傾向ing: Lisa Dwan gets her teeth into theatre’s most 需要・要求するing 役割
Lisa Dwan
It’s one of the most 税金ing 行う／開催する／段階 役割s for an actress, and every time Lisa Dwan plays the part of Mouth in Samuel Beckett’s one-woman play Not I, she feels like she has been run over by a トラックで運ぶ. The nine-minute monologue, where the audience sees only a woman’s disembodied mouth 一時停止するd eight feet above a 黒人／ボイコット 行う／開催する／段階, was first 成し遂げるd by Billie Whitelaw in 1973 when
Beckett directed her at London’s 王室の 法廷，裁判所 theatre. Earlier this year Lisa, 36, who like Beckett was born in Ireland, brought the play 支援する to the same house to dazzling reviews. Now she is taking the show on 小旅行する, together with two other one-woman Beckett plays, beginning in London on 19 August.
To 達成する the disembodied 影響, Lisa 黒人／ボイコットs up her 直面する, wears a 黒人／ボイコット blindfold, covers her hair with 黒人／ボイコット tights, then ひもで縛るs her 長，率いる to a blackboard with a 穴を開ける in it, so that her mouth stays in the 選び出す／独身 beam of light. ‘It’s total sensory deprivation,’ she says. ‘I can’t see or hear anything.’
急速な／放蕩な fact Lisa also runs a マスコミ company and 説得するd Justin Bieber and One Direction to wear the 初めの One Piece, 誘発するing 全世界の onesie mania.
For UK 小旅行する dates, go to royalcourttheatre.com
