'I have 厳しい FOMO for the 1970s': Riley Keough shows off her 激しく揺する and roll style as she speaks out on her dream 役割 in Daisy Jones & The Six

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Riley Keough is the talk of the town thanks to her lead 役割 in the hugely 心配するd TV adaptation of Taylor Jenkins Reid’s bestselling novel Daisy Jones & The Six.

Starring as the frontwoman of a fictional 禁止（する）d in the '70s was a dream come true for the rising 星／主役にする, who is Elvis' granddaughter.

But in a new interview, Riley, 33, 収容する／認めるs she 苦しむs 不正に with FOMO (恐れる of 行方不明の out) for the 時代 in which the show is 始める，決める.?

Riley is the 最新の cover 星／主役にする for NET-A-PORTER’s 数字表示式の 肩書を与える PORTER which sees her playing dress up in?Chlo?, The 列／漕ぐ／騒動 and Stella McCartney.

In the …を伴ってing interview, the 星／主役にする 収容する／認めるs she has a longing to 輸送（する） herself 支援する to the 1970s and experience the 激しく揺する and roll world for herself.

Rising 星／主役にする:?Riley Keough is the talk of the town thanks to her lead 役割 in the hugely 心配するd TV adaptation of Taylor Jenkins Reid’s bestselling novel Daisy Jones & The Six

役割: Starring as the frontwoman of a fictional 禁止（する）d in the '70s was a dream come true for the rising 星／主役にする, who is Elvis' granddaughter

'I have very 厳しい Fomo for the 1970s,' she 認める, 追加するing that for her 最新の 役割 'I watched so many ビデオs of [singers] in that 時代 to get a sense of their movements.?

'There wasn't the freedom th ere is now for women, and that is evident in how they behaved on 行う／開催する／段階. It was much more 制限するd in the 1970s, so I struggled with that because my 団体／死体 movements are so inherently of my 世代.'

She was also 決定するd to 描写する her character's 実体 乱用 in a way that felt thoughtful and appropriate. 'Because this is something I've experienced in my family,' she explained.

'I 手配中の，お尋ね者 the moments in which you see Daisy's 中毒 to not feel glamorous. To make sure that those moments had 負わせる to them; that we're seeing the humanity behind the の近くにd doors of what people are perceiving to be glamour.'

同様に as her 事実上の／代理 success, Riley is also a 生産者 ? having 始める，決める up the company Felix Culpa with her best friend Gina Gammell in 2018.

She made her directorial debut with War Pony which was awarded with the prestigious Camera d’Or at the 2022 Cannes Film Festival; the same year Baz Luhrmann 首相d his Oscar 指名するd movie about her grandfather.

'I just couldn't believe it. It's so crazy to have your first film get into Cannes. And to have [Elvis] there the same year was so meaningful.'

The validation from Cannes meant a lot to the multi-talented 星／主役にする who 認める that in the past?she's '設立する it easier to sort of 解放する／撤去させる and play dumb.'

?'I think it's years of 存在 a 女性（の） going, "Please listen, I know what I'm talking about" ? and then it not 量ing to anything.'

'So it was a moment, as a woman, where you go, "F**k you". I am not here by 事故. I put a lot of work in to be here.'

On Sunday night Riley enjoyed the 星／主役にする-studded?Vanity Fair Oscars Party in Beverly Hills.

Wild: In a new interview, Riley, 33, 収容する／認めるs she 苦しむs 不正に with FOMO (恐れる of 行方不明の out) for the 時代 in which the show is 始める，決める

Cover girl:?Riley is the 最新の cover 星／主役にする for NET-A-PORTER’s 数字表示式の 肩書を与える PORT ER which sees her playing dress up in Chlo?, The 列／漕ぐ／騒動 and Stella McCartney

Dressing the part:? In the …を伴ってing interview, the 星／主役にする 収容する／認めるs she has a longing to 輸送（する） herself 支援する to the 1970s and experience the 激しく揺する and roll world for herself

激しく揺する and roll:?'I have very 厳しい Fomo for the 1970s,' she 認める, 追加するing that for her 最新の 役割 'I watched so many ビデオs of [singers] in that 時代 to get a sense of their movements

Talented:?同様に as her 事実上の／代理 success, Riley is also a 生産者 ? having 始める，決める up the company Felix Culpa with her best friend Gina Gammell in 2018

Behind the camera:?She made her directorial debut with War Pony which was awarded with the prestigious Camera d’Or at the 2022 Cannes Film Festival

TV 役割: Riley 星／主役にするs as the frontwoman of a fictional 禁止（する）d in the '70s in the アマゾン series?

Big night:?On Sunday night Riley enjoyed the 星／主役にする-studded Vanity Fair Oscars Party in Beverly Hills

The actress, 33, modeled a sequin Celine gown while hitting the red carpet with her husband?Ben Smith-Petersen - who she recently welcomed her first child with.

Just hours 事前の, Austin Butler lost out on the Best Actor award for playing 'The King of 激しく揺する And Roll' in Baz Luhrmann's biopic at the 95th 学院 Award 儀式.

Riley recently 噴出するd over Austin's '優れた and incredible'?描写 of her late grandfather, 追加するing that she?was 'in 涙／ほころびs for a week' after seeing the film.

To see the 十分な feature with Riley Keough read PORTER at https://www.逮捕する-a-porter.com/porter/article-53fb954902951e37 and/or download the NET-A-PORTER app for iPhone, iPad and Android.”?