Monkeying around on 始める,決める! Never-before-seen photos give a glimpse behind the scenes of the 惑星s of the Apes

宣伝

Newly 解放(する)d photos with behind-the-scenes looks and 概念 art from 惑星s of the Apes will give fans a peek at the 生産/産物 of the franchise.?

A new 調書をとる/予約する する権利を与えるd 惑星 of the Apes: The 進化 of the Legend charts the 開発 of the movie franchise from the 初めの film starring Charlton Heston to this year's 解放(する), 夜明け of the 惑星 of the Apes.

In a 生産/産物 still, Heston is seen behind the scenes with director Franklin Schaffner getting into character as the 立ち往生させるd 宇宙飛行士 Taylor, one of the 役割s that defined his 事実上の/代理 career.

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Groundbreaking: John Chambers was praised for his work developing make-up that allowed actors to express emotion for the Planet of the Apes, which required layers of makeup applied to the actor's faces

Groundbreaking: John 議会s was 賞賛するd for his work developing make-up that 許すd actors to 表明する emotion for the 惑星 of the Apes, which 要求するd 層s of 構成 適用するd to the actor's 直面するs

Monkey business: The make-up team experimented with foam masks for the original production of the Planet of the Apes, though they later moved to rubber latex applications

Monkey 商売/仕事: The make-up team 実験d with 泡,激怒すること masks for the 初めの 生産/産物 of the 惑星 of the Apes, though they later moved to rubber latex 使用/適用s

Archives: The authors dipped into Twentieth Century Fox's archives for promotional stills of the cast, such as this one of the actors from the original Planet of the Apes in costume

古記録s: The authors dipped into Twentieth Century Fox's 古記録s for 宣伝の stills of the cast, such as this one of the actors from the 初めの 惑星 of the Apes in 衣装

Made up: Robert Gunner poses for a still in make-up as the human, Landon, who in the film was lobotomized by chimp doctor Zaius. The scars were part of the groundbreaking make-up work for the film

Made up: Robert Gunner 提起する/ポーズをとるs for a still in make-up as the human, Landon, who in the film was lobotomized by chimp doctor Zaius. The scars were part of the groundbreaking make-up work for the film

Ragged: Charlton Heston in costume as Taylor, an astronaut transported to a planet where apes rule over humans in the original movie, receiving direction from Franklin Schaffner

Ragged: Charlton Heston in 衣装 as Taylor, an 宇宙飛行士 輸送(する)d to a 惑星 where apes 支配する over humans in the 初めの movie, receiving direction from Franklin Schaffner

Part of the 調書をとる/予約する 診察するs the groundbreaking 革新s in make-up that the film used to give actors the ability to emote convincingly while playing chimpanzees and apes.

In its 2001 obituary, The 後見人 called John 議会s, who developed make-up for the actors on 惑星 of the Apes, 'one of the fathers of modern film make-up.'

'He eschewed masks and laboriously glued rubber make-up to the actors' 肌, piece by piece,' the obituary read.

Ape ruler: Andy Serkis played Caeser, the top ape, in Rise of the Planet of the Apes and Dawn of the Planet of the Apes, and his ape-like appearance was developed with motion-capture technology

Ape 支配者: Andy Serkis played Caeser, the 最高の,を越す ape, in Rise of the 惑星 of the Apes and 夜明け of the 惑星 of the Apes, and his ape-like 外見 was developed with 動議-逮捕(する) 科学(工学)技術

Production: Monitors relaying motion-capture images to the production staff show the final battle between Caesar and Koba in Dawn of the Planet of the Apes to give the crew an idea of how the finished product looked

生産/産物: 監視するs relaying 動議-逮捕(する) images to the 生産/産物 staff show the final 戦う/戦い between Caesar and Koba in 夜明け of the 惑星 of the Apes to give the 乗組員 an idea of how the finished 製品 looked

Dystopian: A set designer puts the finishing touches on ape Abraham Lincoln for Tim Burton's 2001 remake of the Planet of the Apes, where humans have crash-landed on a dystopian version of Earth ruled by apes

Dystopian: A 始める,決める designer puts the finishing touches on ape Abraham Lincoln for Tim Burton's 2001 remake of the 惑星 of the Apes, where humans have 衝突,墜落-landed on a dystopian 見解/翻訳/版 of Earth 支配するd by apes

Photos of make-up 実験(する)s show 議会s at work (手先の)技術ing looks for the actors in the chimpanzee 役割s.

The franchise later moved on to hi-tech 解答s for turning human actors to simian creatures 住むing a dystopian 未来.

Photos show Andy Serkis, 星/主役にする of the Rise of the 惑星 of the Apes and 夜明け of the 惑星 of the Apes, decked out in 動議-逮捕(する) gear while playing the 役割 of Caesar, 支配者 of the apes.

Concept: The Statue of Liberty casts a shadow on Taylor, played by Charlton Heston, in the iconic closing shot of Planet of the Apes, where Taylor realizes the apes have taken over Earth

概念: The Statue of Liberty casts a 影をつくる/尾行する on Taylor, played by Charlton Heston, in the iconic の近くにing 発射 of 惑星 of the Apes, where Taylor realizes the apes have taken over Earth

Doomsday: A nuclear bomb was worshiped by mutant believers in an underground city in Beneath the Planet of the Apes, the second of five films in the original series of Planet of the Apes

Doomsday: A 核の 爆弾 was worshiped by mutant 信奉者s in an 地下組織の city in Beneath the 惑星 of the Apes, the second of five films in the 初めの 一連の 惑星 of the Apes

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Attack: Concept art also showed the primitive human species attacked by apes in the original Planet of the Apes, in a world where humans lived under the rule of ape species

Attack: 概念 art also showed the 原始の human 種類 attacked by apes in the 初めの 惑星 of the Apes, in a world where humans lived under the 支配する of ape 種類

Monkey business: Ape warriors take a break on set to clown around for the cameras on Tim Burton's 2001 remake. The remake starred Helena Bonham Carter and Mark Wahlberg

Monkey 商売/仕事: Ape 軍人s take a break on 始める,決める to clown around for the cameras on Tim Burton's 2001 remake. The remake starred Helena Bonham Carter and 示す Wahlberg

Production: Conquest of the Planet of the Apes was the fourth film in the franchise and was shot in San Francisco and depicted apes conquering their cruel human overseers

生産/産物: Conquest of the 惑星 of the Apes was the fourth film in the franchise and was 発射 in San Francisco and 描写するd apes 征服する/打ち勝つing their cruel human overseers

Production: Conquest of the Planet of the Apes was the fourth film in the franchise and was shot in San Francisco and depicted apes conquering their cruel human overseers?

生産/産物: Conquest of the 惑星 of the Apes was the fourth film in the franchise and was 発射 in San Francisco and 描写するd apes 征服する/打ち勝つing their cruel human overseers?

The 調書をとる/予約する also shows 概念 art where the films' lush landscapes and 廃虚d 都市の 背景s were first imagined.?

惑星 of the Apes: The 進化 will be 解放(する)d October 14 through 巨人 調書をとる/予約するs.

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