·çÇ¡¡Ê¤¹¤ë¡Ë of affordable ½»Âð in Los Angeles' Venice Beach ¶áÎ٠ʳµ¯¤µ¤»¤ës activism and art

LOS ANGELES (AP) - As more and more of her friends and neighbors ÀßΩ¤¹¤ë themselves Äê²Á¤Ä¤­¤Î out of ÄÂÂߤ·¤Î ÉôÂâs in Venice Beach, Judy Branfman began photographing the dozens of houses, bungalows and apartments ¸ºß sold, renovated and then relisted at ÆóÎÝÂÇ or £³Çܤˤʤë the cost.

Branfman started with only the vague idea that she should be ʸ½ñing the growing problem of evictions and ½»Âð unaffordability in her beloved west Los Angeles ¶áÎÙ. The writer and ¹ÔÆ°¼çµÁ¼Ô lamented that Venice, where tourists flock to the famous boardwalk and Muscle Beach, has been slowly shedding its Îò»ËŪ¤Ë bohemian vibe and becoming another Èô¤ÓÎÎÅÚ for the Ë­ÉÙ¤Ê.

Word spread about her photo »ö¶È¡¿·×²è¡Ê¤¹¤ë¡Ë and earlier this year Branfman started hosting community ²ñ¹çs where µï½»¡Ê¼Ô¡Ës could ³ô their experiences with evictions that ·³Ââd them to move out of the area and, in some »öÎã¡¿´µ¼Ôs, into homelessness. Some people recited poems. Others ɽÌÀ¤¹¤ëd themselves through ³¨s. And the more academically-minded ¤ÎÃæ¤Ç them began ¼ý½¸¤¹¤ëing ½»Âð and eviction Åý·×¡Ê³Ø¡Ë.

Branfman's ½é´ü¤Î notion to just shoot a few photos has ºÇ¹âĬ¤Ë㤹¤ëd in an ¤¢¤ê¤½¤¦¤â¤Ê¤¤ but ambitious art-²ñ¹ç¡¤²ñ¤¦s-data Ÿ¼¨¡Ê¤¹¤ë¡Ë ¸ª½ñ¤òÍ¿¤¨¤ëd "Where Has All The (affordable) ½»Âð Gone?" It's on ÄÄÎ󤹤롤ȯ´ø¤¹¤ë through Saturday at Venice's venerable Beyond Baroque gallery, a Ãæ¿´ for cultural events and activism dating »Ù±ç¤¹¤ë to the late 1960s.

"The idea was to illustrate the problem, to show what we've lost. You know, make it visual so people would walk in and be a little shocked, and want to do something about it," Branfman said at the gallery this week.

Venice became a Ãæ¿´ of the Los Angeles homelessness ´íµ¡ during the coronavirus pandemic, when ¡Ê·³¤Î¡ËÌî±ÄÃÏ¡¤¿Ø±Äs sprouted up in µï½»¤Î ¶áÎÙs and along the sands. The nation¡ ­s second-largest city also has 46,000 µï½»¡Ê¼Ô¡Ës who are homeless ¤ÎÃæ¤Ç the Á´ÂΤˤ錄¤ë Á´½»Ì± of 4 million people, ¤Ë¤è¤ì¤Ð the most ºÇ¶á¤Î Ä´ºº¤¹¤ë.

Writer and activist Judy Branfman stands by a map she created as part of a gallery installation at Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. The gallery installation offers a unique art-meets-data look at the eviction crisis in the Venice Beach neighborhood. The exhibit titled "Where Has All The (affordable) Housing Gone?" gathers maps, photos, statistics, paintings, poems and the stories of people who have been evicted from their homes, including the artist behind the project. (AP Photo/Richard Vogel)

Writer and ¹ÔÆ°¼çµÁ¼Ô Judy Branfman stands by a ÃÏ¿Þ¡¿·×²è¤¹¤ë she created as part of a gallery ¼è¤êÉÕ¤±¡¦ÀßÈ÷ at Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. The gallery ¼è¤êÉÕ¤±¡¦ÀßÈ÷ ¿½¤·¹þ¤à¡¿¿½¤·½Ðs a unique art-²ñ¹ç¡¤²ñ¤¦s-data look at the eviction ´íµ¡ in the Venice Beach ¶áÎÙ. The Ÿ¼¨¡Ê¤¹¤ë¡Ë ¸ª½ñ¤òÍ¿¤¨¤ëd "Where Has All The (affordable) ½»Âð Gone?" gathers ÃÏ¿Þ¡¿·×²è¤¹¤ës, photos, Åý·×¡Ê³Ø¡Ë, ³¨s, poems and the stories of people who have been Ω¤ÁÂफ¤»¤ëd from their homes, ´Þ¤àing the artist behind the »ö¶È¡¿·×²è¡Ê¤¹¤ë¡Ë. (AP Photo/Richard Vogel)

The area was a flashpoint because of its visibility as a city ÌÜ°õ - the boardwalk attracts an ³µ»»¤Î 10 million ˬÌä¼Ôs per year. A ³Î¤«¤Ê edginess always coexisted with a live-and-let-live ethos in the artsy beach community, but the ¹­¤²¤ëing of the wealth gap has become ¤Þ¤¹¤Þ¤¹ ÌÀ¤é¤«¤Ê as tech ²ñ¼Ò¡¿·ø¤¤s moved in and sleek modern homes went up.

As building owners Áܤ·½Ð¤¹ to bring in more ¿¼¤¤-pocketed renters, longtime µï½»¡Ê¼Ô¡Ës find themselves ¼è°ú¡¤¶¨Äêing with rent Áý²Ã¤¹¤ës that °µÅݤ¹¤ë their ºâÀ¯¡¿¶âÍ»s. Some 80% of low-income Los Angeles renters »Ùʧ¤¦¡¿Ä¶â over half their income toward ½»Âð costs, ¤Ë¤è¤ì¤Ð data ²òÊü¡Ê¤¹¤ë¡Ëd this week by the nonprofit Angeleno »ö¶È¡¿·×²è¡Ê¤¹¤ë¡Ë.

While Los Angeles is on Àפò¤Ä¤±¤ë to ²ñ¹ç¡¤²ñ¤¦ ³Î¤«¤Ê goals for new ½»Âð »Ï¤á¤ë¡¤·è¤á¤ë out by ºÇ¶á¤Î Åêɼ¡Ê¤¹¤ë¡Ë Âкö, "¶¡µë¡Ê¤¹¤ë¡Ë is ¸·¤·¤¯ behind ¼ûÍס¦Í׵᤹¤ë," the Êó¹ð¡Ê¤¹¤ë¡Ë¡¿²±Â¬ ÀßΩ¤¹¤ë.

"Some 3,500 ½»Âð ÉôÂâs are at high or very high ´í¸± of losing their affordability ¾ò·ï, ¶¼¤¹ing to ²¡¤·¿Ê¤á¤ë more families into homelessness," said the Êó¹ð¡Ê¤¹¤ë¡Ë¡¿²±Â¬. "A ½ÅÍ×¤Ê ²¼Í¤ë in affordable ½»Âð that started in 2022 ÃÏ°Ì¡¤Ç¤Ì¿¤¹¤ë-COVID-19 continues to ·¹¸þ downward."

Upon entering Branfman's Ÿ¼¨¡Ê¤¹¤ë¡Ë, ˬÌä¼Ôs are ľÌ̤¹¤ëd by her photos on an enormous and ¾ÜºÙ¡Ê¤Ë½Ò¤Ù¤ë¡Ëd ÃÏ¿Þ¡¿·×²è¤¹¤ë ÉÁ¼Ì¤¹¤ëing, Éõº¿¤¹¤ë by Éõº¿¤¹¤ë, many of the nearly 1,500 rent-controlled ÉôÂâs she says have di sappeared from the ½»Âð market in Venice over two £±£°Ç¯´Ös. In many instances, the buildings were sold to large ²ñ¼Ò¡¿ÃÄÂÎs that are ¤Þ¤¹¤Þ¤¹ buying up ½êͭʪ¡¿»ñ»º¡¿ºâ»ºs and jacking up rents.

The ÃÏ¿Þ¡¿·×²è¤¹¤ë, and much of the Ÿ¼¨¡Ê¤¹¤ë¡Ë, pins some of the ÈóÆñ¤¹¤ë for the problem on the Ellis ¹Ô°Ù¡¿Ë¡Îá¡¿¹ÔÆ°¤¹¤ë, a 1985 California ˡΧ that gave landlords Éý¤Î¹­¤¤ Åö¶É to Ω¤ÁÂफ¤»¤ë tenants in rent-controlled buildings for redevelopment, and then later ̾Êí¡Ê¤ËºÜ¤»¤ë¡Ë¡¿É½¡Ê¤Ë¤¢¤²¤ë¡Ë the same ÉôÂâs at market Ψs. Branfman said she was "Ellis ¹Ô°Ù¡¿Ë¡Îá¡¿¹ÔÆ°¤¹¤ëd" when she was Ω¤ÁÂफ¤»¤ëd from a Venice apartment in 2003.

"Too many tenants are afraid to fight »Ù±ç¤¹¤ë. And most don't know what their ¸¢Íøs are under the ˡΧ," she said. And even when tenants do ¤È¤¸¹þ¤ß¡¿Äó½Ð¤¹¤ë ¡Ê̱»ö¤Î¡Ë¹ðÁÊs against landlords, she said, the city very rarely µ¯Áʤ¹¤ës the ¡Ê¿ÍÌ¿¤Ê¤É¤ò¡ËÃ¥¤¦¡¤¼çÄ¥¤¹¤ës.

On the ʽ¤Ç°Ï¤à opposite the ÃÏ¿Þ¡¿·×²è¤¹¤ë is a ²òÊü¤¹¤ë¡¿¼«Í³¤Ê-»í¡Ê¤òºî¤ë¡Ë poem made up of °úÍѤ¹¤ës about why many renters are were afraid to take on landlords, such as: "I don't want any trouble" and "My neighbors aren't ʸ½ñd and they're afraid if they say anything they'll be Ūd."

Upstairs there are ³¨s and mixed-¥Þ¥¹¥³¥ß figurines that the artist Sumaya Evans calls "dignity dolls." Evans, who was homeless in Venice for years before recently finding ½»Âð, said creating art gave her a sense of self-²ÁÃ͡ʤ¬¤¢¤ë¡Ë when she was living on the streets.

"You get used to ¸ºß ignored as a homeless woman. People are blind to you when you're outside," she said. "And so ¸ºß a part of of a »ö¶È¡¿·×²è¡Ê¤¹¤ë¡Ë like this, ¸ºß a part of a community, is just so ½ý¤ò¤¤¤ä¤¹¡¿Ï²ò¤µ¤»¤ëing."

Branfman and other ½»Âð ¹ÔÆ°¼çµÁ¼Ôs are ´õ˾¤ËËþ¤Á¤¿ that change could come with ¼êÃÊ that's qualified for the 2024 Åêɼ¡Ê¤¹¤ë¡Ë. The ΨÀè that will go before Åêɼ¼Ôs would ³ÈÂ礹¤ë Ãϸµ¤Î »ÙÇۡʤ¹¤ë¡Ë¡¿ÅýÀ©¤¹¤ë by overturning a 28-year-old ˡΧ that ¶Ø¤¸¤ës rent »ÙÇۡʤ¹¤ë¡Ë¡¿ÅýÀ©¤¹¤ë on Áª¤Ó½Ð¤¹¡¿ÆÈ¿È-family homes, condos and ÄÂÂߤ·¤Î ÉôÂâs that were built after 1995.

After the Ÿ¼¨¡Ê¤¹¤ë¡Ë ¤Î¶á¤¯¤Ës Saturday, Branfman hopes to find a home for some of the ¼è¤êÉÕ¤±¡¦ÀßÈ÷s at a library or university. Most of it will live »ö¼Â¾å on its own Instagram page.

"The »Ä¤ê¡¿µÙ·Æ¡Ê¤¹¤ë¡Ë of it will be on ÄÄÎ󤹤롤ȯ´ø¤¹¤ë in my apartment," she laughs.

Writer and activist Judy Branfman stands by a map she created as part of a gallery installation at Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. The gallery installation offers a unique art-meets-data look at the eviction crisis in the Venice Beach neighborhood. The exhibit titled "Where Has All The (affordable) Housing Gone?" gathers maps, photos, statistics, paintings, poems and the stories of people who have been evicted from their homes, including the artist behind the project. (AP Photo/Richard Vogel)

Writer and ¹ÔÆ°¼çµÁ¼Ô Judy Branfman stands by a ÃÏ¿Þ¡¿·×²è¤¹¤ë she created as part of a gallery ¼è¤êÉÕ¤±¡¦ÀßÈ÷ at Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. The gallery ¼è¤êÉÕ¤±¡¦ÀßÈ÷ ¿½¤·¹þ¤à¡¿¿½¤·½Ðs a unique art-²ñ¹ç¡¤²ñ¤¦s-data look at the eviction ´íµ¡ in the Venice Beach ¶áÎÙ. The Ÿ¼¨¡Ê¤¹¤ë¡Ë ¸ª½ñ¤òÍ¿¤¨¤ëd "Where Has All The (affordable) ½»Âð Gone?" gathers ÃÏ¿Þ¡¿·×²è¤¹¤ës, photos, Åý·×¡Ê³Ø¡Ë, ³¨s, poems and the stories of people who have been Ω¤ÁÂफ¤»¤ëd from their homes, ´Þ¤àing the artist behind the »ö¶È¡¿·×²è¡Ê¤¹¤ë¡Ë. (AP Photo/Richard Vogel)

A close-up of a map part of an installation for an exhibit titled "Where Has All The (affordable) Housing Gone is seen at the Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. The Los Angeles gallery installation offers a unique art-meets-data look at the eviction crisis in the Venice Beach neighborhood. (AP Photo/Richard Vogel)

A ¤Î¶á¤¯¤Ë-up of a ÃÏ¿Þ¡¿·×²è¤¹¤ë part of an ¼è¤êÉÕ¤±¡¦ÀßÈ÷ for an Ÿ¼¨¡Ê¤¹¤ë¡Ë ¸ª½ñ¤òÍ¿¤¨¤ëd "Where Has All The (affo rdable) ½»Âð Gone is seen at the Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. The Los Angeles gallery ¼è¤êÉÕ¤±¡¦ÀßÈ÷ ¿½¤·¹þ¤à¡¿¿½¤·½Ðs a unique art-²ñ¹ç¡¤²ñ¤¦s-data look at the eviction ´íµ¡ in the Venice Beach ¶áÎÙ. (AP Photo/Richard Vogel)

Artist Sumaya Evans sits with her installation "dignity dolls." part of an exhibit titled "Where Has All The (affordable) Housing Gone?" at the Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. Evans, who was homeless in Venice for years before recently finding housing, said creating art gave her a sense of self-worth when she was living on the streets. "You get used to being ignored as a homeless woman. People are blind to you when you're outside," she said. "And so being a part of a project like this, being a part of a community, is just so healing." (AP Photo/Richard Vogel)

Artist Sumaya Evans sits with her ¼è¤êÉÕ¤±¡¦ÀßÈ÷ "dignity dolls." part of an Ÿ¼¨¡Ê¤¹¤ë¡Ë ¸ª½ñ¤òÍ¿¤¨¤ëd "Where Has All The (affordable) ½»Âð Gone?" at the Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. Evans, who was homeless in Venice for years before recently finding ½»Âð, said creating art gave her a sense of self-²ÁÃ͡ʤ¬¤¢¤ë¡Ë when she was living on the streets. "You get used to ¸ºß ignored as a homeless woman. People are blind to you when you're outside," she said. "And so ¸ºß a part of a »ö¶È¡¿·×²è¡Ê¤¹¤ë¡Ë like this, ¸ºß a part of a community, is just so ½ý¤ò¤¤¤ä¤¹¡¿Ï²ò¤µ¤»¤ëing." (AP Photo/Richard Vogel)

Artist Sumaya Evans talks about her installation "dignity dolls." part of an exhibit titled "Where Has All The (affordable) Housing Gone?" at the Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. Evans, who was homeless in Venice for years before recently finding housing, said creating art gave her a sense of self-worth when she was living on the streets. "You get used to being ignored as a homeless woman. People are blind to you when you're outside," she said. "And so being a part of a project like this, being a part of a community, is just so healing." (AP Photo/Richard Vogel)

Artist Sumaya Evans ²ñÃÌ about her ¼è¤êÉÕ¤±¡¦ÀßÈ÷ "dignity dolls." part of an Ÿ¼¨¡Ê¤¹¤ë¡Ë ¸ª½ñ¤òÍ¿¤¨¤ëd "Where Has All The (affordable) ½»Âð Gone?" at the Beyond Baroque gallery, Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. Evans, who was homeless in Venice for years before recently finding ½»Âð, said creating art gave her a sense of self-²ÁÃ͡ʤ¬¤¢¤ë¡Ë when she was living on the streets. "You get used to ¸ºß ignored as a homeless woman. People are blind to you when you're outside," she said. "And so ¸ºß a part of a »ö¶È¡¿·×²è¡Ê¤¹¤ë¡Ë like this, ¸ºß a part of a community, is just so ½ý¤ò¤¤¤ä¤¹¡¿Ï²ò¤µ¤»¤ëing." (AP Photo/Richard Vogel)

Artist Sumaya Evans, right, gives a kiss to writer and activist Judy Branfman in the entrance to Beyond Baroque gallery by a map she created as part of an exhibit titled "Where Has All The (affordable) Housing Gone?" on Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. Word spread about her photo project and Branfman started hosting community meetings
 where residents could share their experiences with evictions that forced them to move out of the area and, in some cases, into homelessness. (AP Photo/Richard Vogel)

Artist Sumaya Evans, ¸¢Íø, gives a kiss to writer and ¹ÔÆ°¼çµÁ¼Ô Judy Branfman in the Æþ¤ê¸ý to Beyond Baroque gallery by a ÃÏ¿Þ¡¿·×²è¤¹¤ë she created as part of an Ÿ¼¨¡Ê¤¹¤ë¡Ë ¸ª½ñ¤òÍ¿¤¨¤ëd "Where Has All The (affordable) ½»Âð Gone?" on Friday, Nov. 3, 2023, in the Venice Beach area of Los Angeles. Word spread about her photo »ö¶È¡¿·×²è¡Ê¤¹¤ë¡Ë and Branfman started hosting community ²ñ¹çs where µï½»¡Ê¼Ô¡Ës could ³ô their experiences with evictions that ·³Ââd them to move out of the area and, in some »öÎã¡¿´µ¼Ôs, into homelessness. (AP Photo/Richard Vogel)

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