EXCLUSIVEA.I. 明らかにする／漏らすs who's REALLY winning the Drake vs Kendrick beef - as fan bases remain divided over diss songs

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Drake and Kendrick Lamar's 現在進行中の beef has left their 充てるd fans utterly divided over who's winning.

The rappers have 解放（する）d several diss songs against each other and their fan bases? are 確かな their team is winning.?

To try and （土地などの）細長い一片 biases out of the 審議, we asked?人工的な 知能 chatbots?who is winning the?現在進行中の 反目，不和?- and it produced some surprising insights.

Three out of four AI?chatbots remained 政治上 訂正する when 演説（する）／住所ing which rapper is winning the beef, calling it 'subjective' and 説 it is up to the fans to decide.

But Meta's AI bot said Kendrick had a slight 辛勝する／優位 in the beef so far.?

Meta AI 宣言するd Kendrick Lamar as having an 辛勝する／優位 in his beef with Drake and said he appears to be winning?

Gemini called Drake a?'商業の powerhouse with 非常に／多数の 攻撃する，衝突する （テニスなどの）シングルス and albums that have topped the charts,' but said who is winning the 反目，不和 remains subjective

'最終的に, the 勝利者 of the Drake versus Kendrick Lamar beef is subjective and depends on personal preference,' said DeepAI.?

'Some may argue that Kendrick Lamar's technical 技術 and thought-刺激するing content give him the 辛勝する／優位, while others may prefer Drake's 攻撃する，衝突する-making ability and 商業の success.'

Google's Gemini compared the two artists, 説 Lamar's 跡をつけるs 申し込む／申し出 'hard-hitting wordplay' while many fans have enjoyed Drake's 'more accessible approach,' but 最終的に said 'some believe both rappers landed punches, making it a draw.'?

It said that who's winning depends on what people value in a diss 跡をつける and said that Drake 直接／まっすぐに 答える／応じるs to Lamar's 告訴，告発s in his 跡をつけるs which make it feel like a two-way conversation.

一方／合間, Lamar has 申し込む／申し出d the surprise factor, Gemini said, 追加するing: 'Kendrick dropped several diss 跡をつけるs 突然に, keeping Drake on his toes.'??

Three out of four chatbots wouldn't give a finite answer on which artist is winning the 現在進行中の beef which started in 2013

Drake 解放（する）d the 跡をつける 'Family 事柄s' which （刑事）被告 Lamar of infidelity and 乱用ing his fiance

Kendrick Lamar 解放（する）d four diss 跡をつけるs against Drake in the last week and three in いっそう少なく than 48 hours

ChatGPT said it wasn't aware of the beef, but 推測するd that Drake's 返答s would be '戦略の,' Lamar would '雇う a calculated approach, choosing his moments carefully to 配達する a 破滅的な blow.'

Of the four chatbots asked to 選ぶ which artist is winning on their diss 跡をつけるs, only Meta AI gave an opinion.

'Both artists have 配達するd impressive 詩（を作る）s and diss 跡をつけるs, making it challenging to 宣言する a （疑いを）晴らす 勝利者,' Meta AI wrote before breaking 負かす／撃墜する the artists' lyrical content, flow and 配達／演説／出産 and the 衝撃.

'While both artists have 配達するd impressive 業績／成果s, Kendrick Lamar's lyrical depth, storytelling, and 衝撃 on the hip-hop community give him a slight 辛勝する／優位 in this beef,' Meta AI wrote.

'Drake's personal attacks and 商業の success can't outweigh Kendrick's thought-刺激するing lyrics and cultural 影響（力）,' it continued, but 明らかにするd that it is still a subjective 査定／評価.

READ MORE:?Drake 解放（する）s ANOTHER Kendrick Lamar diss 跡をつける - but 競争相手 rapper 答える／応じるs within MINUTES and makes wild （人命などを）奪う，主張する that Drake has a 'hidden daughter'?

発表するing the song on Instagram, Drake captioned the 地位，任命する, 'FAMILY MATTERS out on YouTube now. Stop trying to piece together what I know and go 選ぶ up the pieces of your broken home'?

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The chatbot 結論するd that 'the true 勝利者s are the fans, who get to enjoy the creative 生産（高） and 進化 of these two hip-hop 巨大（な）s.'

The two artists' beef started in 2013 when Lamar called out Drake and 11 other rappers on his 跡をつける '支配（する）／統制する,' 説: 'They don't want to hear not one more noun or verb from you.'?

He went on to 宣言する himself 'King of New York' and 'King of the Coast' on the 跡をつける, and Drake told Vibe at the time that he felt he was 存在 'baited' by Lamar.

'Where it became an 問題／発行する is that I was rolling out an album while that 詩（を作る） was still 泡ing, so my album rollout became about this thing. What am I supposed to say? Nah, we'll be buddy-buddy?' asked the rapper.

'Mind you, I never once said he's a bad guy (or) I don't like him. I think he's a f***ing genius in his own 権利, but I also stood my ground as I should.'

Since then, the artists have only continued to stoke the 解雇する／砲火／射撃, as Lamar's 'Not Like Us' 跡をつける （刑事）被告 Drake of 存在 a pedophile, （人命などを）奪う，主張するing he 恐らく groomed young women.

'Say, Drake, I hear you like 'em young / You better not ever go to 独房 封鎖する one,' Lamar rapped, and went on to 言及／関連 Drake's 2021 album, 'Certified Lover Boy' by 説, 'Certified Lover Boy? Certified pedophiles.'

The 跡をつける was 解放（する）d hours after Lamar dropped '会合，会う the Grahams' where he （刑事）被告 Drake of 存在 a deadbeat dad and （人命などを）奪う，主張するd he's hiding a child.?

It was in 返答 to Drake's 跡をつける 'Family 事柄s' which dropped mere minutes before '会合，会う the Grahams' and （刑事）被告 Lamar of 乱用ing his fianc? Whitney Alford and 主張するing that he was unfaithful.?

'You the 黒人／ボイコット messiah wifing up a mixed queen/ And 攻撃する，衝突する vanilla cream to help out with your self-esteem/ On some Bobby sh*t, I wanna know what Whitney need,' and later 追加するd: 'When you put your 手渡すs on your girl, is it self-弁護 '原因（となる） she's bigger than you?'?

Each artist has 展示（する）d their 声の prowess in their own 権利, によれば Gemini, which said 'Lamar?is known for his intricate lyricism, socially conscious 主題s, and raw authenticity in his music.'

'On the other 手渡す, Drake is a 商業の powerhouse with 非常に／多数の 攻撃する，衝突する （テニスなどの）シングルス and albums that have topped the charts,' the chatbot continued.

'Some may argue that Kendrick Lamar's technical 技術 and thought-刺激するing content give him the 辛勝する／優位, while others may prefer Drake's 攻撃する，衝突する-making ability and 商業の success,' it said.?

'In the end, both artists have solidified their places in the 非難する game and continue to 栄える in their 各々の 小道／航路s.'