What a couple of 有望な 誘発するs: Artists create 素晴らしい light 陳列する,発揮する with a 殴打/砲列 and 燃やすing wire wool


All 広大な/多数の/重要な art starts with the 誘発する of an idea.

And that was literally the 事例/患者 with two artists trying to 逮捕(する) the energy of the dozens of 産業の buildings which surrounded their neighbourhood.

Steve Schubert and Ben 先頭 Wyke created these magical light 陳列する,発揮するs by setting steel wool alight and whirling it 一連の会議、交渉/完成する their 長,率いる.

They visited building 場所/位置s, architectural features and picturesque 支持を得ようと努めるd to create the 劇の 発射s, in a 企て,努力,提案 to bring their surrounding to life.

Sparks: Steve Schubert and Ben Van Wyke came up with the idea for their art when trying to capture the energy within the industrial buildings around their neighbourhood

誘発するs: Steve Schubert and Ben 先頭 Wyke (機の)カム up with the idea for their art when trying to 逮捕(する) the energy within the 産業の buildings around their neighbourhood

Spinning: The pair twirl the burning steel wool around their body to create to amazing images

Spinning: The pair twirl the 燃やすing steel wool around their 団体/死体 to create to amazing images

They used a nine volt electric 殴打/砲列 to 始める,決める it on 解雇する/砲火/射撃 and (期間が)わたる it around in circles to create a にわか雨 of 誘発するs, which look just like a beautiful 回転するing Catherine Wheel.

The pair, from Indianapolis, U.S., then 逮捕(する)d the scene on camera using six to eight second (危険などに)さらすs.

The technique, which they practised for one night in a 支援する garden, has resulted in a 一連の 利益/興味ing pictures, contrasting the 炎ing steel wool with the dark night behind.

Some of the 発射s could have come straight out of a Harry Potter novel, with powerful light field stretching over his 長,率いる like an umbrella and 負かす/撃墜する to the ground.

One, where the artist stands on a wet surface, looks just like a fountain of light spurting out of the centre.

Steve, who 作品 as a university Spanish teacher, said: ‘We have a lot of 産業の and 製造業の 商売/仕事s here, and we 手配中の,お尋ね者 to come up with a way of bringing them to life.

Re
flections: The artists try to harness their surrounding environment, especially wet surfaces, to maximise the dramatic impact of the pictures

Reflections: The artists try to harness their surrounding 環境, 特に wet surfaces, to maximise the 劇の 衝撃 of the pictures

Energy: The bright lights from the burning embers are set against the cold darkness of the abandoned buildings

Energy: The 有望な lights from the 燃やすing embers are 始める,決める against the 冷淡な 不明瞭 of the abandoned buildings

‘People often take pictures of the buildings and spaces, but 非,不,無 of them have any energy in them.

‘You can buy steel wool from the shops and we used a 9 volt electric 殴打/砲列 to 始める,決める it alight. The 告発(する),告訴(する)/料金 starts the 燃焼 and it 誘発するs the way you see in the pictures.

‘We practised in a 支援する yard for one night, then spent two nights on 場所 getting the pictures just r ight.

And for anyone thinking of trying to recreate their very own work would be very 井戸/弁護士席 advised not to.

The experienced pair took 警戒s to make sure they didn't 始める,決める anything on 解雇する/砲火/射撃 in the 過程 and unintentionally become their own 炎上ing work of art.

Steve 追加するd: ‘I was really worried we might 始める,決める something alight by 事故, 特に as there is a lot of coal dust in the areas we used.

‘We made sure it was a 雪の降る,雪の多い night with plenty of moisture in the 空気/公表する, just in 事例/患者.

‘I hope we've managed to 逮捕(する) the energy in the pictures, and bring these spaces to life for people.’

Worried: Steve and Ben are careful to ensure their surrounding are not likely to be set on fire when creating their work

Worried: Steve and Ben are careful to 確実にする their surrounding are not likely to be 始める,決める on 解雇する/砲火/射撃 when creating their work


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