悪賢い vampire tale is worthy curtain raiser to a 若返らせるd Apollo


Let The 権利 One (Apollo)

率ing: 3 Star Rating

The West End’s Apollo Theatre had its 公式の/役人 re-開始 last night, いっそう少なく than four months since the 天井 partly 崩壊(する)d, 負傷させるing 80 theatregoers.

Fifty workmen toiled 一連の会議、交渉/完成する the clock to 回復する the Grade 2-名簿(に載せる)/表(にあげる)d Edwardian theatre.

Even so, the 最高の,を越す level of the four-tier auditorium remains の近くにd to the public for the time 存在.

The old place was looking pretty spick and 削減する last night. The 立ち往生させるs seats, which used to be 悪名高くも uncomfortable - real rusty spring up the jacksy 職業s - have been 取って代わるd. The auditorium’s gold paint has been given a once-over.

Howl: Rebecca Benson (Eli) in Let The Right One In at the Apollo Theatre

Howl: Rebecca Benson (Eli) in Let The 権利 One In at the Apollo Theatre

The inside has かもしれない not looked this 有望な, with its Apollonian statuary a-gleam, since it 初めは opened in 1901.

Co-owner Nica 燃やすs had the Apollo blessed by Anglican priests last week before preview audiences returned to its portals.

Last night’s audience, which 含むd England football 経営者/支配人 Roy Hodgson, were 扱う/治療するd to a vampire story which has you jumping out of your 肌 in a couple of places. Big Roy, sitting in 前線 of me, leapt like Gordon Banks.

Let The Right One In

Is the vampire storyline a crafty allegory by 行方不明になる 燃やすs for the sums 告発(する),告訴(する)/料金d by building 請負業者s and architectural 顧問s?

This 国家の Theatre of Scotland 生産/産物 is a coolly-行う/開催する/段階d but わずかに fey horror story.

Jack Thorne’s 行う/開催する/段階 adaptation of a Swedish novel has Scots accents in a Scandinavian setting: Snow (存在 行う/開催する/段階 snow it has the consistency of uncooked Ready Brek) and birch trees.

Vampire Eli (Rebecca Benson) needs human 血 to keep up her sugar levels.

The police are becoming twitchy about the number of drained 死体s they keep finding.

Shy 十代の少年少女 Oskar (a charming turn by ツバメ Quinn) 会合,会うs ageless Eli and the two form a 社債. Perhaps she can help him 対処する with the boys at school who keep いじめ(る)ing him.

Though I dislike vampire stories, this one is slickly done, director John Tiffany 工学 クーデターs de theatre まっただ中に the requisite 脅すing chords.

Yet it was hard not to laugh when Eli, 血 dripping from her chops, said: ‘I’m not sure I’m very good for you, Oskar.’

A show for college-age Goths, perhaps. But good to have the Apollo 支援する.

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