This Might Not Be It review: Behind the Perspex partition - a sweetly 希望に満ちた look at the NHS's mental health care system, 令状s PATRICK MARMION
This Might Not Be It (Bush Theatre, London)
判決: Could be it
Thanks to this week's depressing news of a 深くするing 危機 in children's mental health care 準備/条項, Sophia Chetin-Leuner's new play, This Might Not Be It, is regrettably timely.
It is, however, also a sweetly 希望に満ちた, broom cupboard-sized 演劇 始める,決める on the other 味方する of the Perspex partition in a children and adolescent outpatient department.
The 活動/戦闘 hinges on Angela and Jay, a 二塁打 行為/法令/行動する of an old-lag receptionist and a young idealist.
Angela runs her own bespoke とじ込み/提出するing system under the mantra of '言及する, 言及する, 言及する'.
Jay is a 訓練生 therapist who is 決定するd to digitise the folders scattered all over the office 床に打ち倒す.?
This Might Not Be It 生産/産物 photos taken on the 30th January 2024 taken at the Theatre Bush, London
The 活動/戦闘 hinges on Angela and Jay, a 二塁打 行為/法令/行動する of an old-lag receptionist and a young idealist
Both answer to unseen Gary ― the NHS's answer to Samuel Beckett's Godot, 手渡すing 負かす/撃墜する 判決,裁定s from the 4th 床に打ち倒す.
Chetin-Leuner 展示(する)s a talent for tautology with lines like Jay's 'you don't know stuff until you know stuff'.
But she also 示唆するs how the dysfunctional NHS does somehow still manage to 機能(する)/行事 ― and how staff can connect with 患者s にもかかわらず 鎮圧するing 官僚主義 and the 誘惑 to despair.
This could be more fully 調査するd in a longer play but, like the 令状ing, Ed Madden's 生産/産物 is a hyper-realist distillation of a dog-eared hospital office.
There are neat turns from Debra パン職人's officious yet warm-hearted Angela, Denzel Baidoo's naive and bashful Jay, 加える Dolly Webb as an all too familiar, 攻撃を受けやすい teenage girl.