テレビ視聴者s break 負かす/撃墜する in 涙/ほころびs over emotional BBC WWII 演劇 World On 解雇する/砲火/射撃 as it returns after four-year hiatus

テレビ視聴者s of BBC's World on 解雇する/砲火/射撃 were left in floods of 涙/ほころびs last night as Harry Chase, struggled to navigate his 関係 with his ポーランドの(人) wife Kasia Tomaszeski.?

The ambitious BBC1 演劇, which follows characters living through the first year of the Second World War, was met with 普及した 賞賛する when it first 空気/公表するd in 2019.

And last night, the programme returned, with the first episode seeing Jonah Hauer-King's character Harry navigating the challenges of his marriage to Kasia.?

In emotional scenes,?Kasia was introduced to Harry's ex Lois for the first time - 同様に as 存在 introduced to his baby, Vera.?

Later in the episode, Kasia call herself a '闘士,戦闘機' before 明らかにする/漏らすing she wants to return to Warsaw to help her people.?

Viewers of BBC's World on Fire were left in floods of tears last night as the popular series returned after a four year hiatus

テレビ視聴者s of BBC's World on 解雇する/砲火/射撃 were left in floods of 涙/ほころびs last night as the popular series returned after a four year hiatus

Many of those watching the first episode of the new series broke 負かす/撃墜する in 涙/ほころびs, with one 令状ing: 'This scene killed me.'?

Another commented: 'Making all the Harry and Kasia shippers have a 決裂/故障 with this scene. I need them 支援する together.'?

A third 追加するd: 'The final Harry Kasia scene 傷つける me though. I didn't ask for this 苦痛.'?

In the emotional first episode of the new 演劇, Harry and Kasia struggled to navigate their 関係 まっただ中に the 現在進行中の war.?

The two could be seen discussing how they would navigate the challenges of their 関係, with one moving scene showing Kasia 自白するing she 手配中の,お尋ね者 to return to Warsaw to help in the war 成果/努力s.?

試みる/企てるing to 慰安 his wife,?Harry said: 'The moment I left you behind in Warsaw I 手配中の,お尋ね者 you to be 安全な, and you are 安全な now. You don't need to fight anymore.

'You can begin to become yourself again.'

Kasia retorted: 'I am a solider, not a sister or wife.'

He answered her: 'No, you are my wife.'

Many of those watching the programme confessed they were left in floods of tears over the programme

Many of those watching the programme 自白するd they were left in floods of 涙/ほころびs over the programme?

明確に emotional, she replied: 'No, I am just a woman you got 罠にかける with as your タイミング was wrong.'

At the end of the episode, Harry is shown packing up his 捕らえる、獲得する while his wife 申し込む/申し出s to help him.

He said: 'No, it's straight 今後. I've mastered the art by now.'

He sat 負かす/撃墜する on the bed と一緒に her, 説: 'I love you.'

一方/合間 she said: 'Who I am, or who I was ?'

Harry 答える/応じるd: 'You.'

She said: 'What if I can't find a way 支援する before all of this. If I'm only good at war.'

He said: 'Nobody is good at war, it's only what we're supposed to do.'

Kasia replied: 'Perhaps it's what I am supposed to do.'

Finally, the couple are seen separating, with Harry leaving the house in a car while Kasia watches on from the window.?

In the emotional first episode of the new drama, Harry and Kasia struggled to navigate their relationship amidst the ongoing war

In the emotional first episode of the new 演劇, Harry and Kasia struggled to navigate their 関係 まっただ中に the 現在進行中の war?

The two could be seen discussing how they would navigate the challenges of their relationship, with on
e moving scene showing Kasia confessing she wanted to return to Warsaw to help in the war efforts

The two could be seen discussing how they would navigate the challenges of their 関係, with one moving scene showing Kasia 自白するing she 手配中の,お尋ね者 to return to Warsaw to help in the war 成果/努力s

The synopsis for the episode reads: 'RAF 操縦するs are sent to destroy German 爆撃機s prowling the skies above Manchester, with 救助(する) 操作/手術s 進行中で on the streets below. The true reality of war has arrived in Britain.'

一方/合間 the new episodes 'will take テレビ視聴者s from the war-torn streets of Britain 深い into Nazi Germany, the 抵抗 within 占領するd フラン, and the 残虐な sands of the North African 砂漠 ? where 軍隊/機動隊s struggle to adapt to a very different 肉親,親類d of 戦闘.'?

Speaking about the 演劇, creator Peter?Bowker said: 'As always, we tell stories which have an unforced and not always comfortable 同時代の resonance, stories that 論証する both human resilience and human folly and stories of ordinary lives in 驚くべき/特命の/臨時の times.?

"Historical 演劇 should not be about nostalgia and I hope this isn't how this series is regarded. It is about asking questions of the 現在の by interrogating stories from our past.?

'And at the heart of these stories, amongst 多重の 視野s, the 選び出す/独身 question remains ? 'If you had been there, what wou ld you have done?'"

The first 一連の the 演劇 was a 抱擁する 攻撃する,衝突する when it 空気/公表するd in 2019, and it wasn't long before a second series was 発表するd.

However,?the planned 2020 shoot was 延期するd by the Covid-19 pandemic.

And 以前 speaking about the first 一連の the 演劇,?Peter divulged:?'World On 解雇する/砲火/射撃 tells the hidden human stories within the big historical events we think we know.

'From Harry, a young English 翻訳家 in Warsaw caught up in 交渉s with the Nazis and trying to 密輸する his ポーランドの(人) lover Kasia out of the country, to Lois, the girl who is waiting for him at home, a young Mancunian factory 労働者 who will come to take all the 適切な時期s the war can 申し込む/申し出 to live a different 肉親,親類d of life.

'To Nancy, a 女性(の) US war 特派員 who can't find peace unless her life is at 危険, to the Rossler family in Berlin, worried for their 兵士 son and willing to do anything to 保護する their 無能にするd daughter from the attentions of the 判決,裁定 Nazi 政権.?

'These are the stories of the ordinary people who 形態/調整d our world.

'Stories of 忠義 and brutality, courage and 恐れる, hopes, stories of love and loss, hopes and dreams (1)偽造する/(2)徐々に進むd in 驚くべき/特命の/臨時の times.'

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