Pamela Anderson goes sheer daring in see-through 最高の,を越す as she flashes a 有望な smile and waves to fans outside a theater on Broadway in New York
Pamela Anderson 削減(する) a chic 人物/姿/数字 on Saturday, as she 迎える/歓迎するd fans outside of a theater?on Broadway in New York City.
The Baywatch 星/主役にする, 54, wore a stylish all-黒人/ボイコット ensemble, featuring a sheer 黒人/ボイコット 最高の,を越す with ruffles, 井戸/弁護士席-fitted 黒人/ボイコット pants and open-toe 黒人/ボイコット heels that showcased her red pedicure.
The?Canadian actress donned a 有望な shade of red lipstick and looked every インチ the blonde bombshell with her tresses styled into voluminous curls.?
Blonde Bombshell:?Pamela Anderson 削減(する) a chi c 人物/姿/数字 on Saturday, as she 迎える/歓迎するd fans outside of a theater on Broadway in New York City
The beauty paired the nighttime look with 黒人/ボイコット shades covering her blue 注目する,もくろむs, and a pair of 黒人/ボイコット satin gloves.
Last month she made her Broadway debut in the 役割 of Roxie Hart in the long-running musical Chicago, which was first 成し遂げるd by late actress Ann Reinking in the 1996 Broadway 復活.
An audience member at the show told PEOPLE?that 'the audienc e went insane' for the 星/主役にする, and that she looked 'flawless' on 行う/開催する/段階.?
All-黒人/ボイコット:?The Baywatch 星/主役にする, 54, wore a stylish all-黒人/ボイコット ensemble, featuring a sheer 黒人/ボイコット 最高の,を越す with ruffles, 井戸/弁護士席-fitted 黒人/ボイコット pants and open-toe 黒人/ボイコット heels that showcased her red pedicure
The 復活 has become the second longest running Broadway musical of all time, より勝るd only by The Phantom Of The オペラ.
Many 星/主役にするs have 成し遂げるd in the show over the years, with Roxie played by a dizzying 範囲 of 指名するs 含むing Brooke 保護物,者s, Ashlee Simpson, Lisa Rinna, Erika Jayne, Christie Brinkley and Mel anie Griffith.
The show is about two women 捜し出すing 無罪放免s for 殺人, and was 初めは directed and choreographed by (頭が)ひょいと動く Fosse.
Sensational:?The Canadian actress donned a 有望な shade of red lipstick and looked every インチ the blonde bombshell with her tresses styled into voluminous curls
Last month the beauty told PEOPLE just how 決定的な the 役割 was for her: 'This is the beginning of the 残り/休憩(する) of my career ― maybe.'
Anderson also 株d that she's been sharpening her Broadway 技術s with each 業績/成果: 'I'm so curious to see what I'm made of. Each day , my 発言する/表明する is getting stronger. The choreography is settling in. We're doing the 初めの choreography ― they're not 持つ/拘留するing 支援する with me ― and I'm just loving it.'
She went on: 'I'm just eating it up. I'm like, "Oh my God, I should have been doing this longer!" But this is the 権利 time.'
'I have nothing to lose. I've got nothing to live up to and I've got nothing to lose. I'm going crazy. I'm going for broke.'
Roxie:?Last month she made her Broadway debut as Roxie Hart in the long-running musical Chicago, which was first 成し遂げるd by late actress Ann Reinking in the 1996 復活
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