Scotland pauses 関与 with Venice Biennale for review
Scotland is pausing its 関与 with the world’s oldest 同時代の art 展示, the Venice Biennale, 特記する／引用するing 関心s over 財政／金融, planning and the 環境.
Dating 支援する to 1895, the Biennale is 広範囲にわたって 見解（をとる）d as one of the 真っ先の 全世界の cultural events and 補欠／交替の／交替するs between art and architecture.
The team behind Scotland’s 関与 said there is no change to 計画（する）s for the Scotland + Venice Architecture 事業／計画（する）, A 壊れやすい Correspondence, taking place from May to November this year.
However, they 発表するd a pause for 2024 to “許す for a period of reflection and review”.
Scotland has been 伴う／関わるd in the Biennale since 2003 and its programme is run by the Scotland + Venice 共同 of Creative Scotland, British 会議, 国家の Galleries of Scotland, Architecture and Design Scotland, V&A Dundee and the Scottish 政府.
A spokeswoman for the 共同 said: “This has been a difficult 決定／判定勝ち（する） to make, 特に given the 事業／計画（する）’s 重要な 業績／成就s over the last 20 years.
“However, in the 現在の 財政上の and planning 環境 it feels necessary to review the 現在の model of 配達／演説／出産, and to consider the 事業／計画（する）’s position within the wider 範囲 of international 適切な時期s 利用できる to Scotland’s art and architecture communities.
“The 決定／判定勝ち（する） also 認めるs the 衝撃 that the 事業／計画（する） has on the 環境 and the need to consider how it can be 配達するd more ethically and sustainably into the 未来.
Still from Alberta Whittle´s film Lagareh - The Last Born (2022) (Cristiano Corte/NGS/PA)
“This isn’t a 決定／判定勝ち（する） to 身を引く from La Biennale, which remains an important international 壇・綱領・公約 for 同時代の art and architecture.”
The review is 推定する／予想するd to get under way this summer.
の中で the artists to have 代表するd Scotland at the Biennale is Alberta Whittle, who has recently had two 取り付け・設備s at the heart of her 展示 acquired for the nation by 国家の Galleries of Scotland.
Entanglement Is More Than 血 (2022) and the film?Lagareh ? The Last Born (2022) were の中で the 作品 the Barbadian-Scottish artist showed at the 59th Venice Biennale in 2022.
