Brad Pitt?has electric 花火s with?Penelope Cruz?in a sizzling new 商業の for French fashion house Chanel?which was 株d on Tuesday.
The two A-名簿（に載せる）／表（にあげる） 星／主役にするs are seen looking their very best at an upscale Deauville restaurant called La Belle Epoque - a period of European history, usually considered to begin around 1871?1880 and to end with the 突発／発生 of World War I in 1914 - as they 星／主役にする at each other with longing in their 注目する，もくろむs while 存在 interrupted by a young waitress.
Brad, 60, is smoldering in a 黒人／ボイコット jacket with a sweater over a crisp while shirt. His hair styled just so to look every インチ the Hollywood movie 星／主役にする.
Cruz, 49, is a sex マリファナ with her raven hair 負かす／撃墜する and 激しい 黒人／ボイコット 注目する，もくろむ liner as she has on a 黒人／ボイコット outfit.
The match seems to be made in heaven in the 黒人／ボイコット and white 商業の which is sure to become an instant classic. The clip is directed by Inez & Vinoodh.
Brad Pitt has electric 花火s with Penelope Cruz in a sizzling new 商業の for French fashion house Chanel which was 株d on Tuesday
Cruz is a sex マリファナ with her raven hair 負かす／撃墜する and 激しい 黒人／ボイコット 注目する，もくろむ liner as she has on a 黒人／ボイコット outfit
They are first seen in a car as they 長，率いる to the restaurant at night. Brad is in the driver's seat of the sports car as there is a 確かな 性の 緊張 between them.
The Oscar-winning diva asks Brad what she should order for dinner, he says he does not know.
But then he 申し込む／申し出s that a steak seems like a good idea.
While in the French restaurant he says they should have Chateaubriand, so he asks for two. Both order the steak done medium rare and they ask for it to be 'hot.'
'What time did you leave for Monte Carlo yesterday?' asks the Spanish サイレン／魅惑的な.
The waitress - played by Rianne 先頭 Rompaey - seems irritated as she interrupts to ask if they want starters, but they both say no.
'I think she's annoyed with us. She's definitely not happy,' he says after the waitress walks away.
'Do you want us to make her happy?' coos Cruz. She has her 黒人／ボイコット Chanel purse on the （米）棚上げする／（英）提議する between them.
The two A-名簿（に載せる）／表（にあげる） 星／主役にするs are seen looking their very best at an upscale Parisian restaurant as they 星／主役にする at each other with longing in their 注目する，もくろむs while 存在 interrupted by a young waitress
While in the restaurant he says they should have Chateaubriand, so he asks for two. Both order the steak done medium rare
The waitress seems irritated as she interrupts to ask if they want starters, they both say no. 'I think she's annoyed with us. She's definitely not happy,' he says after the waitress walks away. 'Do you want us to make her happy?' coos Cruz who has a 黒人／ボイコット Chanel purse on the （米）棚上げする／（英）提議する
He flashes a dreamy look at his date as if he wants to be alone with her
Before dinner, the two are seen in a car 長，率いるd toward the restaurant as they chit 雑談（する）
Cruz's vixen already seems in love with the man sitting next to her in the 高級な 乗り物
She then she asks the waitress if they have any rooms 利用できる in the hotel where the restaurant is 位置を示すd: 'Excuse me. Sorry, do you have any rooms 利用できる?' asks Cruz.
It is 暗示するd that they will be having sex after the dinner.
The pair is also seen dressed in 黒人／ボイコット as they walk on a beach in?Deauville while giving each other sexy looks.
The short film was made to open Chanel's 落ちる-Winter 2024-25 Ready to-Wear show.?
It is a 尊敬の印 to the film A Man and a Woman by French director Claude Lelouch.?The short film 目的（とする）s to 逮捕（する） 'the beginning of a love story in Deauville, a place dear to the House and the inspiration behind the collection imagined by Virginie Viard.'
Pitt has worked with Cruz's husband, Javier Bardem.?Javier is now starring in Pitt's untitled 事業／計画（する） about 決まり文句／製法 One racing.
Brad is smoldering in a 黒人／ボイコット jacket with a sweater over a crisp while shirt as they walk on a beach
The beach scenes flash as the two walk 味方する by 味方する and appear to be besotted with each other though no 接触する is really seen
There is a 劇の 緊張 between them as if they are a couple but something is not 明らかにする／漏らすd yet
They walk through a building together that leads them to the sandy beach
Vogue helped explain more about this short movie.?
The clip is based on the classic 1966 movie A Man and a Woman.?In that French film the 星／主役にするs are Anouk 目的（とする）?e and ジーンズ-Louis Trintignant.
They play two 未亡人d parents who 会合，会う at their children’s 搭乗 school. Soon they find that they have a 相互の attraction.
Chanel’s short homage re-creates the scene where the two sit opposite each other in a Deauville hotel restaurant.
In the 初めの scene, a handbag―目的（とする）?e’s own Chanel 捕らえる、獲得する―was placed by the director Claude Lelouch on the （米）棚上げする／（英）提議する between them.?
This happens again in the Pitt/Cruz movie.
The clip is based on the classic 1966 movie A Man and a Woman. In that French film the 星／主役にするs are Anouk 目的（とする）?e and ジーンズ-Louis Trintignant. They play two 未亡人d parents who 会合，会う at their children’s 搭乗 school.
Soon they find that they have a 相互の attraction. Chanel’s short homage re-creates the scene where the two sit opposite each other in a Deauville hotel restaurant. In the 初めの scene, a handbag―目的（とする）?e’s own Chanel 捕らえる、獲得する―was placed by the director Claude Lelouch on the （米）棚上げする／（英）提議する between them. This happens again in the Pitt/Cruz movie
In Lelouch’s 初めの film, Trintignant ask about the room, but here Cruz does it, which 権力を与えるs the 女性（の） as she makes the first move toward the bedroom. As Inez & ; Vinoodh explained: 'The complicity between the two women―which is a central 主題 to everything we make for Chanel―encourages Pen?lope’s 決定／判定勝ち（する） to make that first move'
In Lelouch’s 初めの film, Trintignant ask about the room, but here Cruz does it, which 権力を与えるs the 女性（の） as she makes the first move toward the bedroom.?
As Inez & Vinoodh explained: 'The complicity between the two women―which is a central 主題 to everything we make for Chanel―encourages Pen?lope’s 決定／判定勝ち（する） to make that first move.'
Cruz 噴出するd about the film to Vogue.
'I’ve seen it many times before already, but only by myself at home,' said the Volver actress.
'And I think Inez & Vinoodh did something incredible. A Man and a Woman is one of my favorite films ever, and Claude Lelouch is one of my favorite directors.?
'And Anouk 目的（とする）?e has always been one of my favorite actresses. And she’s such a beauty, such a fashion icon.?
'So to be able to be part of this beautiful homage―to the film, to Claude, to the Deauville Festival, to the 関係 between Deauville and Chanel and between Gabrielle and Deauville…. There are so many 層s. And they are all so beautiful. And they are also truthful.'
