Tennis-Swiatek 均衡を保った for picture-perfect finish to 2022 at WTA 決勝戦
Oct 29 (Reuters) - World number one Iga Swiatek is the hot favourite when the season-ending WTA 決勝戦 kick off on Monday in Fort 価値（がある）, Texas, as she looks to put the cherry on 最高の，を越す of a blockbuster 2022.
The 21-year-old 政治家 collected her second Roland Garros 肩書を与える and won four WTA 1000 tournaments まっただ中に a staggering 37-match unbeaten streak before hoisting the トロフィー at the U.S. Open this year.
A pair of 確信して 勝利，勝つs over Americans Coco Gauff and Jessica Pegula en 大勝する to the San Diego 肩書を与える earlier this month を強調するd her （人命などを）奪う，主張する as the biggest 脅し and she is the only Grand 激突する 勝利者 in the field.
関わりなく who comes out on 最高の，を越す, a new 支持する／優勝者 will be 栄冠を与えるd after 2019 勝利者 Ash Barty retired this year and 2021 支持する／優勝者 Garbine Muguruza failed to put herself in 論争. There was no 2020 版 予定 to the COVID-19 pandemic.
Tunisian fan favourite Ons Jabeur will feature for the first time with 復讐 on the 協議事項 after losing in 支援する-to-支援する Grand 激突する 決勝戦, most recently in 紅潮／摘発するing Meadows against Swiatek.
She will be joined by fellow first timers Daria Kasatkina, Pegula and Gauff, the 18-year-old Roland Garros finalist.
Greek Maria Sakkari 耐えるd a 最近の 一連の uneven 業績／成果s but （人命などを）奪う，主張するd the final 位置／汚点／見つけ出す for Fort 価値（がある） when she produced a superb run at the last WTA 1000 event of the year in Guadalajara.
She lost in the final to Pegula but the tournament was a 信用／信任 booster.
"Mentally, fighting-wise I've been very, very good the last four or five days," she told reporters. "The last few months maybe they 港／避難所't seen a good Maria. Maybe now it's myself again."
Like Sakkari, U.S. Open 半分-final ists Caroline Garcia and Aryna Sabalenka will also be making their second 外見s at the 決勝戦, which are played in a 一連の会議、交渉／完成する-コマドリ 判型.
Czechs Barbora Krejcikova and Katerina Siniakova return to defend their 肩書を与える in the （テニスなどの）ダブルス 競争 as the 最高の，を越す-seeded pair.
The WTA 決勝戦 run from Oct. 31 through Nov. 7. (報告（する）／憶測ing by Amy Tennery in New York Editing by Christian Radnedge)
