Nosferatu The Vampyre

Given the 抱擁する 危険s 伴う／関わるd in remaking a silent classic, this is better than might have been 推定する／予想するd.

Director Werner Herzog's 支配（する）／統制する of mood is faultless, and in Klaus Kinski he has the perfect doppelganger for Max Schreck, the 初めの Nosferatu.

It plays like a grim, slow-moving, operatic nightmare and 所有するs a febrile sensuality that is genuinely haunting, capped by a の近くにing scene that is 特に exotic and resonant.

After a 不一致 with the 地元のs, Herzog 恐らく 解放（する）d a batallion of live ネズミs on 場所 in an 行為／法令／行動する of 報復. Don't mess with Werner, 承認する?

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