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An Antiques Roadshow guest was left in shock after she was told the appraised value of her grandmother-in-法律's iconic 1910s pearl and diamond necklace.?

The one-of-a-肉親,親類d necklace, which was 相続するd by the woman and her husband after his grandmother died at the age of 102, was 現在のd to appraiser Gloria Lieberman on the show.?

Lieberman was able to quickly 確認する that the piece was created by Paulding Farnham during his time as the lead designer at Tiffany & Co. through 署名s on the necklace.?

The 専門家 showed テレビ視聴者s two 署名s on the necklace? - one on the 支援する of the diamond pendant and the other on the clasp.?

The one-of-a-kind necklace, which was inherited by the woman and her husband after his grandmother died at the age of 102, was presented to appraiser Gloria Lieberman on the show

The one-of-a-肉親,親類d necklace, which was 相続するd by the woman and her husband after his grandmother died at the age of 102, was 現在のd to appraiser Gloria Lieberman on the show

The guest was then told that despite losing two of its pearls - each valued at $5,000 - the necklace was currently worth a staggering $200,000

?The guest was then told that にもかかわらず losing two of its pearls - each valued at $5,000 - the necklace was 現在/一般に 価値(がある) a staggering $200,000

Lieberman was able to quickly confirm that the piece was created by Paulding Farnham during his time as the lead designer at Tiffany & Co. through signatures on the necklace.

Lieberman was able to quickly 確認する that the piece was created by Paulding Farnham during his time as the lead designer at Tiffany & Co. through 署名s on the necklace.

She explained: 'Most people would say, "Oh, it's diamonds, you know, that's what's important'. No, it's all about the pearls.?

'This piece was probably designed by one of Tiffany's greatest designers, Paulding Farnham and he loved natural pearls.

'Each pearl is beautiful: the luster, the match, the 肌 on it ― we call it the 肌. It has no blemishes. I mean, these are beautiful, natural pearls.'

The guest was then told that にもかかわらず losing two of its pearls - each valued at $5,000 - the necklace was 現在/一般に 価値(がある) a staggering $200,000.?

Lieberman also advised the guest to get the necklace restrung at a Tiffany's 蓄える/店 and to 'wear it?いつかs?to enjoy its beauty' but mostly keep it for important occasions.?

Lieberman also advised the guest to get the necklace restrung at a Tiffany's store and to 'wear it sometimes to enjoy its beauty' but mostly keep it for important occasions

Lieberman also advised the guest to get the necklace restrung at a Tiffany's 蓄える/店 and to 'wear it いつかs to enjoy its beauty' but mostly keep it for important occasions

The guest, who was left in absolute shock after knowing the value of the historical necklace, quickly responded and said that she would keep it for her daughters' weddings

The guest, who was left in 絶対の shock after knowing the value of the historical necklace, quickly 答える/応じるd and said that she would keep it for her daughters' weddings

Farnham, a notable jewelry designer, sculptor and metallurgist, was the lead designer at Tiffany's for about 20 years

Farnham, a 著名な 宝石類 designer, sculptor and metallurgist, was the lead designer at Tiffany's for about 20 years

The guest, who was left in 絶対の shock after knowing the value of the historical necklace, quickly 答える/応じるd and said that she would keep it for her daughters' weddings.?

Farnham, a 著名な 宝石類 designer, sculptor and metallurgist, was the lead designer at Tiffany's for about 20 years.?

He was 'universally 認めるd as the genius behind Tiffany’s success' 支援する when the company won a staggering six gold メダルs at the 1889 解説,博覧会 in Paris, によれば Antique 宝石類 University.

Farnham's?enameled and bejeweled orchids, true in 詳細(に述べる) to actual flowers, were あられ/賞賛するd as exceptional at the time.??

Some of his artwork is 現在/一般に kept at New York's 主要都市の Museum of Art and 利用できる for the public to see.?