stuart Elden, co-translated with Gerald Moore and Stuart Elden, University of Minnesota Press, 2009); The Global Cities Reader (co-edited with Roger Keil; Routledge, 2006); Spaces of Neoliberalism: Urban Restructuring in North America and Western Europe (co-edited with Nik Theodore; Blackwell, 2003); and State/Space: A Reader (co-edited with Bob Jessop, Martin Jones and Gordon MacLeod; Blackwell, 2002).

-------------------------------------------------------------------------

One World Film Festival 2013: Downtown Lexington
Click to view trailers for the films
All films are free

4. A Separation
Asghar Farhadi, Director
Iran, 2011 (PG-13)
Persian with subtitles (123 min.)
Thursday February 21, 7:00PM
Kentucky Theatre
Set in contemporary Iran, A Separation is a compelling drama about the dissolution of a marriage. Simin wants to leave Iran with her husband Nader and daughter Termeh. Simin sues for divorce when Nader refuses to leave behind his Alzheimer-suffering father. Her request having failed, Simin returns to her parents’ home, but Termeh decides to stay with Nader. When Nader hires a young woman to assist with his father in his wife’s absence, he hopes that his life will return to a normal state. However, when he discovers that the new maid has been lying to him, he realizes that there is more on the line than just his marriage.
2012 ACADEMY AWARD WINNER FOR BEST FOREIGN FILM

5. Tales From The Golden Age
Hanno H?fer, Razvan Marculescu, Cristian Mungiu, Constantin Popescu, Ioana Uricaru, Directors
Romania, 2009 (Not Rated)
Romanian with subtitles (155 min.)
Sunday February 24, 2:00PM
Lexington Public Library Central Library Theater
The final 15 years of the Ceausescu regime were the worst in Romania’s history. Nonetheless, the propaganda machine of that time referred without fail to that period as “the golden age”… Tales from the Golden Age adapts for screen the most popular urban myths of the period. Comic, bizarre, surprising myths abounded, myths that drew on the often surreal events of everyday life under the communist regime. Humor is what kept Romanians alive, and Tales From The Golden Age aims to re-capture that mood, portraying the survival of a nation having to face every day the twisted logic of a dictatorship.

6. Footnote
Mona Achache, Director
Israel, 2009 (PG)
Hebrew with subtitles (103 min.)
Thursday February 28, 7:00PM
Kentucky Theatre
Footnote is the tale of a great rivalry between a father and son. Eliezer and Uriel Shkolnik are both eccentric professors, who have dedicated their lives to their work in Talmudic Studies. The father, Eliezer, is a stubborn purist who fears the establishment and has never been recognized for his work. Meanwhile his son, Uriel, is an up-and-coming star in the field, who appears to feed on accolades. Then one day, the tables turn. When Eliezer learns that he is to be awarded the Israel Prize, the most valuable honor for scholarship in the country, his vanity and desperate need for validation are exposed. His son, Uriel, is thrilled to see his father’s achievements finally recognized but, in a darkly funny twist, is forced to choose between the advancement of his own career and his father’s. Footnote is the story of insane academic competition, the dichotomy between admiration and envy for a role model, and the very complicated relationship between a father and son.

7. Edie & Thea: A Very Long Engagement
Susan Muska & Gr?ta Olafsd?ttir, Directors
USA, 2009 (Not Rated)
English (61 min.)
Sunday March 3, 2:00 & 4:30PM
Lexington Public Library Central Library Theater
The story of Edie and Thea is a documentary about two soulmates whose love begins with an instant magnetic attraction and lasts 42 years – and counting. But like the great love stories of literature and lore – Tristan and Isolde, Romeo and Juliet, Gertrude and Alice – Edie and Thea’s story is one of forbidden love. Shortly after they meet in New York’s West Village in the early 1960s, they become “engaged”, though the idea of a civil marriage for gay and lesbian couples was unthinkable at the time and would not come to pass for another 4 decades.

8. We Were Here
David Weissman & Bill Weber, Directors
USA, 2011 (Not Rated)
English (90 min.)
Thursday March 7, 5:00 & 7:30PM
Kentucky Theatre
We Were Here documents the coming of what was called the “Gay Plague” in the early 1980s. It illuminates the profound personal and community issues raised by the AIDS epidemic as well as the broad political and social upheavals it unleashed. The first documentary to take a deep and reflective look back at the arrival and impact of AIDS in San Francisco, it explores how the City’s inhabitants were affected by, and how they responded to, that calamitous epidemic. Though a San Francisco-based story, We Were Here extends beyond San Francisco and beyond AIDS itself. It speaks to our capacity as individuals to rise to the occasion, and to the incredible power of a community coming together with love, compassion, and determination.

9. Harvest of Empire
Peter Getzels & Eduardo Lopez, Directors
USA, 2012 (Not Rated)
English (90 min.)
Sunday March 10, 2:00PM
Lexington Public Library Central Library Theater
Based on the ground-breaking book by award-winning journalist Juan Gonz?lez, Harvest of Empire takes an unflinching look at the role that u.s. economic and military interests played in triggering an unprecedented wave of migration that is transforming our nation’s cultural and economic landscape. From the wars for territorial expansion that gave the u.s. control of Puerto rico, Cuba and more than half of Mexico, to the covert operations that imposed oppressive military regimes in the Dominican Republic, Guatemala, Nicaragua and El Salvador, Harvest of Empire unveils a moving human story that is largely unknown to the great majority of citizens in the U.S.

10. 2 Days in New York
Julie Delpy, Director
USA, 2012 (R)
English (96 min.)
Thursday March 14, 5:00 & 7:30PM
Kentucky Theatre
2 Days in New York tells the story of hip talk-radio host and journalist Mingus (Chris Rock) and his French photographer girlfriend, Marion (Julie Delpy), who live cozily in a New York apartment with their cat and two young children from previous relationships. But when Marion’s jolly father, her oversexed sister, and her sister’s outrageous boyfriend unceremoniously descend upon them for an overseas visit, it initiates two unforgettable days of family mayhem.


----------


University of Kentucky: 2013 Greek Cinematography - Critical Approach and Discussion The University of Kentucky and the College of Arts & Sciences, under the initiative of Prof. Haralambos Symeonidis, are inviting you to a series of Greek films with discussion, screened on 3 Sundays at 5.00 p.m. at the UK Athletic Association Auditorium of the William T. Young Library. The screenings are free of charge.

This event is sponsored by the UK College of Arts & Sciences and the Greek Orthodox Church of Lexington.

February 24: A Touch of Spice (Greece: Tassos Boulmetis, 2003: 108 mins)

March 31: El Greco (Greece: Yannis Smaragdis, 2007: 119 mins)

-------------------------------------------------------------------------------

Just Peacemaking & the Middle East
A Presentation by Glen H. Stassen, Lewis B. Smedes,
Professor of Christian Ethics at Fuller Theological Seminary
Thursday, March 14 at 7p.m.
Frazier Hall, Bellarmine University
Free and Open to the Public

Words for Critical Citizens #2: Traduce

Merriam-Webster

traduce \truh-DOOSS\

verb

1 : to expose to shame or blame by means of falsehood and misrepresentation

2 : violate, betray

Pink Floyd: Wish You Were Here (Full Album)

Richard Becker: Re-framing the Discourse Surrounding the Drug Wars

[Framing example for my HUM 221 students, Richard Becker comments]

In a WFPL story on Indiana drug laws, one law enforcement officer stated that "not all potheads may become heroin addicts, but I guarantee every heroin addict started out smoking pot." What I want to know is: how many heroin addicts started out drinking milk?

Craig Crow reminds us: Correlation does not imply causation

Democracy Now: The Invisible War -- New Film Exposes Rape, Sexual Assault Epidemic in U.S. Military

[The Invisible War has been nominated for the Oscar for Best Documentary this year.]

The Invisible War: New Film Exposes Rape, Sexual Assault Epidemic in U.S. Military
Democracy Now



On the heels of a new military survey that the number of reported violent sex crimes jumped 30 percent in 2011, with active-duty female soldiers ages 18 to 21 accounting for more than half of the of the victims, we speak with Trina McDonald and Kori Cioca, two subjects of "The Invisible War,” a new documentary that examines the epidemic of rape of soldiers within the U.S. military, which won the Audience Award at the 2012 Sundance Film Festival in Park City, Utah. "Not only was I astounded by the numbers, but when I started talking to the women and men who had experienced this, I was just so devastated by their stories," says the film’s Academy Award-nominated director, Kirby Dick. "These are women and men who are very idealistic. They joined the military because they wanted to serve their country. They were incredible soldiers. And then, when they were assaulted, they had the courage to come forward, even though many people advised them not to," Dick says

Guests:

Kori Cioca, formerly served in the U.S. Coast Guard, where she was beaten and raped by her supervisor and then charged with adultery because he was married. Cioca is one of the main subjects of the new documentary, The Invisible War.

Trina McDonald, was drugged and raped repeatedly by the military police on her remote Naval station in Adak, Alaska. McDonald is one of the subjects of the new documentary, The Invisible War.

Kirby Dick, Academy Award-nominated filmmaker and director of The Invisible War, which just won the Audience Award at the 2012 Sundance Film Festival in Park City, Utah.

To Watch the Episode

Monday, January 21, 2013

Review of Mary Doria Russell's The Sparrow (1997)

The Sparrow (The Sparrow, #1)The Sparrow by Mary Doria Russell
My rating: 5 of 5 stars


I usually browse the science fiction sections of my local bookstores wondering if anything will jump out of the piles of juvenilia, serials and techno-worship. I've always been more an inner-space than an outer space SF reader. That doesn't mean that I dislike aliens, starships and inter-galactic romps, instead, what it means is that the story must contain some exploration of what it means to be human (or better yet, what it means to be sentient). Hard SF techno-geeks (once again I like Hard SF as long as it has the meatier philosophical explorations) like to dismiss this fiction as "soft" SF.

I read to escape, but I also read to learn and to experience beyond my means.

So I have often passed by Mary Doria Russell's novel "The Sparrow" wondering if it could live up to its promise as a "startling, engrossing, and moral work of fiction" (New York Times blurb). Having finally picked it up and slowly got involved with it (I'm usually reading about 4 or 5 things at a time because my work involves reading/researching) and finally getting hooked (I'll be honest, I discard well over half of the books I start, out of frustration with the author's incompetence or laziness) and then becoming obssessed with the solving of the core mystery of what happened to Emilio Sandoz, a South American Jesuit Priest, and his crew who were sent across space to engage a newly discovered sentient species.

This book starts off slowly, introducing its dual, layered narratives, one centered around Emilio after the disastrous mission, the other 40 years earlier as Emilio recounts the journey. The buildup though is worthy of the patient reader and Russell provides a rich array of characters and events in this future society. The mystery is at first vague (other than the recognized outcome) but it draws strength as the narrative progresses and nearly overwhelms the reader in the last 50 pages.

I don't want to give any of the story away, so let me finish with a few themes: Religion, but more so, struggles of faith/non-faith, especially in an age of science; predators and prey amongst sentient societies; contamination and violence in colonial enterprises; institutional power and individual promise; the intertwining of business/military/culture; redemption and renewal; death and destruction; the nature of evil; and our own prejudices. There is one last powerful issue/theme explored in the book, but it is a part of the mystery and cannot be mentioned or else it would give away the story for any potential readers.

Supposedly Brad Pitt's Plan B productions has optioned the film and he wants to play Emilio--it would make a fascinating film, if done with integrity and intelligence.

View all my reviews

Remembering Martin Luther King Jr. in 2013

"As I have walked among the desperate, rejected, and angry young men, I have told them that Molotov cocktails and rifles would not solve their problems... But they ask -- and rightly so -- what about Vietnam? Their questions hit home, and I knew that I could never again raise my voice against the violence of the oppressed in the ghettos without having first spoken clearly to the greatest purveyor of violence in the world today -- my own government."

- Martin Luther King Jr., "Beyond Vietnam" excerpts from a Speech at Riverside Church Meeting, New York, N.Y., April 4, 1967. In Clayborne Carson et al., eds., Eyes on the Prize: A Reader and Guide (New York: Penguin, 1987), 201-04.

Sunday, January 20, 2013

After Words: Oliver Stone and Peter Kuznick -- The Untold History of the United States

Oliver Stone and Peter Kuznick, "The Untold History of the United States"
hosted by Michael Kazin, Georgetown University
After Words



Oliver Stone and Peter Kuznick argue that U.S. leaders must chart a course for the future by first honestly facing what they call the country's troubling history of drifting farther away from its democratic traditions. They talk with Michael Kazin, Georgetown University history professor and co-editor of Dissent magazine.

Oliver Stone is the Academy Award winning director of such films as "Platoon," "Wall Street," "Born on the Fourth of July," and "JFK."

Peter Kuznick is a history professor at American University and director of its award-winning Nuclear Studies Institute. He is also in his third term as a distinguished lecturer with the Organization of American Historians.

To Listen to the Episode

To Watch Episodes of the Showtime series The Untold History of United States on Youtube

Democracy Now: Chris Wood - As U.S. Escalates Pakistan Drone Strikes, Expansive "Kill List" Stirs Fears of Worse Civilian Toll

[MB: I was listening to this while working out yesterday and I was struck by the manipulative word games the US/British government are engaging to cover up citizen casualties -- Jeremy Scahill's public denunciation of these tactics (the word games and indiscriminate drone killings) as murder is an important voice of dissent.]

As U.S. Escalates Pakistan Drone Strikes, Expansive "Kill List" Stirs Fears of Worse Civilian Toll
Democracy Now

At least 27 people have been killed in three consecutive days of U.S. drone strikes inside Pakistan, part of a new wave of attacks over the past two weeks. The surge in drone strikes comes just a week after the New York Times revealed that President Obama personally oversees a "secret kill list" containing the names and photos of individuals targeted for assassination in the U.S. drone war. We go to London to speak with Chris Woods, award-winning reporter with the Bureau of Investigative Journalism in London, who heads the Bureau’s drones investigation team. Under the Obama administration’s rules, "any adult male killed in effectively a defined kill zone is a terrorist, unless posthumously proven otherwise," Woods says. "We think this goes a long way to explaining the gulf between our reporting of civilian casualties in Pakistan and Yemen and the reporting of credible international news organizations, and the CIA’s repeated claims that it isn’t killing [civilians], or rather, is killing small numbers. ... If you keep assuring yourself that you’re not killing civilians, by a sleight of hand, effectively, by a redrafting of the term of 'civilian,' than that starts to influence the policy and to encourage you to carry out more drone strikes." Woods adds that the latest attacks "indicate not just a significant rise in the number of CIA strikes in Pakistan, but an aggression for those strikes that we really haven’t seen for over a year."

Guest:

Chris Woods, award-winning reporter with the Bureau of Investigative Journalism in London. He leads the Bureau’s drones investigation team.

To Watch the Episode

Trevor Timm: Congress Disgracefully Approves the FISA Warrantless Spying Bill for Five More Years, Rejects All Privacy Amendments

Congress Disgracefully Approves the FISA Warrantless Spying Bill for Five More Years, Rejects All Privacy Amendments
By Trevor Timm
Electronic Frontier Foundation

[On December 28th], after just one day of rushed debate, the Senate shamefully voted on a five-year extension to the FISA Amendments Act, an unconsitutional law that openly allows for warrantless surveillance of Americans' overseas communications.

Incredibly, the Senate rejected all the proposed amendments that would have brought a modicum of transparency and oversight to the government's activities, despite previous refusals by the Executive branch to even estimate how many Americans are surveilled by this program or reveal critical secret court rulings interpreting it.

The common-sense amendments the Senate hastily rejected were modest in scope and written with the utmost deference to national security concerns. The Senate had months to consider them, but waited until four days before the law was to expire to bring them to the floor, and then used the contrived time crunch to stifle any chances of them passing.

Sen. Ron Wyden's amendment would not have taken away any of the NSA's powers, it just would have forced intelligence agencies to send Congress a report every year detailing how their surveillance was affecting ordinary Americans. Yet Congress voted to be purposely kept in the dark about a general estimate of how many Americans have been spied on.

You can watch Sen. Ron Wyden's entire, riveting floor speech on the privacy dangers and lack of oversight in the FISA Amendments Act here.

Sen. Jeff Merkley's amendment would have encouraged (not even forced!) the Attorney General to declassify portions of secret FISA court opinions—or just release summaries of them if they were too sensitive. This is something the administration itself promised to do three years ago. We know—because the government has admitted—that at least one of those opinions concluded the government had violated the Constitution. Yet Congress also voted to keep this potentially critical interpretation of a public law a secret.

To Read the Rest of the Report and Access the Hyperlinked Resources

Friday, January 18, 2013

Norman Finkelstein: Waning Jewish American Support for Israel Boosts Chances for Middle East Peace; The Role of BDS & Why Obama Doesn’t Believe His Own Words on Israel-Palestine

Democracy Now

Norman Finkelstein: Waning Jewish American Support for Israel Boosts Chances for Middle East Peace

Well over a year into the Arab Spring, the author and scholar Norman Finkelstein argues that there is a new, albeit quieter, awakening happening here in the United States that could provide a major boost to the winds of change in the Middle East. In his new book, "Knowing Too Much: Why the American Jewish Romance with Israel Is Coming to an End," Finkelstein contends that American Jewish support for the Israeli government is undergoing a major shift. After decades of staunch backing for Israel that began with the 1967 war through the 1982 invasion of Lebanon, to the repression of two Palestinian intifadas, Finkelstein says that a new generation of American Jews are no longer adopting reflexive support for the state that speaks in their name. With this shift in American Jewish opinion, Finkelstein sees a new opportunity for achieving a just Middle East peace.

To Watch the Episode


Norman Finkelstein on the Role of BDS & Why Obama Doesn’t Believe His Own Words on Israel-Palestine

Norman Finkelstein, author of the new book, "Knowing Too much: Why the American Jewish Romance with Israel Is Coming to an End," argues that President Obama’s hawkish support for Israel is belied by his liberal background as a law professor and community organizer. Responding to Obama’s speech this year before the American Israel Public Affairs Committee, Finkelstein says, "President Obama clearly doesn’t believe a word he’s saying [on Israel-Palestine]. And that’s probably the most troubling or the most disconcerting thing about listening to him. ... He says we have Israel’s back. Well, what he actually means is, rich American Jews have me, meaning Obama, in their pocket, and I have my hands in their pocket." Known as one of Israel’s most prominent critics, Finkelstein says the goal of the Boycott, Divest and Sanctions campaign and the broader movement for Middle East peace should be to mobilize public opinion on what most already support: a two-state solution rooted in international law. "Politics is not about personal opinions," Finkelsten says. "It’s about trying to reach a public and getting them to act on their own sense of right and wrong."

To Watch the Episode

Peter Staley and David France: How to Survive a Plague -- As ACT UP Turns 25, New Film Chronicles History of AIDS Activism in U.S.

[MB: Nominated by the Oscars for Best Documentary]

"How to Survive a Plague": As ACT UP Turns 25, New Film Chronicles History of AIDS Activism in U.S.
Democracy Now



This weekend marks the 25th anniversary of ACT UP — the AIDS Coalition to Unleash Power — an international direct action advocacy group formed by a coalition of activists outraged over the government’s mismanagement of the AIDS crisis. We speak with ACT UP founding member Peter Staley, one of the longest AIDS survivors in the country; and David France, director of the new documentary "How to Survive a Plague," which tells a remarkable history of AIDS activism and how it changed the country. "I’m alive because of that activism," Staley says of the triple drug therapy he was able to take. "This was a major victory this movie tells about getting these therapies. But that was only the beginning of the battle. Now we have these treatments that can keep people alive, and there are still two to three million dying every year. There are more dying now than when we actually got the therapies to save people. So it’s a huge failure of leadership internationally. And it shows a failure of our own healthcare system."

Guests:

Peter Staley, HIV/AIDS activist featured in How to Survive a Plague. In the mid-’80s, Staley was diagnosed with AIDS. He left his job as a bond trader in New York to work as a full-time activist. He became a founding member of ACT UP in 1987 and served on the board of the American Foundation for AIDS Research until 1991.

David France, director of the new AIDS activism documentary, How to Survive a Plague.

To Watch the Episode

Matt Taibbi: Zero Dark Thirty Is bin Laden's Last Victory

'Zero Dark Thirty' Is bin Laden's Last Victory
by Matt Taibbi
Reader Supported News (Originally published in Rolling Stone)



...

There's no way to watch Zero Dark Thirty without seeing it as a movie about how torture helped us catch Osama bin Laden. That's why I was blown away when I read this morning that Bigelow is now going with a line that "depiction is not endorsement," that simply showing torture does not amount to publicly approving of it.

If Bigelow really means that, I have a rhetorical question for her: Are audiences not supposed to cheer at the end of the film, when we get bin Laden? They cheered in the theater where I watched it. And is Maya a good character or a bad character? Did she cross some dark line in victory like Michael Corrleone, did she lose her moral self and her humanity chasing her goal like Captain Ahab, or is she just a modern-day Sherlock Holmes (or, hell, John McClane) getting his man in the end?

It seemed to me more the latter than anything else. I barely caught a whiff of a "moral journey/descent" storyline in this film - the closest they came to that was in the first scene, where Maya looks a little grossed out by Clarke's methods. A few minutes later, though, she's all street and everything, wearing a hijab and getting some henchman to throw fists at her suspects on command. She went from queasy to hardass in about ten seconds and we didn't linger on the transformation at all.

Bigelow is such a great storyteller that she has to know, deep inside, that the "depiction is not endorsement" line doesn't wash. You want audiences gripped to the screen, you've gotta give them something to root for, or against. This was definitely not a movie about two vicious and murderous groups of people killing and torturing each other in an endless cycle of increasingly brainless revenge. And this was not a movie about how America lost its values en route to a great strategic victory.

No, this was a straight-up "hero catches bad guys" movie, and the idea that audiences weren't supposed to identify with Maya the torturer is ludicrous. Are we really to believe that viewers aren't supposed to be shimmering in anticipation for her at the end, as she paces back and forth with set-fans whooshing back her beautiful red hair, waiting for her copter to come in? They might as well have put a cape and a Wonder Woman costume on her, that's how subtle that was.

Bigelow and screenwriter Mark Boal clearly spent a lot of time with sources in the CIA who were peddling a version of history where the "Enhanced Interrogation Techniques" program, though distasteful, scored us the big prize in the end.

In Oscar-winning director Alex Gibney's agonizing and affecting documentary about EIT called Taxi to the Dark Side, he talks about the phenomenon of "force drift" in torture, when interrogators start using harsher methods when the permitted ones don't work. Well, in journalism, what happened with Boal and Bigelow is what you might call "access drift" - when you really, really love the drama of the story you're hearing, you start leaning in the direction of your sources even if the truth doesn't quite cooperate.

Obviously, torture does produce some information, maybe even some good information. If you really squint hard, it may very well be that, technically speaking, there's a lot of truth in the plot of Zero Dark Thirty. It may be that we wouldn't have found bin Laden without torture. And as such, any movie about the hunt for bin Laden that excluded scenes of torture would have been dishonest.

But that's not what's messed up about this movie. The problem had nothing to do with the fact that Bigelow showed torture. It was the way she depicted it - without perspective, and in the context of a pulse-pounding thriller where the audience is clearly supposed to root for the big treasure find.

For one thing, Gibney put out a compelling argument in a Huffington Post piece that the ZD30 storyline is not accurate in the sense that it excluded crucial information. He points to several facts that Bigelow and Boal chose to ignore (and remember, this was supposed to be a "journalistic account," according to Bigelow), like for instance:

Mohammed Al-Qatani, the so-called "20th hijacker," who may have been some part of the inspiration for the "Ammar" character who was tortured in the opening scene, might have been the first detainee to mention the name of bin Laden's courier. But as Gibney points out, al-Qatani gave that information up to the FBI, in legit, torture-free interrogations, before he was whisked away to Gitmo for 49 days of torture that included such insanities as forcing him to urinate on himself (by force-feeding him liquids while in restraints), making him watch a puppet show of him and bin Laden having sex, making him take dance lessons, making him wear panties on his head, and making him wear a "smiley-face" mask, along with the usual sleep and sensory deprivation, arm-hanging, etc. In other words, the key info may have come before they chucked our supposed standards for human decency.

The CIA waterboarded Khalid Sheikh Mohammed 183 times, and throughout this "enhanced interrogation," the former al-Qaeda mastermind continually played down the importance of Abu Ahmed al-Kuwaiti, the man who led the CIA to bin Laden. But the CIA was so sure KSM was telling the truth under torture - so sure waterboarding was a "magic bullet," as Gibney put it to me - that they discounted the lead. So torture may have actually delayed bin Laden's capture.

The CIA took another detainee, Ibn al-Sheik al Libi, and duct-taped his head, put him in a wooden box, shipped him off to Cairo to be waterboarded, and got him to admit under torture that there were links between Saddam Hussein and bin Laden. This "intel" became part of Colin Powell's presentation to the U.N. on the need to invade Iraq. So while torture might have found us bin Laden, maybe, it also very well might have sent us on one of history's all-time pointlessly bloody wild goose chases, invading Iraq in search of WMDs.

A more accurate movie about the torture program would have been a grotesque comedy that showed grown men resorting to puppet shows and dance routines and fourth-rate sexual indignities dreamed up after spending too much time reading spank mags and BDSM sites - and doing this thousands of times to thousands of people, all over the world, "accidentally" murdering hundreds of people in the process, going to war by mistake at least once as a result of it, and having no clue half the time who they're interrogating (less than 10 percent of "terror suspects" at places like Bagram were arrested by American forces; most of the rest were brought in by Afghanis or other foreigners in exchange for bounties).

...

To Read the Entire Response

Thursday, January 17, 2013

Ideology: Peace and Conflict Studies Archive

Parenti, Michael. "Racism and the Ideology of Slavery." Unwelcome Guests #8 (April 29, 2000)

Power, Nina. "The Spectre of the “Public”: The Ideology of Law and Order." Backdoor Broadcasting Company (The Birkbeck Institute for the Humanities "Ideology Now – Conference": April 28, 2012)

Strickland, Ron. "Althusser's Concept of Ideology." (Teaching video posted on Youtube: 2008)

Zinn, Howard. Declarations of Independence: Cross-Examining American Ideology. Harper Perennial, 1990.

Zizek, Slavoj. Excerpt from "The Spectre of Ideology." The ?i?ek Reader. ed. Elizabeth Wright and Edmond Wright. Malden, MA: Blackwell, 1999: 53-86.

Beware of Images: WTF Happened to the Music

By the late 60s the music charts were filled with songs featuring social and political content. During the Vietnam War, hundreds of anti-war songs were released and more than 70 made it to the Billboard charts, with 14 occupying a spot in the top 10. Artists expressed compassion and empathy towards the plight of others, and they were propelled to the top by an equally empathetic audience. Then...

Call For Submissions from BCTC Students/Staff/Faculty: Bluegrass Accolade

Have a short story, poem, or artwork (including photographic art) that you would like to share? Consider submitting it to be considered for publication in the Spring 2013 issue of the Bluegrass Accolade, BCTC’s literary journal. Deadline: February 14th, 2011. More Details

Death Penalty/Executions: Peace and Conflict Studies Archive

Abu-Jamal, Mumia and Michael Parenti. "Created Unequal (Law, Money and Mumia Abu-Jamal)." Unwelcome Guests #6 (April 12, 2000)

Axtman, Chris. "Growing introspection in death-penalty capital." Christian Science Monitor (November 16, 2004)

Burden of Innocence Frontline (May 1, 2003)

Cohen, Stanley. The Wrong Men: America's Epidemic of Wrongful Death Row Convictions." Carroll and Graf, 2003. [The book is available in BCTC Library]

Ebert, Roger. "Nobody has the right to take another life." Chicago Sun-Times (January 4, 2012)

Feffer, John. "Governments Kill." Institute for Policy Studies (August 24, 2011)

Free, Marvin D., Jr. and Mitch Ruesnik. "Wrongful Convictions in the United States." Excerpted from Race and Justice: Wrongful Convictions of African American Men. Lynne Rienner Publishers, 2012: 1-16.

Gettleman, Jeffrey. "Americans’ Role Seen in Uganda Anti-Gay Push." The New York Times (January 3, 2010)

Goodman, Amy. "Troy Davis and the Politics of Death." TruthDig (September 13, 2011)

Hedges, Chris. "The Unsilenced Voice of a ‘Long-Distance Revolutionary.'" TruthDig (December 9, 2012)

Jonsson, Patrik. "North Carolina creates a new route to exoneration: An official innocence commission can revisit death penalty convictions." Christian Science Monitor (August 10, 2006)

Leo, Richard A. and Jon B. Gould. "Studying Wrongful Convictions: Learning from Social Science." Ohio State Journal of Criminal Law 7.7 (2009)

National Coalition to Abolish the Death Penalty [Founded in 1976 with headquarters in Washington DC]

The Plea Frontline (June 17, 2004: To Watch it Online)

Prejean, Sister Helen. "Death in Texas." New York Review of Books (January 13, 2005)

---. "On the Death Penalty." Radio IndyMedia (Presentation at Cazenovia College on September 20, 2010)

Richman, Joe and Bridgette McGee-Robinson. "The Story of Willie McGhee." Re:sound (2010)

The Thin Blue Line (USA: Errol Morris, 1988) [This documentary is available in the BCTC Library]

Tremmel, Pat Vaughan. "Death penalty history made at Northwestern." Observer (January 23, 2003)

Wise, Tim "Killing One Monster, Unleashing Another: Reflections on Revenge and Revelry." (May 2, 2011)

World Coalition Against the Death Penalty [Founded in Rome, Italy, in 2002, with headquarters in Strausborg, France]

Yohnka, Ed. "A "Near-Death Experience" for Death Penalty Abolition in Illinois." Blog of Rights (January 10, 2011)

Tuesday, January 15, 2013

New Humanist: The other side of the street -- Laurie Taylor interviews Stan Cohen

The other side of the street: Laurie Taylor interviews Stan Cohen
New Humanist

Sociologist Stan Cohen, who died on 7 January 2013, spent his life analysing and opposing injustice and inhumanity. In this extended interview from 2004, he talks to his friend and collaborator Laurie Taylor about torture, social control and our extraordinary capacity to deny.



...

It's a well–-expressed sentiment even if the phrase "little refusals" hardly does sufficient justice to the times, particularly during his long stay in Israel, when Stan Cohen risked ostracism from even his most liberal colleagues and friends because of his big refusal to go along with what he saw as their fatally compromised vision.

I'm anxious to talk to him about that time in his life and specifically about the manner in which the work he did there on the torture used by Israeli security agents in the Occupied Territories led to the detailed psychological analysis of denial and self–-deceit in his prize–winning States of Denial.

But these days it's no longer possible to talk to Stan without first checking up on his own state of mind. The last few years have been cruel to him. Seven years ago he was diagnosed with Parkinson's disease. Despite the cocktails of drugs that he consumes, he now finds it increasingly difficult to walk any distance or to sit and write for any length of time.

Matters have been further complicated by an extreme back condition which has failed to respond to surgery. The latest blow was the death from cancer this Christmas of his beloved wife, Ruth. "You know," he jokes, after he's waved away my clumsy solicitations. "If Glen Hoddle was right, then I must have had a wonderful previous life."

I take that as a cue to turn to his present incarnation. I know that he grew up in Johannesburg, where he and Ruth were involved in the Zionist youth movement. It was there that he developed his conviction that Israel provided an opportunity to build a good and fair society. At the same time, both of them were student activists in the struggle against apartheid (Znele Dlamini, now wife of the South African President, Thabo Mbeki, was in Stan's social work class). Stan always looks back to South Africa as the real source of his political ideals. But when he left South Africa for England in 1963, he fully intended to stay for only a couple of years before going off to Israel to resume his Zionist commitment. Somehow or other he ended up living in England for 18 years — 18 years in which any utopian hopes about the type of good society that might be established in Israel were being brutally and systematically dashed.

But it was then, at the very time when even the most fervent supporters of the Israeli cause were beginning to run for cover, that he and Ruth decided to activate their early resolution and move to Israel. Why? "Well, the quick answer is 'madness'. The long answer includes the pulls of 'being Jewish', what Saul Bellow called 'potato love', and then there was the idea of our kids growing up without this connection. I was also acutely aware that our original commitments could never find a home in English politics. I couldn't read about what was happening in South Africa and Israel and then connect with the striking British trades unionists or university Trotskyists. And I was also a sucker at that time for the notion of community, for the sense that there was somewhere where I would be at home. I felt that I had to report in somewhere and do my good things for some recognisable group around me."

But hadn't he read enough about the realities of Israel in the early 80s to know that it had nothing to do with the Zionist ideals that he'd imbibed in his adolescent days in South Africa? "For some reason, maybe now I'd call it denial, I didn't really take it in. So strong was the brainwashing that I'd received from the Zionist youth movement that I'd managed to avoid facing the full reality. But I do remember saying to someone who asked me the same question, 'No, it is precisely because things are bad now, precisely because there is so much discontent, that people like us with real commitment should be going there'."

What made him feel so confident that he could make a difference? "I suppose I was still sold on the 60s idea that you could integrate every part of your life: the idea that your self, your soul, your teaching, writing, political activity could all be harmonised into a single whole. I felt that Israel was somehow the place to do this, that there was a ready– made identity for me there. I would slip into this liberal Jewish intellectual identity and tell these brutal people all around me that if they edged a little this way and that then things would be all right."

I can personally remember when Stan had been gripped by this set of beliefs. Just before he went to Israel we'd been busy working together on a project, and when I'd heard about his wish to move to Israel I felt almost betrayed. Here was one of my intellectual heroes committing an act of ideological treachery.

I did reluctantly visit him a couple of times in Jerusalem but I spent much of my time there looking for the signs of his disillusionment with the regime. It's only now that I can properly discover how well he was concealing them from me. I ask him if any of his long list of personal and political hopes were realised.

"I have never felt so far from 'home' in all my life. I have never been in a place so alien. As for the community of liberal forces, I found their hypocrisies especially repugnant. There was no point in attacking the Right and Centre forces; I had to criticise the people who should have been standing up and weren't.

"Their attitude to Palestinians was quite unlike the liberalism I knew in South Africa. Nowhere had I met a group of intellectuals who were so sensitive to their country's good image. Many of them adopted a curiously dishonest position. There would be a smell of tear gas coming up from one of the villages near the Hebrew University Mount Scopus campus, and inside the university they would be talking about legality and jurisprudence. Once when I was fund–raising for a human rights organisation, I met a well–informed, very progressive American woman who promised that her foundation would provide the grant that we needed for further work. I then casually mentioned that we would need another $2,000 to translate the final report on torture from Hebrew into English. 'Why into English?' she said. 'These are terrible things but I don't think they should be known to everyone'."

Most readers of this magazine probably have some sort of history of political activism. What made Cohen's radicalism in Israel different was his readiness to go it alone and to improvise. The issue of torture was important itself but he also chose it to test the liberal threshold of the liberals. He and a colleague spent a year investigating (for an Israeli human rights organisation) the use of torture by Israeli troops in the Occupied Territories.

Their report produced devastating and conclusive evidence that torture was indeed employed systematically against Palestinian detainees. At first, he hoped that the evidence would speak for itself. "In Israel you can produce that sort of thing. Within the contours of liberal democracy, I could talk openly about the findings and how torture was rationalised and justified."

But although the findings were indeed made public they were systematically undermined in the press and elsewhere. I asked him if these were similar in kind to those now being invoked to deal with the American torture of terrorist suspects in the jails of Iraq and in Guantanamo Bay. "George Orwell predicted that democratic societies would use torture. It happened with the French in Algeria, the British in Northern Ireland, the Israelis, and now the Americans. Unlike more totalitarian societies, though, democracies, however flawed, are open to public, and self, scrutiny. So, they have to find a vocabulary to account for abuses. In 1987 an Israeli judicial commission on torture tried to work out a model of how to respond to allegations of torture, a model which was used explicitly in the early days of Guantanamo Bay.

"To start off with, the Israelis and others realised that one way to deal with the problem was simply to come right out and acknowledge that torture had indeed been used, however reluctantly, and that all decisions about when it was appropriate were left to the security services. But that was not viable. No Israeli or any other democratic government could abandon all political or legal control over such a practise: that would be the road to fascism.

"The second idea was to deny that it happened at all, to keep on saying, whatever the evidence, that it was prohibited and therefore couldn't exist. Not an easy choice either, when the evidence was so compelling. So, we now arrive at the third way: regulation. Yes, it does go on, but it is carefully regulated and supervised by bureaucrats. This third way is now is what is actually being called 'torture lite'.

"It isn't people hanging from their fingernails, but in the terminology of the Israeli commission, 'moderate physical pressure.' To the French such torture was 'an administrative procedure', to the British it was 'deep interrogation'. Each justified what they were doing by reference to the other. Well, after all, this is what the French did in Algeria. Well, after all, this is what the British did in Northern Ireland. A peculiar cosmopolitan circuit."

And behind this official talk lie the justifications used by those who carried out the actual work? "Yes. And here you have the classic components of what Kelman called 'crimes of obedience': authorisation, de–sensitisation, and depersonalisation. Someone else authorised me to do it: now that I've done it once I can do it again: I'm only doing it to 'others' — people who are our enemy and therefore less than human.

"Then, of course, there is also the justification that torture is only being used now because we are in a completely new situation, in a state of emergency, or a completely different kind of war. And reality television adds one further component. People actually take photographs to show their participation in torture as though their actions had no ethical status at all.

"The assumption is that everyone will accept it. This is a normalisation of the taboo. On any cheap television show you can find nudity and body exposure. What's the difference here? So Alan Dershowitz, a Professor of Law at Harvard, can be presented as a 'civil libertarian' on the Larry King Show and proceed to give concrete examples of approved torture.

"It's as if he's saying: we sit around at Harvard graduate seminars and work this all out. After consultation with doctors our message is that you can effectively torture someone by putting needles and pins just underneath their fingernails and pressing. Punters can then say, 'Well, I saw this liberal professor at Harvard who not only says that torture is okay in special circumstances but actually shows us how to do it.' Why should there be any inhibitions after that?"

So what could be done to counteract this sort of moral slippage? Should one stand up and shout out to anyone who would listen that torture was simply wrong and that all these stories about how it wasn't really torture were nothing more than cover–ups?

...

To Read the Entire Interview

Sports: Peace and Conflict Studies Archive

Bigger Stronger Faster (USA: Christopher Bell, 2008)

Carpentier, Megan. "Steubenville and the misplaced sympathy for Jane Doe's rapists: Rape is unique in US society as a crime where the blighted future of the perpetrators counts for more than the victim's." Comment is Free (March 18, 2013)

Chomsky, Noam. "On the Basic Role of (Non-Participatory) Sports." Dialogic (Excerpts of Chomsky quote published in Robert F. Barsky's The Chomsky Effect: November 5, 2009)

Christina, Greta. "Wealthy, Handsome, Strong, Packing Endless Hard-Ons: The Impossible Ideals Men Are Expected to Meet." AlterNet (June 20, 2011)

The Edge of Sports (Website for sports reporter and historian Dave Zirin's weekly columns and podcasts)

Engle, John. "August and Everything After: A Half-Century of Surfing in Cinema." Bright Lights Film Journal #80 (May 2013)

Gwynne, Kristen, Monica Johnson Hostler, and X. "Hacker Group Anonymous Leaks Chilling Video in Case of Alleged Steubenville Rape, Cover-Up." Democracy Now (January 7, 2013)

Johnson, Ian. "The New Olympic Arms Race." The New York Review of Books Blog (August 8, 2012)

Watkins, Boyce. "University of Kentucky: The Plantation that Never Quits." (June 12, 2012)

West, Betsy. "Makers: Women Who Make America": New Film Chronicles Past 50 Years of Feminist Movement." Democracy Now (February 26, 2013)

Zirin, Dave. "Here Come Los Suns: Sports and Resistance to Arizona's SB 1070." Socialism 2010 Conference in Oakland, CA

---. "Jason Collins: The Substance of Change." The Nation (April 30, 2013)

---. "LeBron James and the Quote Heard Round the World." The Nation (July 13, 2011)

---. Not Just a Game: Power, Politics and American Sports. Media Education Foundation (2010: available online 62 mins)

---. "The Politics of Sports." Media Matters (August 29, 2010)

Democracy Now: Hacker Group Anonymous Leaks Chilling Video in Case of Alleged Steubenville Rape, Cover-Up

[Original post with detailed reports on all of the people involved in the crime and the cover-up: Local Leaks: The Steubenville Files]

Hacker Group Anonymous Leaks Chilling Video in Case of Alleged Steubenville Rape, Cover-Up
Democracy Now

We turn to Steubenville, Ohio, where members of a high school football team allegedly raped an underage girl and possibly urinated on her unconscious body over the course of an evening of partying in late August. The young men chronicled their actions on social media sites such as Facebook and Twitter. But after many in the town of Steubenville, including the high school football coach, rallied to the players’ defense, the hacker group "Anonymous" vowed to release the accused players’ personal information unless an apology was made. Anonymous has since released a video showing a male Steubenville high schooler joking about the alleged victim. We’re joined by three guests: Monika Johnson Hostler, president of the National Alliance to End Sexual Violence; Kristen Gwynne, an associate editor at AlterNet; and "X", a member of the hacktivist group Anonymous using a pseudonym.

Guests:

Monika Johnson Hostler, president of the National Alliance to End Sexual Violence.

"X", member of the hacktivist group Anonymous, using a pseudonym.

Kristen Gwynne, associate editor at AlterNet. Her recent article is "How Anonymous Hacking Exposed Steubenville High School Rape Case."

To watch the episode

Monday, January 14, 2013

Words for Critical Citizens #1: Taradiddle

taradiddle \tair-uh-DID-ul\

noun

1 : a trivial or childish lie : fib

2 : pretentious nonsense

"Even parents with the very best of intentions find themselves telling taradiddles to their offspring." — From a blog post by Ben Schott at nytimes.com, November 12, 2010

"As truths go, the history of Miss Rossiter she had laid out was unimpressive: a forked-tongue taraddidle of the highest order and if I were to serve it up to Hardy and be found out afterwards I should be lucky to escape arrest, if not a smack on the legs with a hairbrush for the cheek of it." — From Catriona McPherson's 2009 novel Danny Gilver and the Proper Treatment of Bloodstains

Source: Webster's Word-of-the-Day

The Clash: Career Opportunities

Saturday, January 12, 2013

Beautiful Trouble: Clandestine Insurgent Rebel Clown Army



"The clowns are organizing. They are organizing. Over and out." -- Overheard on UK police radio during action by Clandestine Insurgent Rebel Clown Army (July 2004)



"Clowns always speak of the same thing, they speak of hunger; hunger for food, hunger for sex, but also hunger for dignity, hunger for identity, hunger for power. In fact, they introduce questions about who commands, who protests." — Dario Fo (Italian playwright/fool) [source Rebel Clowning

CIRCA aims to make clowning dangerous again, to bring it back to the street, restore its disobedience and give it back the social function it once had: its ability to disrupt, critique and heal society. Since the beginning of time tricksters (the mythological origin or all clowns) have embraced life's paradoxes, creating coherence through confusion - adding disorder to the world in order to expose its lies and speak the truth.
[source Rebel Clowning

Thursday, January 10, 2013

Killer Meteor: Trollop from a Checkered Past

Weapons: Peace and Conflict Studies Archive

Barker, Holly, et al. "The Secret, Silent Poisoning (Nuclear Victims in Peace and War)." Unwelcome Guests #616 (August 11, 2012)

Carlin, Dan. "Gunning for Violence." Common Sense #244 (December 28, 2012)

Clark, Ramsey and Harry Murray. ""Hancock 38" Defendants Found Guilty for Bold Army Base Protest Against U.S. Drone Attacks Abroad." Democracy Now (December 2, 2011)

Cobbs, Maurice. Customer Comment on Amazon about the Tailwind child's toy Drone Dialogic (January 28, 2012)

Conroy, Bill. "More Fast and Furious / Did Cele Call it?" The Expert Witness Radio Show (December 14, 2011)

Debusmann, Bernd. "America's Problematic Remote Control Wars." Reuters (July 8, 2011)

Engelhardt, Tom. "Praying at the Church of St. Drone: The President and His Apostles." Tom Dispatch (June 5, 2012)

Frost, Amber. "‘Hours of Racist, Imperialist Fun!’: Toy predator drone + snarky Amazon comments." Dangerous Minds (December 31, 2012)

Grosscup, Beau. "Cluster Munitions and State Terrorism." Monthly Review 62.11 (April 1, 2011)

Nader, Ralph. "Where are the Lawyers?: Obama at Large." Counterpunch (May 31, 2012)

Scahill, Jeremy. "The World Is a Battlefield: Jeremy Scahill on "Dirty Wars" and Obama’s Expanding Drone Attacks." Democracy Now (April 24, 2013)

Shah, Anup. "The Arms Trade is Big Business." Global Issues (January 5, 2013)

Sifton, John. "A Brief History of Drones." The Nation (February 27, 2012)

Stewart, Jon. Scapegoat Hunter: Gun Control." The Daily Show (January 8, 2013)

Woods, Chris. "As U.S. Escalates Pakistan Drone Strikes, Expansive "Kill List" Stirs Fears of Worse Civilian Toll." Democracy Now (June 5,2012)

"Why I Quit the Klan”—An Interview with C. P. Ellis By Studs Terkel

C.P. Ellis was born in 1927 and was 53-years-old at the time of this interview with Studs Terkel. For Terkel, America's foremost oral historian, this remains the most memorable and moving of all the interviews he's done in a career spanning more than seven decades, for C.P. Ellis had once been the exalted cyclops of the Ku Klux Klan in Durham, N.C. During the interview, Terkel learned that Ellis had been born extremely poor in Durham, North Carolina; had struggled all his life to feed his family; had felt shut out of American society and had joined the Klan to feel like somebody. But later he got involved in a local school issue and reluctantly, gradually, began to work on a committee with a black activist named Ann Atwater, whom he despised at the time. Eventually, after many small epiphanies, he realized that they shared a common concern for their children, common goals as human beings. More surprising still, Ellis became a union organizer for a janitor's union—a long way from his personal philosophical roots. The Ellis-Atwater story is best documented in The Best of Enemies, a book by Osha Gray Davidson that tells of the unlikely friendship that developed between Ann and C.P. Ellis, when they first met in the 1960's. Apparently, their commonalities as oppressed human beings proved far stronger than the racial hatred that initially divided them.


"Why I Quit the Klan”—An Interview with C. P. Ellis By Studs Terkel (1980)

Nikki Giovanni: We are Virginia Tech

[MB: I wanted to share this poem written in the aftermath of the 2007 Virginia Tech shootings as a reminder to think about why the deaths/injuries of some receive endless mention in the media/government and why others are deemed unworthy for consideration.]

We Are Virginia Tech
by Nikki Giovanni

We are Virginia Tech

We are sad today
We will be sad for quite a while
We are not moving on
We are embracing our mourning

We are Virginia Tech

We are strong enough to stand tall tearlessly
We are brave enough to bend to cry
And we are sad enough to know that we must laugh again

We are Virginia Tech

We do not understand this tragedy
We know we did nothing to deserve it

But neither does a child in Africa
Dying of AIDS

Neither do the Invisible Children
Walking the night away to avoid being captured by a rogue army

Neither does the baby elephant watching his community
Be devastated for ivory
Neither does the Mexican child looking
For fresh water

Neither does the Iraqi teenager dodging bombs

Neither does the Appalachian infant killed
By a boulder
Dislodged
Because the land was destabilized

No one deserves a tragedy

We are Virginia Tech
The Hokie Nation embraces
Our own
And reaches out
With open heart and mind
To those who offer their hearts and hands

We are strong
And brave
And innocent
And unafraid

We are better than we think
And not yet quite what we want to be

We are alive to imagination
And open to possibility
We will continue
To invent the future

Through our blood and tears
Through all this sadness

We are the Hokies

We will prevail
We will prevail
We will prevail

We are
Virginia Tech

Nikki Giovanni, delivered at the Convocation, April 17, 2007