Italy's 社債 market 始める，決める for best week in over a year
By Dhara Ranasinghe
LONDON, July 5 (Reuters) - Italy's 政府 社債 産する／生じるs were 始める，決める on Friday for their best week in over a year thanks to 高くする，増すd 期待s of European Central Bank 通貨の 緩和 soon and 救済 that Rome has 避けるd EU disciplinary 活動／戦闘 over its 会計の position.
As 社債 産する／生じるs across the euro area this week 攻撃する，衝突する fresh milestones, Italy 配達するd its own 注目する，もくろむ-popping moves.
Italy's 10-year 社債 産する／生じる has slid 45 basis points and is 始める，決める for its biggest 週刊誌 落ちる since June 2018.
It was 4 basis points lower on the day at 1.63% on Friday, having 攻撃する，衝突する its lowest since 2016 on Thursday..
The closely-watched gap over safer German 政府 社債 産する／生じるs is hovering around 200 bps and の近くに to its tightest in over a year.
Two-year Italian 社債 産する／生じるs, 負かす／撃墜する 3 bps on Friday at 0.03%, 簡潔に turned 消極的な earlier in the week.
Italy dodged the 脅し of EU disciplinary 活動／戦闘 over its public 財政／金融s on Wednesday after 説得するing the European （売買）手数料，委託（する）／委員会／権限 that new 対策 submitted this week would help bring its growing 負債 into line with EU 会計の 支配するs.
"Some of the 関心s 投資家s have had around Italy have not played out yet," said Mohammed Kazmi, 大臣の地位 経営者／支配人 for UBP in Geneva.
"For now, the markets are 反応するing to 期待s of ECB quantitative 緩和 and Italy has always been one of the main 受益者s of that."
For sure, 憶測 that the ECB could 配達する not only 利益／興味-率 削減（する）s but かもしれない a fresh 一連の会議、交渉／完成する of 通貨の 刺激 were fuelled this week by comments from ECB 公式の／役人s.
投資家s are also betting that フラン's Christine Lagarde, 選ぶd by EU leaders this week to be next ECB 長，指導者, will 二塁打 負かす／撃墜する on the ECB's dovish 通貨の 政策 姿勢.
Data on Friday showing German 産業の orders fell far more than 推定する／予想するd in May 増強するd those 期待s.
Most 10-year 社債 産する／生じるs in the 圏 were little changed on the day as markets を待つd 重要な U.S. 職業s data later in the 開会／開廷／会期.
Germany's 10-year 社債 産する／生じる hovered around minus 0.40% , having dropped below the ECB's deposit 率 on Thursday for the first time.
(報告（する）／憶測ing by Dhara Ranasinghe; Editing by Catherine Evans)
