Richard Quinn 配達するs a beautiful 尊敬の印 to the late Queen Elizabeth II in his 最新の collection at London Fashion Week
- The designer 現在のd his autumn/winter 2024 collection at Andaz London
- READ MORE:?Letter written by the Queen Mother 101 years ago goes up for auction after it was 設立する 存在 used as a bookmark
Richard Quinn 配達するd a beautiful 尊敬の印 to the late Queen Elizabeth II in his autumn/winter 2024 collection at London Fashion Week.
The London-based designer 現在のd his glamorous 範囲 against an opulent floral 背景 within the historic grade II-名簿（に載せる）／表（にあげる）d ballroom at Andaz London?yesterday.
Having 献身的な his spring/summer 2023 collection to Queen Elizabeth who touched him 'の中で so many others with her grace and 親切', Quinn is believed to have drawn inspiration from the late 君主 and other members of the 王室の Family?this season.
The collection featured vintage-奮起させるd bridalwear that accentuated the curves of the 女性（の） 人物／姿／数字, creating a sense of high society elegance. …を伴ってd by a string quartet and a ピアニスト, the showcase created a harmonious atmosphere.
Richard Quinn's 関係 with Queen Elizabeth dates 支援する to 2018 when she …に出席するd one of his shows and subsequently 現在のd him with the 就任の Queen Elizabeth II Award for British Design.
Richard Quinn 配達するd a beautiful 尊敬の印 to the late Queen Elizabeth II in his autumn/winter 2024 collection at London Fashion Week?
A striking ivory gown, featuring a 水晶-embellished bodice and 十分な skirt, appeared to draw inspiration from Queen Elizabeth's renowned Peau De Soie taffeta dress.
The dress was designed by Sir Norman Hartnell and worn by Her Majesty at the 1962 film 首相 of Lawrence Of Arabia at London's Leicester Square Odeon where she met 主要な man Peter O'道具.
Princess Beatrice later wore the regal design at her wedding to Edoardo Mapelli Mozzi on July 17, 2020 - with the 新規加入 of puffed organza sleeves and a Duchess satin hem.
どこかよそで,?a ruffled ivory lace gown evoked memories of one worn by Queen Elizabeth in 1952.?
Richard Quinn's 劇の ballgown, reminiscent of the 君主's design, showcased a fitted bodice and a 層d lace skirt that gracefully swept the 床に打ち倒す.?
Richard Quinn also 現在のd a ruffled lace gown that was reminiscent of one worn by Queen Elizabeth in 1952
A 黒人／ボイコット velvet dress was strikingly 類似の to the gown that Queen Elizabeth wore to 会合，会う?Marilyn Monroe in 1956
The London-based designer even 完全にするd the look with extra-long satin gloves as his 王室の muse did.
Queen Elizabeth debuted her dress when she met with seven 連邦／共和国 首相s and two 大蔵大臣s during the Economies 会議／協議会 in London on December 4, 1952.
Another design, 削減（する） from sumptuous 黒人／ボイコット velvet, looked strikingly 類似の to the gown that Queen Elizabeth wore to the 王室の Film 業績／成果 in 1956.
The late 王室の was snapped donning a 黒人／ボイコット velvet gown as she arrived at the Empire Theatre with sister Princess Margaret on October 29, 1956 - and later shaking 手渡すs with Marilyn Monroe.
Quinn 解釈する／通訳するd the style with an off-shoulder neckline and 減少（する） waist, but 追加するd a fishtail hem in contrast to Elizabeth's A-line silhouette.
One model glided 負かす／撃墜する the catwalk in a ruffled dress 類似の to one worn by Princess Margaret in 1952
Queen Elizabeth II …に出席するs Richard Quinn's London Fashion Week show on February 20, 2018?
Queen Elizabeth II 現在のs Richard Quinn with the 就任の Queen Elizabeth II Award for British Design on February 20, 2018 in London
一方／合間,?a nod to Princess Margaret's elegant style was evident in a 黒人／ボイコット ruffled satin gown.
This striking ensemble featured draped fabric over the shoulders and a 大波ing skirt, 製図／抽選 inspiration from Margaret's renowned 1952 Dior gown, which also 影響（力）d the Emanuel dress worn by Princess Diana to her first 公式の／役人 public 約束／交戦 with Prince Charles.?
Richard Quinn's 関係 with Queen Elizabeth dates 支援する to 2018 when she …に出席するd one of his London Fashion Week show, sitting next to Anna Wintour in the 前線 列／漕ぐ／騒動.
She subsequently 現在のd Quinn, then an em erging designer, with the 就任の Queen Elizabeth II Award for British Design.?
His autumn/winter 2024 show 公式文書，認めるs read: 'Unconcerned with hype, the 着せる／賦与するs 存在する to be 心にいだくd, passed 負かす／撃墜する from mother to daughter in days to come.
'From their 内部の structures to outer 捏造／製作s, these pieces 焦点（を合わせる） on 形態／調整, 容積／容量 and craftmanship, recognising the art of fashion design.'
