Jennifer Lopez's Netflix sci-fi thriller Atlas is PANNED - as critics wonder if '人工的な 知能 is really all that bad' 予定 to 'formulaic' script
- Lopez's film has a disappointing 14 パーセント 消極的な 得点する／非難する／２０ on Rotten Tomatoes
- The film was 爆破d for having a paint-by-numbers screenplay
- Others 非難するd its poor 生産／産物 values and underwhelming 活動／戦闘?
Jennifer Lopez's 最新の film Atlas 首相d on Netflix on Friday, but it 攻撃する，衝突する the service まっただ中に a wave of withering 消極的な reviews from film critics.
The science-fiction thriller earned a disappointing 14 パーセント rotten 率ing from the most prestigious critics 調査するd by Rotten Tomatoes, 示すing a solid wave pans.
Metacritic, which accounts for the strength of pans and 賞賛する, 割り当てるd the film a 得点する／非難する／２０ of 38 out of 100, 示すing '一般に unfavorable' reviews.?
Lopez ― who has been inundated by 噂するs of a 分裂（する） with her husband Ben Affleck in 最近の weeks ― 星／主役にするs in Atlas Shepherd as a data 分析家 伴う／関わるd in 跡をつけるing 負かす／撃墜する a computer-based 人工的な 知能 that turned homicidal nearly 30 years earlier, 主要な a 反乱 against humans that left three million people dead.
Atlas has a personal 火刑／賭ける in the 成果／努力s to find and destroy the AI, which is 指名するd Harlan (and played by Simu Liu), as her mother was 責任がある creating it １０年間s earlier, before it 殺害者 her along with millions more.
Jennifer Lopez's 最新の film Atlas 首相d on Netflix on Friday, but it 攻撃する，衝突する the service まっただ中に a wave of withering 消極的な reviews from film critics; still from Atlas
The science-fiction thriller earned a disappointing 14 パーセント rotten 率ing from the most prestigious critics 調査するd by Rotten Tomatoes, 示すing a solid wave pans; pictured Tuesday in Mexico
Lopez, 54, joins a group of 兵士 with 機械化するd 控訴s trying to 跡をつける 負かす／撃墜する Harlan, 含むing 英貨の／純銀の K. Brown as 陸軍大佐 Elias Banks and 示す Strong as General Jake Boothe.?
But several reviewers 非難するd the 'formulaic' story and Atlas' 欠如（する） of 初めの elements, raising the question of whether an AI-penned screenplay might have been an 改良.
New York Times?film critic Alissa Wilkinson wrote that Atlas looks 'cheap' and 'plasticky,' and it 'feels like pure pastiche' at times.
'Science fiction often earns its place in memory by 想像するing something new and startling ― but with Atlas, we’ve seen it all before,' she wrote.
Benjamin 物陰／風下 gave Atlas two out of five 星／主役にするs for The 後見人?and compared the film to the 肉親，親類d of 'dumb, irony-解放する／自由な schlock' blockbusters that used to be a 正規の／正選手 fixture of 記念の Day 週末 two １０年間s ago.
However, he thought the Netflix film 苦しむd from the faults of many earlier films 解放（する）d by the streamer that have tried to ape those bygone big-予算 攻撃する，衝突するs.
'As with many of the streamer's other mockbusters ― its more naked 試みる／企てるs to compete with the biggest of boys ― it’s all too synthetic and serious to 所有する anything の近くに to self-認識／意識性,' he wrote.
Variety's Todd Gilchrist called Atlas 'underwhelming,' and he compared it to the mediocre films Lopez has まず第一に／本来 made in the last couple １０年間s, rather than the 早期に success that made her a 星／主役にする, 含むing Selena (1997) and Out Of Sight (1998).
He bemoaned Lopez turning to a 'generic sci-fi adventure' like Atlas after her Oscar-snubbed 役割 in Hustlers, and he 割り当てるd much of the 非難する to the film's screenplay by?Leo Sardarian and Aron Eli Coleite.
New York Times film critic Alissa Wilkinson wrote that Atlas looks 'cheap' and 'plasticky,' and it 'feels like pure pastiche' at times; still from Atlas
Several critics 公式文書，認めるd that Atlas 苦しむs from a formulaic screenplay. William Bibbiani complained in The 包む that it fails to develop something new にもかかわらず allusions to classic sci-fi and 活動／戦闘 films; still from Atlas
の中で the few 肯定的な reviews, Angie Han gave 穏やかな 賞賛する in The Hollywood Reporter , 令状ing that 'Lopez’s chemistry elevates さもなければ unremarkable 対話 into passably amusing, occasionally touching banter'; seen in LA in March 2023
In The 包む, William Bibbiani called the 対話 'generic' and （刑事）被告 Atlas of 苦しむing from an 'embarrassing 陰謀（を企てる）' with 'mediocre 活動／戦闘.'
He mocked the film for its seemingly cheap atmosphere, 含むing an 外国人 惑星 that looks 'suspiciously... [like] Northern California' and the AI villain's lair, which 'seems to have been modeled after an abandoned 倉庫／問屋.'
の中で the few 肯定的な reviews, Angie Han gave 穏やかな 賞賛する in The Hollywood Reporter, 令状ing that 'Lopez’s chemistry elevates さもなければ unremarkable 対話 into passably amusing, occasionally touching banter.'
Brian Lowry gave the film modest 賞賛する for CNN, 令状ing that Peyton 'keeps the story moving with a check-your-brain-at-the-door level of efficiency, relying on the shorthand of how familiar almost every （警官の）巡回区域，受持ち区域 of it feels.'
