Zandra Rhodes channels Studio 54 with a 70s-奮起させるd collection featuring floaty kaftans, patterned turbans and pussybow blouses - as models strut to disco 攻撃する，衝突するs

  • Dame Zandra Rhodes harked 支援する to the 70s for Autumn/Winter 2016
  • The 75-year-old created the ultimate disco den at London Fashion Week
  • Flowing silhouettes, jewel-トン colours and bold 注目する，もくろむ-make-up featured?
  • For more from London Fashion Week visit www.dailymail.co.uk/london

By Sarah Barns For Mailonline

Published: | Updated:

Zandra Rhodes harked 支援する to her Seventies heyday for her disco-奮起させるd Autumn/Winter 2016 collection.

The 退役軍人 British designer paid homage to her days partying at New York's Studio 54, which entertained the likes of Andy Warhol, Elizabeth Taylor and Grace Jones, with her opulent yet bohemian line.?

The 75-year-old, famed for her neon pink hairstyle and theatrical make-up, turned the BFC 贈呈 Space at London Fashion Week into a must-visit haunt - reminiscent of the iconic nightclub.?

Zandra Rhodes harked back to her Seventies heyday for her disco-inspired Autumn/Winter 2016 collection

Zandra Rhodes harked 支援する to her Seventies heyday for her disco-奮起させるd Autumn/Winter 2016 collection

The veteran British designer paid homage to her days partying at New York's Studio 54, which entertained the likes of Andy Warhol, Elizabeth Taylor and Grace Jones, with her opulent yet bohemian line
The veteran British designer paid homage to her days partying at New York's Studio 54, which entertained the likes of Andy Warhol, Elizabeth Taylor and Grace Jones, with her opulent yet bohemian line

The 退役軍人 British designer paid homage to her days partying at New York's Studio 54, which entertained the likes of Andy Warhol, Elizabeth Taylor and Grace J ones, with her opulent yet bohemian line

Zandra Rhodes, pictured centre, poses with two models in designs from her Autumn/Winter 2016 collection?

Zandra Rhodes, pictured centre, 提起する／ポーズをとるs with two models in designs from her Autumn/Winter 2016 collection?

For 織物 designer Zandra, fabrics were the main 焦点の point of the throwback 贈呈.?

'I 手配中の，お尋ね者 some of my classics out again,' the Kent-born dressmaker 明らかにする／漏らすd during the show on Saturday night.?

The 構成要素 that 支配するd the collection was a jacquard that Zandra had developed in Malaysia, called songket, woven from polyester 発射 with Lurex.

Models donned floaty kaftans, 劇の 床に打ち倒す-length gowns, wide-脚 trousers and pussybow blouses featuring the retro-looking print.?

For textile designer Zandra, opulent fabrics were the main focal point of the throwback presentation

For 織物 designer Zandra, opulent fabrics were the main 焦点の point of the throwback 贈呈

The material that dominated the collection was a jacquard that Zandra had developed in Malaysia, called songket, woven from polyester shot with Lurex
The material that dominated the collection was a jacquard that Zandra had developed in Malaysia, called songket, woven from polyester shot with Lurex

The 構成要素 that 支配するd the collection was a jacquard that Zandra had developed in Malaysia, called songket, woven from polyester 発射 with Lurex

Models donned floaty kaftans, dramatic floor-length gowns, wide-leg trousers and pussybow blouses featuring the retro-looking print

Models donned floaty kaftans, 劇の 床に打ち倒す-length gowns, wide-脚 trousers and pussybow blouses featuring the retro-looking print

Taking the vintage mood up a notch, models also posed in turbans and bandanas as Blondie played in the background

Taking the vintage mood up a notch, models also 提起する／ポーズをとるd in turbans and bandanas as Blondie played in the background

Other 重要な 衣料品s in the 贈呈 含むd a loose-fitting off-the-shoulder purple 最高の，を越す with a gold pattern and an iridescent blue midi frock.?

Taking the vintage mood up a notch, models also 提起する／ポーズをとるd in turbans and bandanas while the disco tunes of Blondie played in the background.?

Keeping with the 時代, the make-up was 平等に as eccentric. Bold purple, pink and blue 注目する，もくろむ 影をつくる／尾行する was 衝突／不一致d with 有望な red lipstick.?

一方／合間, hair was curled into chic waves and worn in a centre parting. ?

After 熟考する／考慮するing at the 王室の College London, Zandra 長，率いるd the new?wave of British designers who put London at the 最前部 of international fashion in the Seventies.

After studying at the Royal College London, Zandra headed the new wave of British designers who put London at the forefront of international fashion in the Seventies

After 熟考する／考慮するing at the 王室の College London, Zandra 長，率いるd the new wave of British designers who put London at the 最前部 of international fashion in the Seventies

Hair was hidden underneath ornate turbans or curled into chic waves and worn in a centre parting

A model poses in an iridescent blue dress which featured sheer billowing sleeves with floral adornments

A model 提起する／ポーズをとるs in an iridescent blue dress which featured sheer 大波ing sleeves with floral adornments

Her innovative approach to 衣料品 construction can be seen in her use of printed fabric dictating 衣料品 形態／調整s, 逆転する exposed seams and stylistic use of jewelled safety pins and 涙／ほころびs during the punk 時代.?

Zandra stamped her 身元 on the international world of fashion with her みごたえのある pink hair, theatrical make-up and art jewellery.

She has designed for some of the most famous people in the world 含むing Princess Diana, Princess Michael, Freddy 水銀柱，温度計, Diana Ross, Helen Mirren, and Ellen Burstein’s outfit for her Emmy Award.?

Her vintage dresses are seen at the Oscars and her print design 影響（力） is on the world’s catwalks.?

The Queen made Zandra a Dame in 2014 for services to fashion.?

Keeping with the era, the make-up was equally eccentric. Bold purple, pink and blue eyeshadow was clashed with bright red lipstick
Keeping with the era, the make-up was equally eccentric. Bold purple, pink and blue eyeshadow was clashed with bright red lipstick

Keeping with the 時代, the make-up was 平等に eccentric. Bold purple, pink and blue eyeshadow was 衝突／不一致d with 有望な red lipstick

Zandra's innovative approach to garment construction can be seen in her use of printed fabric dictating garment shapes, reverse exposed seams and stylistic use of jewelled safety pins and tears during the punk era

Zandra's innovative approach to 衣料品 construction can be seen in her use of printed fabric dictating 衣料品 形態／調整s, 逆転する exposed seams and stylistic use of jewelled safety pins and 涙／ほころびs during the punk 時代

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