Queen made to feel at home during 王室の 学院 of Arts visit
The Queen saw the funny 味方する of 存在 shown an 展示 of 絵s?collected by Charles I ? as many of the 作品 were from the 王室の Collection.
When the 君主 was?reminded by 王室の 学院 of Arts (RA)?大統領，／社長 Christopher Le Brun it was 効果的に?her artworks on 陳列する，発揮する, she laughed.
The Queen’s 小旅行する （機の）カム when she opened a major redevelopment at the 会・原則, based at Burlington House in central London,?which has 拡大するd into Burlington Gardens, a 所有物／資産／財産?behind it.
The 絵s are part of the RA?展示 Charles I: King And Collector which 再会させるs 140 items acquired and （売買）手数料，委託（する）／委員会／権限d during his 統治する for the first time since the 17th century.
After 見解（をとる）ing the new redevelopment created by architect Sir David Chipperfield, Mr Le Brun made the 君主 laugh when he told 招待するd guests: “I’ve just had rather?a unique experience, Her Majesty （機の）カム to see the Charles I 展示, I was 効果的に ma’am showing you your own 絵s ? it does look really wonderful.”
The 大統領，／社長 gave his speech from a room in the new re-開発, the former （警察，軍隊などの）本部 of the University of London which is now?linked to its neig hbour and will 供給する?extra space for 展示s and 陳列する，発揮するs.
The 王室の 学院 was 設立するd by George III in 1768, and its first 大統領，／社長 was the acclaimed portrait artist Sir Joshua Reynolds. It was 設立するd as a 独立した・無所属 会・原則 led by artists and architects to 供給する a strong 発言する／表明する for art and artists.
Mr Le Brun?追加するd: “Queen Victoria opened this building in 1870, Her Majesty is her 広大な／多数の／重要な, 広大な／多数の／重要な granddaughter, there’s something rather wonderful about this event today because what David Chipperfield has managed to do is create a second childhood for this 広大な／多数の／重要な building ? a?sort of?benign monumentality.
“The 推論する／理由 it’s a benign monumentality is because we ーするつもりである to go on at least for another 250 years, as you 公式文書，認める?we celebrate our 250 birthday (this year).
“The more observant amongst you may have noticed we’re not 完全に finished, but my point of introducing it with 250 years is?we’ve got to get it 権利, what is a few weeks ? what is a few days in the 状況 of centuries?”
The Queen 見解（をとる）s artwork with Dr Per Rumberg (Jeremy Selwyn/Evening 基準)
The 展示 featured 作品 from the 王室の Collection 含むing Anthony 先頭 Dyck’s family portrait of Charles I, wife Henrietta Maria of フラン?and their children Prince Charles and Princess Mary from 1632, to another work by the Flemish master of Charles on horseback painted a year later.
During the 小旅行する of the new 開発, the Queen was told the story about Queen Victoria’s hopes of getting the RA to move from its then-Trafalgar Square home to South Kensington where Prince Albert had, before his death in 1861, 手配中の，お尋ね者?to create a science, arts and cultural ４半期/4分の1.
When she was shown 文書s relating to the 問題／発行する,?a letter from 1865?written by Victoria was pointed out to the Queen, who said: “I recognise the handwriting.”
After the Queen, left?Mr Le Brun said: “She’s 極端に 井戸／弁護士席 知らせるd about her 絵s. We had the curator there to talk to her and she was fascinated to see them in different 手はず／準備.”
He joked: “They are big 絵s and やめる difficult to get out of Buckingham Palace.”
