Steve Albini dead: 伝説の 激しく揺する 生産者 passes away 老年の 61

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伝説の music 生産者 Steve Albini, best known for 記録，記録的な／記録するing with Nirvana, has passed away 老年の 61.?

Albini died from a heart attack on Tuesday, May 7, his music studio staff told Pitchfork.?

He led a storied １０年間s-long career in the studio, while also 成し遂げるing as a frontman for Big 黒人／ボイコット and Shellac, the latter he was 報道によれば 解放（する）ing an album with next week as they 用意が出来ている for an 近づいている 小旅行する.?

The 生産者 was credited for his 役割 in the rise of 代案／選択肢 激しく揺する and punk music in the 80s and 90s, also 含むing work with the Pixies, Jarvis Cocker, and PJ Harvey.?

伝説の music 生産者 Steve Albini, best known for 記録，記録的な／記録するing with Nirvana, has passed away 老年の 61

Outside the studio Albini?成し遂げるd as a frontman for Big 黒人／ボイコット and The Shellac, the latter he was 報道によれば 準備するing an 近づいている 小旅行する with before his death?

にもかかわらず his success in the 記録，記録的な／記録するing studio, Albini's later career was also 示すd by his outspoken 批評 of the music 産業.?

He 顕著に took 目的（とする） at predatory practices from music (n)役員／(a)執行力のあるs, arguing that young 禁止（する）d are often 誘惑するd into exploitative 取引，協定s 早期に in their careers.?

Albini was known for his preference to the 称する，呼ぶ／期間／用語 'music engineer' over 生産者, and left his 示す on iconic music from the grunge 時代 - 含むing 記録，記録的な／記録するing Nirvana's album 'In Utero.'?

Those that worked with him said he was not afraid to show his distaste at the music he was producing, and he famously 述べるd the Pixies in 1988 as 'four cows more anxious to be led around by their nose （犯罪の）一味s.'?

In the weeks before his death, Albini had been 準備するing to 小旅行する with his 禁止（する）d Shellac, and the 禁止（する）d had 記録，記録的な／記録するd their first al bum in a １０年間 that is scheduled for 解放（する） next week.?

Born in California, Albini grew up in Missoula, Montana with a 'normal' childhood - that he said all changed when a friend introduced him to The Ramones as a 十代の少年少女.?

'It was the first time I felt like there was any part of culture that 代表するd the irreverence and goofiness and 肉親，親類d of mania that my friends and I were 陳列する，発揮するing,' he 解任するd to The 後見人.?

From there, he began 記録，記録的な／記録するing with Big 黒人／ボイコット, while 表面上は 捜し出すing 論争 with his work, 含むing a short stint with the 禁止（する）d 指名する 'Rapeman', a 肩書を与える he said he later regretted.??

Known for bringing a raw, high-energy sound to his work, Albini was 影響力のある in the 激しく揺する and metal scenes for １０年間s?

Albini (seen 成し遂げるing in June 2023 in Spain) 法廷，裁判所d 論争 throughout his career, and later said he regretted some of his 活動／戦闘s taken 'from an ignorant position'?

In his 早期に producing work with 禁止（する）d such as Slint and The 子孫を作る人s, he rose to prominence with his high energy, raw 生産／産物s that became better known with artists like Nirvana.?

In the 1980s, his alt-激しく揺する sound saw him work on the 早期に albums of Jesus Lizard, and he went on to 'engineer' hundreds of albums in その後の １０年間s.??

The music 生産者 lived in Chicago with his wife, film director Heather Whinna.?

In an interview with AV Club?in 2000, he 明らかにする／漏らすd he 苦しむd from a deformed 権利 脚 as a result of a car 事故 when he was 18.?

にもかかわらず spending １０年間s with grunge rockers like Kurt Cobain, Albini also 明らかにする／漏らすd in 2022 that he 避けるd 麻薬s and alcohol, 特に because of his father's struggle with alcoholism.?

He told Noise 延期するs 回復 that he felt '極端に lucky' not to have fallen into the 炭坑，オーケストラ席s of 中毒.?

'I don't like the taste of alcohol, don't like 存在 drunk, and never liked any of the 麻薬 明言する／公表するs I've experienced enough to prefer them over 存在 straight in the moment with clarity,' he said.?

Aside from music, he was also 公式文書，認めるd as a successful poker player, once winning a World 一連の Poker gold bracelet in a 2022 競争 where he won over $196,000 in prize money, （警官の）巡回区域，受持ち区域ing 773 other players.??

In 2018, he also 報道によれば won a poker tournament that netted him over $105,000.?

にもかかわらず spending １０年間s with grunge rockers like Kurt Cobain, Albini 明らかにする／漏らすd that he 避けるd 麻薬s and alcohol, 特に because of his father's struggle with alcoholism

Albini became synonymous with 議論の的になる work 早期に in his career, producing songs such as 'Pray I Don't Kill You F*****' and 指名するing one of his 禁止（する）d, 'Run N***** Run', によれば Pitchfork.?

In his later years he would わびる for some of his 不快な／攻撃 antics, tweeting in 2021: 'A lot of things I said and did from an ignorant position of 慰安 and 特権 are 明確に awful and I 悔いる them.?

'It’s nobody’s 義務 to overlook that, and I do feel an 義務 to redeem myself.

'I’m 延滞の for a conversation about my 役割 in 奮起させるing ‘edgelord’ s***. Believe me, I’ve met my 株 of punishers at gigs and I sympathize with anybody who isn’t me but still had to 苦しむ them.'?

Albini used his prominence in the music scene to call out what he saw as exploitative practices の中で 記録，記録的な／記録するing studios.?

令状ing for The Baffler in a now-famous article around the punk scene called 'The Problem with Music', he 宣言するd that 'all that's 要求するd to be a 十分な-育てる／巣立つd '生産者' is the gall it takes to （人命などを）奪う，主張する to be one.'?